Thematic Bible
Thematic Bible
Gold » Used in the arts » Overlaying with
You are to overlay it with pure gold -- both inside and outside you must overlay it, and you are to make a surrounding border of gold over it.
He overlaid it with pure gold, inside and out, and he made a surrounding border of gold for it.
On the two doors made of olive wood he carved cherubs, palm trees, and flowers in bloom, and he plated them with gold. He plated the cherubs and the palm trees with hammered gold.
He carved cherubs, palm trees, and flowers in bloom and plated them with gold, leveled out over the carvings.
and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
You are to overlay it with pure gold, and you are to make a surrounding border of gold for it.
You are to make the poles of acacia wood and overlay them with gold, so that the table may be carried with them.
and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west.
You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold.
He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold.
He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases.
The inner sanctuary was 30 feet long, 30 feet wide, and 30 feet high. He plated it with gold, as well as the cedar altar. Solomon plated the inside of the temple with gold. He hung golden chains in front of the inner sanctuary and plated the inner sanctuary with gold. He plated the entire inside of the temple with gold, as well as the altar inside the inner sanctuary.
Gold » Was used for » Overlaying the tabernacle
and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold.
Israel » Tabernacle » Manufacture » Equipment
All the skilled among those who were doing the work made the tabernacle with ten curtains of fine twisted linen and blue and purple and scarlet; they were made with cherubim that were the work of an artistic designer. The length of one curtain was forty-two feet, and the width of one curtain was six feet -- the same size for each of the curtains. He joined five of the curtains to one another, and the other five curtains he joined to one another. read more.
He made loops of blue material along the edge of the end curtain in the first set; he did the same along the edge of the end curtain in the second set. He made fifty loops on the first curtain, and he made fifty loops on the end curtain that was in the second set, with the loops opposite one another. He made fifty gold clasps and joined the curtains together to one another with the clasps, so that the tabernacle was a unit. He made curtains of goats' hair for a tent over the tabernacle; he made eleven curtains. The length of one curtain was forty-five feet, and the width of one curtain was six feet -- one size for all eleven curtains. He joined five curtains by themselves and six curtains by themselves. He made fifty loops along the edge of the end curtain in the first set and fifty loops along the edge of the curtain that joined the second set. He made fifty bronze clasps to join the tent together so that it might be a unit. He made a covering for the tent out of ram skins dyed red and over that a covering of fine leather. He made the frames for the tabernacle of acacia wood as uprights. The length of each frame was fifteen feet, the width of each frame was two and a quarter feet, with two projections per frame parallel one to another. He made all the frames of the tabernacle in this way. So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
He made loops of blue material along the edge of the end curtain in the first set; he did the same along the edge of the end curtain in the second set. He made fifty loops on the first curtain, and he made fifty loops on the end curtain that was in the second set, with the loops opposite one another. He made fifty gold clasps and joined the curtains together to one another with the clasps, so that the tabernacle was a unit. He made curtains of goats' hair for a tent over the tabernacle; he made eleven curtains. The length of one curtain was forty-five feet, and the width of one curtain was six feet -- one size for all eleven curtains. He joined five curtains by themselves and six curtains by themselves. He made fifty loops along the edge of the end curtain in the first set and fifty loops along the edge of the curtain that joined the second set. He made fifty bronze clasps to join the tent together so that it might be a unit. He made a covering for the tent out of ram skins dyed red and over that a covering of fine leather. He made the frames for the tabernacle of acacia wood as uprights. The length of each frame was fifteen feet, the width of each frame was two and a quarter feet, with two projections per frame parallel one to another. He made all the frames of the tabernacle in this way. So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
Tabernacle » The boards of » With the bars, covered with gold
He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold.
"You are to make bars of acacia wood, five for the frames on one side of the tabernacle, and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west. The middle bar in the center of the frames will reach from end to end. read more.
You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold.
You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold.
Tabernacle » Description of » The frame
"You are to make the frames for the tabernacle out of acacia wood as uprights. Each frame is to be fifteen feet long, and each frame is to be two feet three inches wide, with two projections per frame parallel one to another. You are to make all the frames of the tabernacle in this way. read more.
So you are to make the frames for the tabernacle: twenty frames for the south side, and you are to make forty silver bases to go under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections; and for the second side of the tabernacle, the north side, twenty frames, and their forty silver bases, two bases under the first frame, and two bases under the next frame. And for the back of the tabernacle on the west you will make six frames. You are to make two frames for the corners of the tabernacle on the back. At the two corners they must be doubled at the lower end and finished together at the top in one ring. So it will be for both. So there are to be eight frames and their silver bases, sixteen bases, two bases under the first frame, and two bases under the next frame. "You are to make bars of acacia wood, five for the frames on one side of the tabernacle, and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west. The middle bar in the center of the frames will reach from end to end. You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold. You are to set up the tabernacle according to the plan that you were shown on the mountain. "You are to make a special curtain of blue, purple, and scarlet yarn and fine twisted linen; it is to be made with cherubim, the work of an artistic designer. You are to hang it with gold hooks on four posts of acacia wood overlaid with gold, set in four silver bases. You are to hang this curtain under the clasps and bring the ark of the testimony in there behind the curtain. The curtain will make a division for you between the Holy Place and the Most Holy Place. You are to put the atonement lid on the ark of the testimony in the Most Holy Place. You are to put the table outside the curtain and the lampstand on the south side of the tabernacle, opposite the table, and you are to place the table on the north side. "You are to make a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twined linen, the work of an embroiderer. You are to make for the hanging five posts of acacia wood and overlay them with gold, and their hooks will be gold, and you are to cast five bronze bases for them.
So you are to make the frames for the tabernacle: twenty frames for the south side, and you are to make forty silver bases to go under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections; and for the second side of the tabernacle, the north side, twenty frames, and their forty silver bases, two bases under the first frame, and two bases under the next frame. And for the back of the tabernacle on the west you will make six frames. You are to make two frames for the corners of the tabernacle on the back. At the two corners they must be doubled at the lower end and finished together at the top in one ring. So it will be for both. So there are to be eight frames and their silver bases, sixteen bases, two bases under the first frame, and two bases under the next frame. "You are to make bars of acacia wood, five for the frames on one side of the tabernacle, and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west. The middle bar in the center of the frames will reach from end to end. You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold. You are to set up the tabernacle according to the plan that you were shown on the mountain. "You are to make a special curtain of blue, purple, and scarlet yarn and fine twisted linen; it is to be made with cherubim, the work of an artistic designer. You are to hang it with gold hooks on four posts of acacia wood overlaid with gold, set in four silver bases. You are to hang this curtain under the clasps and bring the ark of the testimony in there behind the curtain. The curtain will make a division for you between the Holy Place and the Most Holy Place. You are to put the atonement lid on the ark of the testimony in the Most Holy Place. You are to put the table outside the curtain and the lampstand on the south side of the tabernacle, opposite the table, and you are to place the table on the north side. "You are to make a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twined linen, the work of an embroiderer. You are to make for the hanging five posts of acacia wood and overlay them with gold, and their hooks will be gold, and you are to cast five bronze bases for them.
He made the frames for the tabernacle of acacia wood as uprights. The length of each frame was fifteen feet, the width of each frame was two and a quarter feet, with two projections per frame parallel one to another. He made all the frames of the tabernacle in this way. read more.
So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.