Thematic Bible
Thematic Bible
Art » Artisans, skillful » Hiram
King Solomon sent for Hiram from Tyre, the son of a widow from the tribe of Naphtali, whose father was from Tyre. A bronze worker, he was wise, knowledgeable, and was skilled in all sorts of bronze working. He went to King Solomon and did all of his work. He fashioned two bronze pillars, each one eighteen cubits high, with a circumference of twelve cubits. read more.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold. Thus all the work that King Solomon performed in the LORD's Temple was finished. Then Solomon brought in the articles that had been dedicated by his father David, including silver, gold, and other utensils, and he placed them into storage in the treasuries of the LORD's Temple.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold. Thus all the work that King Solomon performed in the LORD's Temple was finished. Then Solomon brought in the articles that had been dedicated by his father David, including silver, gold, and other utensils, and he placed them into storage in the treasuries of the LORD's Temple.
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father.
Carving » Hiram
King Solomon sent for Hiram from Tyre, the son of a widow from the tribe of Naphtali, whose father was from Tyre. A bronze worker, he was wise, knowledgeable, and was skilled in all sorts of bronze working. He went to King Solomon and did all of his work. He fashioned two bronze pillars, each one eighteen cubits high, with a circumference of twelve cubits. read more.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold. Thus all the work that King Solomon performed in the LORD's Temple was finished. Then Solomon brought in the articles that had been dedicated by his father David, including silver, gold, and other utensils, and he placed them into storage in the treasuries of the LORD's Temple.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold. Thus all the work that King Solomon performed in the LORD's Temple was finished. Then Solomon brought in the articles that had been dedicated by his father David, including silver, gold, and other utensils, and he placed them into storage in the treasuries of the LORD's Temple.
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father.
Hiram » The artificer
King Solomon sent for Hiram from Tyre,
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative.
Verse Concepts
Hiram » Also called huram » An artificer sent by king hiram to execute the artistic work of the interior of the temple
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative.
Verse Concepts
King Solomon sent for Hiram from Tyre, the son of a widow from the tribe of Naphtali, whose father was from Tyre. A bronze worker, he was wise, knowledgeable, and was skilled in all sorts of bronze working. He went to King Solomon and did all of his work. He fashioned two bronze pillars, each one eighteen cubits high, with a circumference of twelve cubits. read more.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze.
Hiram-abi crafted the pots, shovels, and basins, thus completing the work that he did for King Solomon on the Temple of God; that is, the two pillars, the bowls, the two capitals on top of the pillars, the two lattice works that covered the two bowls for the capitals that were on top of the pillars; the 400 pomegranate-shaped ornaments for the latticework of the two pillars (each latticework having two rows of ornaments at the bowl-shaped top of each pillar); read more.
the ten stands with their ten basins; the large bronze basin called the Sea with the twelve oxen underneath, along with its pots, shovels, forks, and all of its other implements that Hiram-abi made from polished bronze for King Solomon and the LORD's Temple.
the ten stands with their ten basins; the large bronze basin called the Sea with the twelve oxen underneath, along with its pots, shovels, forks, and all of its other implements that Hiram-abi made from polished bronze for King Solomon and the LORD's Temple.
Hiram » Called huram, king of tyre » Helps solomon in building the temple
Solomon also sent this message to King Hiram of Tyre: "Just as you did with my father David, sending him cedars to build him a palace to live in, do the same for me. Look, I'm building a temple dedicated to the name of the LORD my God, to his glory, so we can burn fragrant incense in his presence, display rows of the bread of his presence continuously, and make burnt offerings in the morning, evening, on Sabbath days, during New Moon festivals, and during appointed festivals scheduled by the LORD our God. This is mandated forever in Israel. "The Temple that I'm building will be great, because the greatness of our God surpasses that of all gods. read more.
But who can build a temple for him, since neither heaven nor the highest of the heavens can contain him? So who am I, that I should build a temple to him, except to burn incense in his presence? "At any rate, send me an individual who is a skilled craftsman in gold, silver, bronze, and iron, as well as in purple, crimson, and blue materials, who knows how to craft engravings, so he may work with the craftsmen whom I have assembled in Judah and Jerusalem, as provided for by my father David. Also send me cedar, cypress, and algum timber from Lebanon, since I'm aware that your servants know how to cut down timber from Lebanon. My servants will accompany your servants to prepare an abundant amount of timber for me, because the Temple that I'm building is to be great and awesome. "Now look! I will pay your servants, the lumberjacks who prepare the timber, 20,000 measures of barley, 20,000 baths of wine, and 20,000 baths of oil." In a letter that he sent to Solomon, King Hiram of Tyre wrote, "Because he loves his people, the LORD has placed you as king over them." Hiram also wrote: "Blessed be the LORD God of Israel, who made the heavens and the earth. He gave King David a wise son, who is acquainted with discretion and understanding, and who is building a temple to the LORD, as well as a royal palace for himself. Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father. "So then, may my lord send to his servants the wheat, barley, oil, and wine about which he has spoken. We'll cut down the timber you need from Lebanon and transport it to you on rafts by sea to Joppa, so you can move it to Jerusalem."
But who can build a temple for him, since neither heaven nor the highest of the heavens can contain him? So who am I, that I should build a temple to him, except to burn incense in his presence? "At any rate, send me an individual who is a skilled craftsman in gold, silver, bronze, and iron, as well as in purple, crimson, and blue materials, who knows how to craft engravings, so he may work with the craftsmen whom I have assembled in Judah and Jerusalem, as provided for by my father David. Also send me cedar, cypress, and algum timber from Lebanon, since I'm aware that your servants know how to cut down timber from Lebanon. My servants will accompany your servants to prepare an abundant amount of timber for me, because the Temple that I'm building is to be great and awesome. "Now look! I will pay your servants, the lumberjacks who prepare the timber, 20,000 measures of barley, 20,000 baths of wine, and 20,000 baths of oil." In a letter that he sent to Solomon, King Hiram of Tyre wrote, "Because he loves his people, the LORD has placed you as king over them." Hiram also wrote: "Blessed be the LORD God of Israel, who made the heavens and the earth. He gave King David a wise son, who is acquainted with discretion and understanding, and who is building a temple to the LORD, as well as a royal palace for himself. Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father. "So then, may my lord send to his servants the wheat, barley, oil, and wine about which he has spoken. We'll cut down the timber you need from Lebanon and transport it to you on rafts by sea to Joppa, so you can move it to Jerusalem."
Master workman » Instances of » Hiram
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father.
King Solomon sent for Hiram from Tyre, the son of a widow from the tribe of Naphtali, whose father was from Tyre. A bronze worker, he was wise, knowledgeable, and was skilled in all sorts of bronze working. He went to King Solomon and did all of his work. He fashioned two bronze pillars, each one eighteen cubits high, with a circumference of twelve cubits. read more.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold.
Hiram-abi crafted the pots, shovels, and basins, thus completing the work that he did for King Solomon on the Temple of God; that is, the two pillars, the bowls, the two capitals on top of the pillars, the two lattice works that covered the two bowls for the capitals that were on top of the pillars; the 400 pomegranate-shaped ornaments for the latticework of the two pillars (each latticework having two rows of ornaments at the bowl-shaped top of each pillar); read more.
the ten stands with their ten basins; the large bronze basin called the Sea with the twelve oxen underneath, along with its pots, shovels, forks, and all of its other implements that Hiram-abi made from polished bronze for King Solomon and the LORD's Temple. The king had them forged in the clay ground between Succoth and Zeredah in the Jordan plain. Solomon made so many utensils in such great quantities that the weight of the bronze was never fully recorded.
the ten stands with their ten basins; the large bronze basin called the Sea with the twelve oxen underneath, along with its pots, shovels, forks, and all of its other implements that Hiram-abi made from polished bronze for King Solomon and the LORD's Temple. The king had them forged in the clay ground between Succoth and Zeredah in the Jordan plain. Solomon made so many utensils in such great quantities that the weight of the bronze was never fully recorded.
Mechanic » Instances of » Hiram
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father.
King Solomon sent for Hiram from Tyre, the son of a widow from the tribe of Naphtali, whose father was from Tyre. A bronze worker, he was wise, knowledgeable, and was skilled in all sorts of bronze working. He went to King Solomon and did all of his work. He fashioned two bronze pillars, each one eighteen cubits high, with a circumference of twelve cubits. read more.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold.
He also crafted two capitals of cast bronze and set them on top of the pillars. The height of one capital was five cubits, and the height of the other capital was five cubits. A network of latticework on top of the pillars was inlaid with ornamental wreaths and chains, the top of each pillar containing seven groups of ornamental structures. The pillars contained two rows of ornaments shaped like pomegranates around the latticework covering the top of each pillar. The capitals on top of each pillar above the rounded latticework contained four cubits of lily designs, with the capitals on the two pillars covered by 200 pomegranates in rows around both the capitals above and adjoining the rounded latticework. That's how he designed the pillars at the portico of the sanctuary. When he set up the right pillar, he named it Jachin. When he set up the left pillar, he named it Boaz. The work on the pillars was finished with a lily design on top of the pillars. Hiram also made a sea of cast metal ten cubits from brim to brim, circular in shape and five cubits and 30 cubits in its inner circumference. Under the brim, completely encircling it, were two rows of gourds inlaid as part of the original casting, ten to a cubit. The sea stood on top of twelve oxen. Three faced north, three faced west, three faced south, and three faced east. The sea was set on top of them, and their hind parts faced the center. The reservoir, which held about 2,000 baths, stood about a handbreadth thick, and its rim looked like the brim of a cup or of a lily blossom. Hiram also made ten bronze water carts. Each one was four cubits wide, four cubits long, and three cubits high. The carts were designed with borders between cross-pieces, and on the borders between the cross-pieces were lions, oxen, and cherubim. A pedestal was placed above the cross-pieces, and beneath the lions and oxen there were wreaths hanging down. Each cart had four bronze wheels equipped with bronze axles with four support feet. Beneath the basin were cast support structures made like wreaths on each side. The opening to each water cart inside the crown on top was one cubit wide, with engravings on the opening. The borders to the frames surrounding the opening were square, not round. The four wheels were placed underneath the borders, and the axles for the wheels were on the stand. Each wheel stood one and a half cubits high. The wheels resembled those of a chariot, with their axles, rims, spokes, and hubs made of cast bronze. Four supports stood at the four corners of each cart, built into the carts themselves. On top of each stand was a circular structure one half of one cubit high, with its braces and support frames integral with it, forming a single piece. Hiram engraved ornamental cherubim, lions, and palm trees on the surfaces of the supports and frames wherever there was space to do so, and encircled the artwork with wreaths. He made ten identical water carts by using the same plans, castings, and shapes for all of them. Hiram also fashioned ten bronze basins, each holding about 40 baths, each basin measuring four cubits in diameter, with one basin for each stand. He set five of the stands on the right side of the Temple and five on the left side of the Temple. He set the bronze sea on the right side of the Temple eastward facing the south. Hiram also made the basins, shovels, and bowls to complete the work that he performed for King Solomon in the LORD's Temple, including the two pillars and the bowls for the capitals that stood on top of the two pillars, along with the two lattices that covered the two bowls of the capitals that stood on top of the pillars, plus the 400 pomegranates for the two lattices (that is, the two rows of pomegranates for each lattice to cover the two bowls of the capitals that stood on top of the pillars), the ten stands with the ten basins on the stands, the single bronze sea and the twelve oxen that stood under the sea, and the pots, shovels, and bowls all of these utensils that Hiram made for King Solomon for the LORD's Temple were made from polished bronze. The king had them cast in the clay ground between Succoth and Zarethan in the Jordan plain. Solomon never inventoried the weight of the bronze used, because there were too many utensils, so the weight of the bronze used was never ascertained. Solomon made all the furnishings that were placed in the LORD's Temple, including the golden altar and the golden table on which the bread of the Presence was placed, along with the lamp stands (five on the right side and five on the left in front of the inner sanctuary), all made of pure gold, as well as the flower blossoms, lamps, and tongs of gold, and the cups, snuffers, bowls, spoons, and the fire pans, all made of pure gold, and hinges for the doors of the inner sanctuary, the Most Holy Place, and for the gates of the Temple that led to the nave, also of gold.
Hiram-abi crafted the pots, shovels, and basins, thus completing the work that he did for King Solomon on the Temple of God; that is, the two pillars, the bowls, the two capitals on top of the pillars, the two lattice works that covered the two bowls for the capitals that were on top of the pillars; the 400 pomegranate-shaped ornaments for the latticework of the two pillars (each latticework having two rows of ornaments at the bowl-shaped top of each pillar); read more.
the ten stands with their ten basins; the large bronze basin called the Sea with the twelve oxen underneath, along with its pots, shovels, forks, and all of its other implements that Hiram-abi made from polished bronze for King Solomon and the LORD's Temple. The king had them forged in the clay ground between Succoth and Zeredah in the Jordan plain. Solomon made so many utensils in such great quantities that the weight of the bronze was never fully recorded.
the ten stands with their ten basins; the large bronze basin called the Sea with the twelve oxen underneath, along with its pots, shovels, forks, and all of its other implements that Hiram-abi made from polished bronze for King Solomon and the LORD's Temple. The king had them forged in the clay ground between Succoth and Zeredah in the Jordan plain. Solomon made so many utensils in such great quantities that the weight of the bronze was never fully recorded.
The First Temple » Solomon » Applied to hiram for a skilful workman to superintend, &c the building of
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father.
"At any rate, send me an individual who is a skilled craftsman in gold, silver, bronze, and iron, as well as in purple, crimson, and blue materials, who knows how to craft engravings, so he may work with the craftsmen whom I have assembled in Judah and Jerusalem, as provided for by my father David.
Verse Concepts
Tyre » Supplied » A master-builder for the temple
"At any rate, send me an individual who is a skilled craftsman in gold, silver, bronze, and iron, as well as in purple, crimson, and blue materials, who knows how to craft engravings, so he may work with the craftsmen whom I have assembled in Judah and Jerusalem, as provided for by my father David.
Verse Concepts
Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative.
Verse Concepts
Tyre » Kingdom of » Men and materials sent from, to solomon, for the erection of the temple and his castles
Solomon also sent this message to King Hiram of Tyre: "Just as you did with my father David, sending him cedars to build him a palace to live in, do the same for me. Look, I'm building a temple dedicated to the name of the LORD my God, to his glory, so we can burn fragrant incense in his presence, display rows of the bread of his presence continuously, and make burnt offerings in the morning, evening, on Sabbath days, during New Moon festivals, and during appointed festivals scheduled by the LORD our God. This is mandated forever in Israel. "The Temple that I'm building will be great, because the greatness of our God surpasses that of all gods. read more.
But who can build a temple for him, since neither heaven nor the highest of the heavens can contain him? So who am I, that I should build a temple to him, except to burn incense in his presence? "At any rate, send me an individual who is a skilled craftsman in gold, silver, bronze, and iron, as well as in purple, crimson, and blue materials, who knows how to craft engravings, so he may work with the craftsmen whom I have assembled in Judah and Jerusalem, as provided for by my father David. Also send me cedar, cypress, and algum timber from Lebanon, since I'm aware that your servants know how to cut down timber from Lebanon. My servants will accompany your servants to prepare an abundant amount of timber for me, because the Temple that I'm building is to be great and awesome. "Now look! I will pay your servants, the lumberjacks who prepare the timber, 20,000 measures of barley, 20,000 baths of wine, and 20,000 baths of oil." In a letter that he sent to Solomon, King Hiram of Tyre wrote, "Because he loves his people, the LORD has placed you as king over them." Hiram also wrote: "Blessed be the LORD God of Israel, who made the heavens and the earth. He gave King David a wise son, who is acquainted with discretion and understanding, and who is building a temple to the LORD, as well as a royal palace for himself. Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father. "So then, may my lord send to his servants the wheat, barley, oil, and wine about which he has spoken. We'll cut down the timber you need from Lebanon and transport it to you on rafts by sea to Joppa, so you can move it to Jerusalem."
But who can build a temple for him, since neither heaven nor the highest of the heavens can contain him? So who am I, that I should build a temple to him, except to burn incense in his presence? "At any rate, send me an individual who is a skilled craftsman in gold, silver, bronze, and iron, as well as in purple, crimson, and blue materials, who knows how to craft engravings, so he may work with the craftsmen whom I have assembled in Judah and Jerusalem, as provided for by my father David. Also send me cedar, cypress, and algum timber from Lebanon, since I'm aware that your servants know how to cut down timber from Lebanon. My servants will accompany your servants to prepare an abundant amount of timber for me, because the Temple that I'm building is to be great and awesome. "Now look! I will pay your servants, the lumberjacks who prepare the timber, 20,000 measures of barley, 20,000 baths of wine, and 20,000 baths of oil." In a letter that he sent to Solomon, King Hiram of Tyre wrote, "Because he loves his people, the LORD has placed you as king over them." Hiram also wrote: "Blessed be the LORD God of Israel, who made the heavens and the earth. He gave King David a wise son, who is acquainted with discretion and understanding, and who is building a temple to the LORD, as well as a royal palace for himself. Now I'm sending along Hiram-abi, a skilled craftsman, who is very creative. He is the son of a mother from the tribe of Dan, and his father is from Tyre. He's skilled in working with gold, silver, bronze, iron, stone, and timber, as well as in purple, blue, linen, and crimson materials. He is skilled in engravings, and can craft any design to which he may be assigned. He will work with your skilled artisans and with all of your craftsmen who have been assigned by my lord David, your father. "So then, may my lord send to his servants the wheat, barley, oil, and wine about which he has spoken. We'll cut down the timber you need from Lebanon and transport it to you on rafts by sea to Joppa, so you can move it to Jerusalem."
King Hiram of Tyre sent his servants to Solomon when he learned that Solomon had been anointed king to replace his father, because Hiram had been David's lifelong friend. Solomon sent this message to Hiram: "You know that my father David was unable to build a temple dedicated to the LORD his God because he was busy fighting wars all around him until the LORD defeated his enemies. read more.
But now the LORD has given me rest all around, since I have neither foreign adversaries nor domestic crises. So now I'm planning to build a temple dedicated to the LORD my God, just as the LORD told my father when he said, "Your son, whom I will set on your throne to replace you, will build the Temple dedicated to me.' Now therefore please order that cedars of Lebanon be cut for me. My servants will work with your servants, and I will pay your servants whatever wages you set, because you know there is no one among us who knows how to cut timber like the Sidonians do." As soon as Hiram received the message from Solomon, he became so ecstatic that he exclaimed, "Blessed be the LORD today, who has given David a wise son to rule this great people!" Then he sent this message to Solomon: "I have read the letter that you sent me. I'll do what you've asked about the cedar and cypress timber. My servants will transport them from Lebanon to the sea, where we'll make them into rafts and float them by sea to the port that you tell me to send them. We'll have them prepared for transport there and then you can carry them from there. You can meet my needs by providing provisions for my household." That's how Hiram came to provide Solomon as much cedar and cypress timber as he needed. In return, Solomon paid Hiram 20,000 kors of wheat as food for his household, and 20 kors of beaten oil. Solomon provided this amount every year during the construction.
But now the LORD has given me rest all around, since I have neither foreign adversaries nor domestic crises. So now I'm planning to build a temple dedicated to the LORD my God, just as the LORD told my father when he said, "Your son, whom I will set on your throne to replace you, will build the Temple dedicated to me.' Now therefore please order that cedars of Lebanon be cut for me. My servants will work with your servants, and I will pay your servants whatever wages you set, because you know there is no one among us who knows how to cut timber like the Sidonians do." As soon as Hiram received the message from Solomon, he became so ecstatic that he exclaimed, "Blessed be the LORD today, who has given David a wise son to rule this great people!" Then he sent this message to Solomon: "I have read the letter that you sent me. I'll do what you've asked about the cedar and cypress timber. My servants will transport them from Lebanon to the sea, where we'll make them into rafts and float them by sea to the port that you tell me to send them. We'll have them prepared for transport there and then you can carry them from there. You can meet my needs by providing provisions for my household." That's how Hiram came to provide Solomon as much cedar and cypress timber as he needed. In return, Solomon paid Hiram 20,000 kors of wheat as food for his household, and 20 kors of beaten oil. Solomon provided this amount every year during the construction.
It took 20 years for Solomon to finish working on the two houses the LORD's Temple and the royal palace after which King Solomon gave Hiram 20 cities in the land of Galilee, because King Hiram of Tyre had provided Solomon with as much cedar, cypress timber, and gold that he wanted.