Thematic Bible
Thematic Bible
Chapiter » Head of a pillar
and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
He made two bronze tops for the pillars; each was seven-and-a-half feet high. The latticework on the tops of the pillars was adorned with ornamental wreaths and chains; the top of each pillar had seven groupings of ornaments. When he made the pillars, there were two rows of pomegranate-shaped ornaments around the latticework covering the top of each pillar. read more.
The tops of the two pillars in the porch were shaped like lilies and were six feet high. On the top of each pillar, right above the bulge beside the latticework, there were two hundred pomegranate-shaped ornaments arranged in rows all the way around. He set up the pillars on the porch in front of the main hall. He erected one pillar on the right side and called it Jakin; he erected the other pillar on the left side and called it Boaz. The tops of the pillars were shaped like lilies. So the construction of the pillars was completed. He also made the large bronze basin called "The Sea." It measured 15 feet from rim to rim, was circular in shape, and stood seven-and-a-half feet high. Its circumference was 45 feet. Under the rim all the way around it were round ornaments arranged in settings 15 feet long. The ornaments were in two rows and had been cast with "The Sea." "The Sea" stood on top of twelve bulls. Three faced northward, three westward, three southward, and three eastward. "The Sea" was placed on top of them, and they all faced outward. It was four fingers thick and its rim was like that of a cup shaped like a lily blossom. It could hold about 12,000 gallons. He also made ten bronze movable stands. Each stand was six feet long, six feet wide, and four-and-a-half feet high. The stands were constructed with frames between the joints. On these frames and joints were ornamental lions, bulls, and cherubs. Under the lions and bulls were decorative wreaths. Each stand had four bronze wheels with bronze axles and four supports. Under the basin the supports were fashioned on each side with wreaths. Inside the stand was a round opening that was a foot-and-a-half deep; it had a support that was two and one-quarter feet long. On the edge of the opening were carvings in square frames. The four wheels were under the frames and the crossbars of the axles were connected to the stand. Each wheel was two and one-quarter feet high. The wheels were constructed like chariot wheels; their crossbars, rims, spokes, and hubs were made of cast metal. Each stand had four supports, one per side projecting out from the stand. On top of each stand was a round opening three-quarters of a foot deep; there were also supports and frames on top of the stands. He engraved ornamental cherubs, lions, and palm trees on the plates of the supports and frames wherever there was room, with wreaths all around. He made the ten stands in this way. All of them were cast in one mold and were identical in measurements and shape. He also made ten bronze basins, each of which could hold about 240 gallons. Each basin was six feet in diameter; there was one basin for each stand. He put five basins on the south side of the temple and five on the north side. He put "The Sea" on the south side, in the southeast corner. Hiram also made basins, shovels, and bowls. He finished all the work on the Lord's temple he had been assigned by King Solomon. He made the two pillars, the two bowl-shaped tops of the pillars, the latticework for the bowl-shaped tops of the two pillars, the four hundred pomegranate-shaped ornaments for the latticework of the two pillars (each latticework had two rows of these ornaments at the bowl-shaped top of the pillar),
The tops of the two pillars in the porch were shaped like lilies and were six feet high. On the top of each pillar, right above the bulge beside the latticework, there were two hundred pomegranate-shaped ornaments arranged in rows all the way around. He set up the pillars on the porch in front of the main hall. He erected one pillar on the right side and called it Jakin; he erected the other pillar on the left side and called it Boaz. The tops of the pillars were shaped like lilies. So the construction of the pillars was completed. He also made the large bronze basin called "The Sea." It measured 15 feet from rim to rim, was circular in shape, and stood seven-and-a-half feet high. Its circumference was 45 feet. Under the rim all the way around it were round ornaments arranged in settings 15 feet long. The ornaments were in two rows and had been cast with "The Sea." "The Sea" stood on top of twelve bulls. Three faced northward, three westward, three southward, and three eastward. "The Sea" was placed on top of them, and they all faced outward. It was four fingers thick and its rim was like that of a cup shaped like a lily blossom. It could hold about 12,000 gallons. He also made ten bronze movable stands. Each stand was six feet long, six feet wide, and four-and-a-half feet high. The stands were constructed with frames between the joints. On these frames and joints were ornamental lions, bulls, and cherubs. Under the lions and bulls were decorative wreaths. Each stand had four bronze wheels with bronze axles and four supports. Under the basin the supports were fashioned on each side with wreaths. Inside the stand was a round opening that was a foot-and-a-half deep; it had a support that was two and one-quarter feet long. On the edge of the opening were carvings in square frames. The four wheels were under the frames and the crossbars of the axles were connected to the stand. Each wheel was two and one-quarter feet high. The wheels were constructed like chariot wheels; their crossbars, rims, spokes, and hubs were made of cast metal. Each stand had four supports, one per side projecting out from the stand. On top of each stand was a round opening three-quarters of a foot deep; there were also supports and frames on top of the stands. He engraved ornamental cherubs, lions, and palm trees on the plates of the supports and frames wherever there was room, with wreaths all around. He made the ten stands in this way. All of them were cast in one mold and were identical in measurements and shape. He also made ten bronze basins, each of which could hold about 240 gallons. Each basin was six feet in diameter; there was one basin for each stand. He put five basins on the south side of the temple and five on the north side. He put "The Sea" on the south side, in the southeast corner. Hiram also made basins, shovels, and bowls. He finished all the work on the Lord's temple he had been assigned by King Solomon. He made the two pillars, the two bowl-shaped tops of the pillars, the latticework for the bowl-shaped tops of the two pillars, the four hundred pomegranate-shaped ornaments for the latticework of the two pillars (each latticework had two rows of these ornaments at the bowl-shaped top of the pillar),
Each of the pillars was about twenty-seven feet high. The bronze top of one pillar was about four and a half feet high and had bronze latticework and pomegranate shaped ornaments all around it. The second pillar with its latticework was like it.
He made the two pillars, the two bowl-shaped tops of the pillars, the latticework for the bowl-shaped tops of the two pillars, the four hundred pomegranate-shaped ornaments for the latticework of the two pillars (each latticework had two rows of these ornaments at the bowl-shaped top of the pillar),
The bronze top of one pillar was about seven and one-half feet high and had bronze latticework and pomegranate-shaped ornaments all around it. The second pillar with its pomegranate-shaped ornaments was like it.
Gold » Used in the arts » Overlaying with
You are to overlay it with pure gold -- both inside and outside you must overlay it, and you are to make a surrounding border of gold over it.
He overlaid it with pure gold, inside and out, and he made a surrounding border of gold for it.
On the two doors made of olive wood he carved cherubs, palm trees, and flowers in bloom, and he plated them with gold. He plated the cherubs and the palm trees with hammered gold.
He carved cherubs, palm trees, and flowers in bloom and plated them with gold, leveled out over the carvings.
and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
You are to overlay it with pure gold, and you are to make a surrounding border of gold for it.
You are to make the poles of acacia wood and overlay them with gold, so that the table may be carried with them.
and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west.
You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold.
He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold.
He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases.
The inner sanctuary was 30 feet long, 30 feet wide, and 30 feet high. He plated it with gold, as well as the cedar altar. Solomon plated the inside of the temple with gold. He hung golden chains in front of the inner sanctuary and plated the inner sanctuary with gold. He plated the entire inside of the temple with gold, as well as the altar inside the inner sanctuary.
Gold » Was used for » Overlaying the tabernacle
and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold.
Israel » Tabernacle » Manufacture » Equipment
All the skilled among those who were doing the work made the tabernacle with ten curtains of fine twisted linen and blue and purple and scarlet; they were made with cherubim that were the work of an artistic designer. The length of one curtain was forty-two feet, and the width of one curtain was six feet -- the same size for each of the curtains. He joined five of the curtains to one another, and the other five curtains he joined to one another. read more.
He made loops of blue material along the edge of the end curtain in the first set; he did the same along the edge of the end curtain in the second set. He made fifty loops on the first curtain, and he made fifty loops on the end curtain that was in the second set, with the loops opposite one another. He made fifty gold clasps and joined the curtains together to one another with the clasps, so that the tabernacle was a unit. He made curtains of goats' hair for a tent over the tabernacle; he made eleven curtains. The length of one curtain was forty-five feet, and the width of one curtain was six feet -- one size for all eleven curtains. He joined five curtains by themselves and six curtains by themselves. He made fifty loops along the edge of the end curtain in the first set and fifty loops along the edge of the curtain that joined the second set. He made fifty bronze clasps to join the tent together so that it might be a unit. He made a covering for the tent out of ram skins dyed red and over that a covering of fine leather. He made the frames for the tabernacle of acacia wood as uprights. The length of each frame was fifteen feet, the width of each frame was two and a quarter feet, with two projections per frame parallel one to another. He made all the frames of the tabernacle in this way. So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
He made loops of blue material along the edge of the end curtain in the first set; he did the same along the edge of the end curtain in the second set. He made fifty loops on the first curtain, and he made fifty loops on the end curtain that was in the second set, with the loops opposite one another. He made fifty gold clasps and joined the curtains together to one another with the clasps, so that the tabernacle was a unit. He made curtains of goats' hair for a tent over the tabernacle; he made eleven curtains. The length of one curtain was forty-five feet, and the width of one curtain was six feet -- one size for all eleven curtains. He joined five curtains by themselves and six curtains by themselves. He made fifty loops along the edge of the end curtain in the first set and fifty loops along the edge of the curtain that joined the second set. He made fifty bronze clasps to join the tent together so that it might be a unit. He made a covering for the tent out of ram skins dyed red and over that a covering of fine leather. He made the frames for the tabernacle of acacia wood as uprights. The length of each frame was fifteen feet, the width of each frame was two and a quarter feet, with two projections per frame parallel one to another. He made all the frames of the tabernacle in this way. So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
Pillars » The vail and hangings of the tabernacle supported by
and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases.
You are to hang it with gold hooks on four posts of acacia wood overlaid with gold, set in four silver bases.
Tabernacle » Door » Curtain
"You are to make a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twined linen, the work of an embroiderer.
He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
Tabernacle » Description of » The frame
"You are to make the frames for the tabernacle out of acacia wood as uprights. Each frame is to be fifteen feet long, and each frame is to be two feet three inches wide, with two projections per frame parallel one to another. You are to make all the frames of the tabernacle in this way. read more.
So you are to make the frames for the tabernacle: twenty frames for the south side, and you are to make forty silver bases to go under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections; and for the second side of the tabernacle, the north side, twenty frames, and their forty silver bases, two bases under the first frame, and two bases under the next frame. And for the back of the tabernacle on the west you will make six frames. You are to make two frames for the corners of the tabernacle on the back. At the two corners they must be doubled at the lower end and finished together at the top in one ring. So it will be for both. So there are to be eight frames and their silver bases, sixteen bases, two bases under the first frame, and two bases under the next frame. "You are to make bars of acacia wood, five for the frames on one side of the tabernacle, and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west. The middle bar in the center of the frames will reach from end to end. You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold. You are to set up the tabernacle according to the plan that you were shown on the mountain. "You are to make a special curtain of blue, purple, and scarlet yarn and fine twisted linen; it is to be made with cherubim, the work of an artistic designer. You are to hang it with gold hooks on four posts of acacia wood overlaid with gold, set in four silver bases. You are to hang this curtain under the clasps and bring the ark of the testimony in there behind the curtain. The curtain will make a division for you between the Holy Place and the Most Holy Place. You are to put the atonement lid on the ark of the testimony in the Most Holy Place. You are to put the table outside the curtain and the lampstand on the south side of the tabernacle, opposite the table, and you are to place the table on the north side. "You are to make a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twined linen, the work of an embroiderer. You are to make for the hanging five posts of acacia wood and overlay them with gold, and their hooks will be gold, and you are to cast five bronze bases for them.
So you are to make the frames for the tabernacle: twenty frames for the south side, and you are to make forty silver bases to go under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections; and for the second side of the tabernacle, the north side, twenty frames, and their forty silver bases, two bases under the first frame, and two bases under the next frame. And for the back of the tabernacle on the west you will make six frames. You are to make two frames for the corners of the tabernacle on the back. At the two corners they must be doubled at the lower end and finished together at the top in one ring. So it will be for both. So there are to be eight frames and their silver bases, sixteen bases, two bases under the first frame, and two bases under the next frame. "You are to make bars of acacia wood, five for the frames on one side of the tabernacle, and five bars for the frames on the second side of the tabernacle, and five bars for the frames on the back of the tabernacle on the west. The middle bar in the center of the frames will reach from end to end. You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold. You are to set up the tabernacle according to the plan that you were shown on the mountain. "You are to make a special curtain of blue, purple, and scarlet yarn and fine twisted linen; it is to be made with cherubim, the work of an artistic designer. You are to hang it with gold hooks on four posts of acacia wood overlaid with gold, set in four silver bases. You are to hang this curtain under the clasps and bring the ark of the testimony in there behind the curtain. The curtain will make a division for you between the Holy Place and the Most Holy Place. You are to put the atonement lid on the ark of the testimony in the Most Holy Place. You are to put the table outside the curtain and the lampstand on the south side of the tabernacle, opposite the table, and you are to place the table on the north side. "You are to make a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twined linen, the work of an embroiderer. You are to make for the hanging five posts of acacia wood and overlay them with gold, and their hooks will be gold, and you are to cast five bronze bases for them.
He made the frames for the tabernacle of acacia wood as uprights. The length of each frame was fifteen feet, the width of each frame was two and a quarter feet, with two projections per frame parallel one to another. He made all the frames of the tabernacle in this way. read more.
So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.
So he made frames for the tabernacle: twenty frames for the south side. He made forty silver bases under the twenty frames -- two bases under the first frame for its two projections, and likewise two bases under the next frame for its two projections, and for the second side of the tabernacle, the north side, he made twenty frames and their forty silver bases, two bases under the first frame and two bases under the next frame. And for the back of the tabernacle on the west he made six frames. He made two frames for the corners of the tabernacle on the back. At the two corners they were doubled at the lower end and finished together at the top in one ring. So he did for both. So there were eight frames and their silver bases, sixteen bases, two bases under each frame. He made bars of acacia wood, five for the frames on one side of the tabernacle and five bars for the frames on the second side of the tabernacle, and five bars for the frames of the tabernacle for the back side on the west. He made the middle bar to reach from end to end in the center of the frames. He overlaid the frames with gold and made their rings of gold to provide places for the bars, and he overlaid the bars with gold. He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer. He made for it four posts of acacia wood and overlaid them with gold, with gold hooks, and he cast for them four silver bases. He made a hanging for the entrance of the tent of blue, purple, and scarlet yarn and fine twisted linen, the work of an embroiderer, and its five posts and their hooks. He overlaid their tops and their bands with gold, but their five bases were bronze.