Thematic Bible
Thematic Bible
Chapiter » Head of a pillar
and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. read more.
The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars),
The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars),
The height of one of the pillars was eighteen cubits, and the capital on top of it was three cubits high. A latticework carved in the form of pomegranates encircled the capital, crafted completely out of brass. The second pillar was identical to the first.
that is, the two pillars, the bowls, the two capitals on top of the pillars, the two lattice works that covered the two bowls for the capitals that were on top of the pillars; the 400 pomegranate-shaped ornaments for the latticework of the two pillars (each latticework having two rows of ornaments at the bowl-shaped top of each pillar);
On each pillar was a capital of bronze, and the height of each capital was five cubits. Latticework and pomegranates, all of bronze, were all around the capital. And the second pillar was like this, including the pomegranates.
Gold » Used in the arts » Overlaying with
You are to overlay it with pure gold you are to overlay it inside and outside and you are to make a gold molding around it.
He overlaid it with pure gold, inside and outside, and made a gold molding around it.
He installed two doors made of olive wood, inlaying them with carvings of cherubim, palm trees, and blooming flowers, and overlaying them with gold. Then he added more gold to cover the cherubim and palm trees.
Solomon also inlaid the doors with cherubim, palm trees, and blooming flowers. He overlaid them with gold that was carefully applied on the engraved work.
and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
You are to make the poles of acacia wood, and overlay them with gold so the table can be carried with them.
five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west.
You are to overlay the boards with gold, and you are to make gold rings for them as holders for the bars, and you are to overlay the bars with gold.
He overlaid the boards with gold, and made gold rings for them as holders for the bars, and he overlaid the bars with gold.
He made four pillars of acacia for it and overlaid them with gold, along with their gold hooks, and he cast four silver sockets for them.
The inner sanctuary was 20 cubits long, 20 cubits wide, and 20 cubits high, and overlaid with pure gold. The altar was also overlaid with cedar. Solomon overlaid the inside of the Temple with pure gold, fastened gold chains across the front of the inner sanctuary, and overlaid it with gold. He finished the Temple by overlaying it entirely with gold, including overlaying with gold the whole altar that was by the inner sanctuary.
He also overlaid the floor of the Temple with gold in both the inner and outer sanctuaries.
Gold » Was used for » Overlaying the tabernacle
and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
He overlaid the boards with gold, and made gold rings for them as holders for the bars, and he overlaid the bars with gold.
Israel » Tabernacle » Manufacture » Equipment
All the skilled craftsmen among the workers made the tent with ten curtains of fine woven linen, blue, purple, and scarlet material. He made them with cherubim skillfully worked into them. The length of each curtain was 28 cubits, and the width of each curtain two cubits. All the curtains had the same measurements. He joined five of the curtains together, and the other five curtains he joined together. read more.
He made loops of blue material along the edge of the outermost curtain in the first set, and likewise, he made loops along the edge of the outermost curtain in the second set. He made 50 loops in the one curtain, and he made 50 loops along the edge of the curtain that is in the second set, with the loops opposite each other. Then he made 50 gold clasps, and joined the curtains to each other with the clasps so the tent was one piece. He made curtains of goat hair for a tent over the tent; he made 11 curtains. The length of each curtain was 30 cubits, and the width of each curtain was two cubits; the measurements of each of the eleven curtains was the same. He joined five curtains by themselves, and six curtains by themselves. He made 50 loops along the edge of the outermost curtain in the first set, and 50 loops along the edge of the curtain of the other set. He made 50 bronze clasps to join the tent together so it would be one piece. Then he made a cover for the tent of ram skins dyed red and a covering of dolphin skins above that. Then he made upright boards of acacia wood for the tent. Each board was ten cubits long, and one and a half cubits wide. Each board had two pegs, joined to one another, and he did this for all the boards of the tent. He made the boards for the tent: 20 boards for the south side. He made 40 silver sockets under the 20 boards: two sockets under one board for its two pegs and two sockets under the next board for its two pegs. For the second side of the tent to the north he made 20 boards, and 40 silver sockets for them, two sockets under one board and two sockets under the next board. For the rear of the tent on the west he made six boards, and he made two boards for the rear corners of the tent. They were joined together at the bottom and they were connected on top, by one ring. He did this for the two of them, and they were the two corners. There were eight boards with their sixteen silver sockets, two sockets under each board. Then he made bars of acacia wood, five for the boards on one side of the tent, five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west. He made the middle bar in the center of the boards pass through from end to end. He overlaid the boards with gold, and made gold rings for them as holders for the bars, and he overlaid the bars with gold. He made a curtain of blue, purple, and scarlet material, and fine woven linen. He made it with cherubim skillfully worked into it. He made four pillars of acacia for it and overlaid them with gold, along with their gold hooks, and he cast four silver sockets for them. For the doorway of the tent, he made a screen of blue, purple, and scarlet material and fine woven linen, the work of an embroiderer, and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
He made loops of blue material along the edge of the outermost curtain in the first set, and likewise, he made loops along the edge of the outermost curtain in the second set. He made 50 loops in the one curtain, and he made 50 loops along the edge of the curtain that is in the second set, with the loops opposite each other. Then he made 50 gold clasps, and joined the curtains to each other with the clasps so the tent was one piece. He made curtains of goat hair for a tent over the tent; he made 11 curtains. The length of each curtain was 30 cubits, and the width of each curtain was two cubits; the measurements of each of the eleven curtains was the same. He joined five curtains by themselves, and six curtains by themselves. He made 50 loops along the edge of the outermost curtain in the first set, and 50 loops along the edge of the curtain of the other set. He made 50 bronze clasps to join the tent together so it would be one piece. Then he made a cover for the tent of ram skins dyed red and a covering of dolphin skins above that. Then he made upright boards of acacia wood for the tent. Each board was ten cubits long, and one and a half cubits wide. Each board had two pegs, joined to one another, and he did this for all the boards of the tent. He made the boards for the tent: 20 boards for the south side. He made 40 silver sockets under the 20 boards: two sockets under one board for its two pegs and two sockets under the next board for its two pegs. For the second side of the tent to the north he made 20 boards, and 40 silver sockets for them, two sockets under one board and two sockets under the next board. For the rear of the tent on the west he made six boards, and he made two boards for the rear corners of the tent. They were joined together at the bottom and they were connected on top, by one ring. He did this for the two of them, and they were the two corners. There were eight boards with their sixteen silver sockets, two sockets under each board. Then he made bars of acacia wood, five for the boards on one side of the tent, five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west. He made the middle bar in the center of the boards pass through from end to end. He overlaid the boards with gold, and made gold rings for them as holders for the bars, and he overlaid the bars with gold. He made a curtain of blue, purple, and scarlet material, and fine woven linen. He made it with cherubim skillfully worked into it. He made four pillars of acacia for it and overlaid them with gold, along with their gold hooks, and he cast four silver sockets for them. For the doorway of the tent, he made a screen of blue, purple, and scarlet material and fine woven linen, the work of an embroiderer, and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
Pillars » The vail and hangings of the tabernacle supported by
and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
He made four pillars of acacia for it and overlaid them with gold, along with their gold hooks, and he cast four silver sockets for them.
You are to hang it on four pillars of acacia overlaid with gold, which have hooks of gold, and are set on four sockets of silver.
Tabernacle » Door » Curtain
For the doorway of the tent you are to make a screen of blue, purple, and scarlet material, and with fine woven linen, the work of an embroiderer.
For the doorway of the tent, he made a screen of blue, purple, and scarlet material and fine woven linen, the work of an embroiderer, and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
Tabernacle » Description of » The frame
"You are to make upright boards of acacia wood for the tent. Each board is to be ten cubits long and one and a half cubits wide. Each board is to have two pegs joined to one another, and you are to do this for all the boards of the tent. read more.
You are to make the boards for the tent: 20 boards for the south side. And you are to make 40 silver sockets under the 20 boards: two sockets under the one board for its two pegs and two sockets under the next board for its two pegs. "For the second side of the tent to the north you are to make 20 boards and 40 silver sockets for them, two sockets under one board and two sockets under the next board. On the west you are to make six boards for the rear of the tent, and you are to make two boards for the rear corners of the tent. They shall be interlocked together at the bottom and connected on top by one ring. Do this for the two of them, and they are to be the two corners. There is to be eight boards with their sixteen silver sockets, two sockets under one board and two sockets under the next board. "You are to make bars of acacia wood, five for the boards on one side of the tent, five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west. The center bar in the middle of the boards is to pass through from end to end. You are to overlay the boards with gold, and you are to make gold rings for them as holders for the bars, and you are to overlay the bars with gold. You are to erect the tent according to the plan for it that was shown you on the mountain. "You are to make a curtain of blue, purple, and scarlet material, and fine woven linen. You are to make it with cherubim skillfully worked into it. You are to hang it on four pillars of acacia overlaid with gold, which have hooks of gold, and are set on four sockets of silver. You are to hang the curtain from the clasps and bring the Ark of the Testimony there inside the curtain. The curtain is to separate for you the Holy Place from the Most Holy Place. "You are to put the Mercy Seat on the Ark of the Testimony in the Most Holy Place. You are to put the table outside the curtain. You are to put the table on the north side with the lamp stand opposite the table on the south side of the tent. For the doorway of the tent you are to make a screen of blue, purple, and scarlet material, and with fine woven linen, the work of an embroiderer. You are to make five pillars of acacia for the screens and overlay them with gold. Their hooks shall be of gold, and you are to cast five bronze sockets for them."
You are to make the boards for the tent: 20 boards for the south side. And you are to make 40 silver sockets under the 20 boards: two sockets under the one board for its two pegs and two sockets under the next board for its two pegs. "For the second side of the tent to the north you are to make 20 boards and 40 silver sockets for them, two sockets under one board and two sockets under the next board. On the west you are to make six boards for the rear of the tent, and you are to make two boards for the rear corners of the tent. They shall be interlocked together at the bottom and connected on top by one ring. Do this for the two of them, and they are to be the two corners. There is to be eight boards with their sixteen silver sockets, two sockets under one board and two sockets under the next board. "You are to make bars of acacia wood, five for the boards on one side of the tent, five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west. The center bar in the middle of the boards is to pass through from end to end. You are to overlay the boards with gold, and you are to make gold rings for them as holders for the bars, and you are to overlay the bars with gold. You are to erect the tent according to the plan for it that was shown you on the mountain. "You are to make a curtain of blue, purple, and scarlet material, and fine woven linen. You are to make it with cherubim skillfully worked into it. You are to hang it on four pillars of acacia overlaid with gold, which have hooks of gold, and are set on four sockets of silver. You are to hang the curtain from the clasps and bring the Ark of the Testimony there inside the curtain. The curtain is to separate for you the Holy Place from the Most Holy Place. "You are to put the Mercy Seat on the Ark of the Testimony in the Most Holy Place. You are to put the table outside the curtain. You are to put the table on the north side with the lamp stand opposite the table on the south side of the tent. For the doorway of the tent you are to make a screen of blue, purple, and scarlet material, and with fine woven linen, the work of an embroiderer. You are to make five pillars of acacia for the screens and overlay them with gold. Their hooks shall be of gold, and you are to cast five bronze sockets for them."
Then he made upright boards of acacia wood for the tent. Each board was ten cubits long, and one and a half cubits wide. Each board had two pegs, joined to one another, and he did this for all the boards of the tent. read more.
He made the boards for the tent: 20 boards for the south side. He made 40 silver sockets under the 20 boards: two sockets under one board for its two pegs and two sockets under the next board for its two pegs. For the second side of the tent to the north he made 20 boards, and 40 silver sockets for them, two sockets under one board and two sockets under the next board. For the rear of the tent on the west he made six boards, and he made two boards for the rear corners of the tent. They were joined together at the bottom and they were connected on top, by one ring. He did this for the two of them, and they were the two corners. There were eight boards with their sixteen silver sockets, two sockets under each board. Then he made bars of acacia wood, five for the boards on one side of the tent, five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west. He made the middle bar in the center of the boards pass through from end to end. He overlaid the boards with gold, and made gold rings for them as holders for the bars, and he overlaid the bars with gold. He made a curtain of blue, purple, and scarlet material, and fine woven linen. He made it with cherubim skillfully worked into it. He made four pillars of acacia for it and overlaid them with gold, along with their gold hooks, and he cast four silver sockets for them. For the doorway of the tent, he made a screen of blue, purple, and scarlet material and fine woven linen, the work of an embroiderer, and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.
He made the boards for the tent: 20 boards for the south side. He made 40 silver sockets under the 20 boards: two sockets under one board for its two pegs and two sockets under the next board for its two pegs. For the second side of the tent to the north he made 20 boards, and 40 silver sockets for them, two sockets under one board and two sockets under the next board. For the rear of the tent on the west he made six boards, and he made two boards for the rear corners of the tent. They were joined together at the bottom and they were connected on top, by one ring. He did this for the two of them, and they were the two corners. There were eight boards with their sixteen silver sockets, two sockets under each board. Then he made bars of acacia wood, five for the boards on one side of the tent, five bars for the boards on the second side of the tent, and five bars for the boards on the back side of the tent to the west. He made the middle bar in the center of the boards pass through from end to end. He overlaid the boards with gold, and made gold rings for them as holders for the bars, and he overlaid the bars with gold. He made a curtain of blue, purple, and scarlet material, and fine woven linen. He made it with cherubim skillfully worked into it. He made four pillars of acacia for it and overlaid them with gold, along with their gold hooks, and he cast four silver sockets for them. For the doorway of the tent, he made a screen of blue, purple, and scarlet material and fine woven linen, the work of an embroiderer, and five pillars of acacia along with their hooks. He overlaid their tops and their bands with gold. Their five sockets were made of bronze.