The Hebrew word signified "to leap for joy," Ps 30:11; and the action of the lame man healed by Peter and John, Ac 3:8, more nearly resembled the Hebrew dancing than the measured artificial steps of modern times do. The Jewish dances were expressive of religious joy and gratitude. Sometimes they were in honor of a conqueror, as in the case of David, 1Sa 18:6-7; when he had slain the Philistine giant, "the women came out all the cities of Israel singing and dancing." It was practiced on occasions of domestic joy. See the case of the prodigal son's return. In the religious dance, the timbrel was used to direct the ceremony, and some one led, whom the rest followed with measured step and devotional songs; thus Miriam led the women of Israel, Ex 15:20-21, and king David the men, 2Sa 6:14; Ps 150:4. Several important conclusions have been drawn from a careful comparison of the portions of Scripture in which there is allusions to dancing. It was religious in its character; practiced exclusively on joyous occasions; only by one of the sexes; usually in the daytime, and in the open air: no instances are on record in which the two sexes united in the exercise; and it was not practiced for amusement. The exceptions to this latter assertion are "vain fellows," alluded to by Michal, 2Sa 6:20, the ungodly rich families referred to by Job, Job 21:11, and the daughter of Jerodias, Mr 14:6. Among the Greeks and Romans dancing was a common pastime, resorted to in order to enliven feasts, and also on occasions of domestic joy. Still Cicero says, "No one dances, unless he is either drunk or mad;" and these words express the prevailing sense as to the impropriety of respectable individuals taking part in the amusement. Hence the gay circles of Rome, as is the case in the East at the present time, derived their entertainment from the performances of professional dancers. These were women of abandoned character; and their dances, like those in heathen temples, were often grossly indecent, Isa 23:16.

DANCING. It is still the custom in the east to testify their respect for persons of distinction by music and dancing. When Baron Du Tott, who was sent by the French government to respect their factories in the Levant, approached an encampment of Turcomans, between Aleppo and Alexandretta, the musicians of the different hordes turned out, playing and dancing before him all the time he and his escort were passing by their camp. Thus, it will be recollected, "the women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tabrets, with joy, and with instruments of music," when he returned in triumph from the slaughter of the Philistines. In the oriental dances, in which the women engage by themselves, the lady of highest rank in the company takes the lead, and is followed by her companions, who imitate her steps, and if she sings, make up the chorus. The tunes are extremely gay and lively, yet with something in them wonderfully soft. The steps are varied according to the pleasure of her who leads the dance, but always in exact time. This statement may enable us to form a correct idea of the dance, which the women of Israel performed under the direction of Miriam, on the banks of the Red Sea. The prophetess, we are told, "took a timbrel in her hand, and all the women went out after her, with timbrels and dances." She led the dance, while they imitated her steps, which were not conducted according to a set, well- known form, as in this country, but extemporaneous. The conjecture of Mr. Harmer is extremely probable, that David did not dance alone before the Lord, when he brought up the ark, but as being the highest in rank, and more skilful than any of the people, he led the religious dance of the males.