Thematic Bible
Thematic Bible
Brass » Articles made of » Altar, vessels, and other articles of the tabernacle and temple
20 gold basins weighing 1,000 darics each, and two vessels made of polished brass, as valuable as gold.
Verse Concepts
And with 1,775 talents he made hooks for the pillars, overlaid their tops, and made bands for them. The bronze from the wave offering totaled 70 talents and 2,400 shekels. With it he made the sockets for the doorway to the Tent of Meeting, the bronze altar, the bronze lattice for it, all the furnishings for the altar, read more.
the sockets for all around the court, the sockets for the gate to the court, all the pegs for the sanctuary, and all the pegs for all around the court.
the sockets for all around the court, the sockets for the gate to the court, all the pegs for the sanctuary, and all the pegs for all around the court.
the son of a widow from the tribe of Naphtali, whose father was from Tyre. A bronze worker, he was wise, knowledgeable, and was skilled in all sorts of bronze working. He went to King Solomon and did all of his work. He fashioned two bronze pillars, each one eighteen cubits high, with a circumference of twelve cubits. He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. read more.
A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained.
A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained.
Tabernacle » Value of the substance contributed for
All the gold that was used in the work, in all the work on the sanctuary, including the gold from the wave offering, totaled 29 talents, 730 shekels, according to the standard used in the sanctuary. The silver from those of the congregation who were recorded totaled 100 talents and 1,775 shekels, according to the standard used in the sanctuary; a beka a head (a beka is half a shekel, according to the standard used in the sanctuary) for everyone who went through the registration process from 20 years old and older. The total numbered 603,550 bekas. read more.
One hundred talents of silver were used to cast the sockets for the sanctuary and the sockets for the curtain, 100 sockets for 100 talents, a talent per socket. And with 1,775 talents he made hooks for the pillars, overlaid their tops, and made bands for them. The bronze from the wave offering totaled 70 talents and 2,400 shekels. With it he made the sockets for the doorway to the Tent of Meeting, the bronze altar, the bronze lattice for it, all the furnishings for the altar, the sockets for all around the court, the sockets for the gate to the court, all the pegs for the sanctuary, and all the pegs for all around the court.
One hundred talents of silver were used to cast the sockets for the sanctuary and the sockets for the curtain, 100 sockets for 100 talents, a talent per socket. And with 1,775 talents he made hooks for the pillars, overlaid their tops, and made bands for them. The bronze from the wave offering totaled 70 talents and 2,400 shekels. With it he made the sockets for the doorway to the Tent of Meeting, the bronze altar, the bronze lattice for it, all the furnishings for the altar, the sockets for all around the court, the sockets for the gate to the court, all the pegs for the sanctuary, and all the pegs for all around the court.