7 Bible Verses about Carving

Instead, this is what you are to do to them: tear down their altars, smash their sacred pillars, cut down their Asherah poles, and burn up their carved images.

All who make idols are nothing, and what they treasure does not profit. Their witnesses do not see or know [anything], so they will be put to shame. Who makes a god or casts a metal image for no profit? Look, all its worshipers will be put to shame, and the craftsmen are humans. They all will assemble and stand; they all will be startled and put to shame. read more.
The ironworker labors over the coals, shapes the idol with hammers, and works it with his strong arm. Also he grows hungry and his strength fails; he doesn't drink water and is faint. The woodworker stretches out a measuring line, he outlines it with a stylus; he shapes it with chisels and outlines it with a compass. He makes it according to a human likeness, like a beautiful person, to dwell in a temple. He cuts down cedars for his use, or he takes a cypress or an oak. He lets it grow strong among the trees of the forest. He plants a laurel, and the rain makes it grow. It serves as fuel for man. He takes some of it and warms himself; also he kindles a fire and bakes bread; he even makes it into a god and worships it; he makes it an idol and bows down to it. He burns half of it in a fire, and he roasts meat on that half. He eats the roast and is satisfied. He warms himself and says, "Ah! I am warm, I see the blaze." He makes a god or his idol with the rest of it. He bows down to it and worships; He prays to it, "Save me, for you are my god."

“Come, gather together,
and draw near, you fugitives of the nations.
Those who carry their wooden idols,
and pray to a god who cannot save,
have no knowledge.

What use is a carved idol after its craftsman carves it? It is [only] a cast image, a teacher of lies. For the one who crafts its shape trusts in it and makes idols that cannot speak. Woe to him who says to wood: Wake up! or to mute stone: Come alive! Can it teach? Look! It may be plated with gold and silver, yet there is no breath in it at all.

The cedar paneling inside the temple was carved with ornamental gourds and flower blossoms. Everything was cedar; not a stone could be seen.

then smashing all the carvings
with hatchets and picks.

He carved all the surrounding temple walls with carved engravings—cherubim, palm trees and flower blossoms—in both the inner and outer sanctuaries.

The two doors were made of olive wood. He carved cherubim, palm trees, and flower blossoms on them and overlaid them with gold, hammering gold over the cherubim and palm trees.

He carved cherubim, palm trees, and flower blossoms on them and overlaid them with gold applied evenly over the carving.

King Solomon had Hiram brought from Tyre. He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, a bronze craftsman. Hiram had great skill, understanding, and knowledge to do every kind of bronze work. So he came to King Solomon and carried out all his work. He cast two [hollow] bronze pillars: each 27 feet high and 18 feet in circumference. read more.
He also made two capitals of cast bronze to set on top of the pillars; seven and a half feet was the height of the first capital, and seven and a half feet was also the height of the second capital. The capitals on top of the pillars had gratings of latticework, wreaths made of chainwork-seven for the first capital and seven for the second. He made the pillars with two encircling rows of pomegranates on the one grating to cover the capital on top; he did the same for the second capital. And the capitals on top of the pillars in the portico were shaped like lilies, six feet [high]. The capitals on the two pillars were also immediately above the rounded surface next to the grating, and 200 pomegranates were in rows encircling each capital. He set up the pillars at the portico of the sanctuary: he set up the right pillar and named it Jachin; then he set up the left pillar and named it Boaz. The tops of the pillars were shaped like lilies. Then the work of the pillars was completed. He made the cast [metal] reservoir, 15 feet from brim to brim, perfectly round. It was seven and a half feet high and 45 feet in circumference. [Ornamental] gourds encircled it below the brim, 10 every half yard, completely encircling the reservoir. The gourds were cast in two rows when the reservoir was cast. It stood on 12 oxen, three facing north, three facing west, three facing south, and three facing east. The reservoir was on top of them and all their hindquarters were toward the center. The reservoir was three inches thick, and its rim was fashioned like the brim of a cup or of a lily blossom. It held 11,000 gallons. Then he made 10 bronze water carts. Each water cart was six feet long, six feet wide, and four and a half feet high. This was the design of the carts: They had frames; the frames were between the cross-pieces, and on the frames between the cross-pieces were lions, oxen, and cherubim. On the cross-pieces there was a pedestal above, and below the lions and oxen were wreaths of hanging work. Each cart had four bronze wheels with bronze axles. Underneath the four corners of the basin were cast supports, each next to a wreath. And the water cart's opening inside the crown on top was 18 inches wide. The opening was round, made as a pedestal 27 inches wide. On it were carvings, but their frames were square, not round. There were four wheels under the frames, and the wheel axles were part of the water cart; each wheel was 27 inches tall. The wheels' design was similar to that of chariot wheels: their axles, rims, spokes, and hubs were all of cast metal. Four supports were at the four corners of each water cart; each support was one piece with the water cart. At the top of the cart was a band nine inches high encircling it; also, at the top of the cart, its braces and its frames were one piece with it. He engraved cherubim, lions, and palm trees on the plates of its braces and on its frames, wherever each had space, with encircling wreaths. In this way he made the 10 water carts using the same casting, dimensions, and shape for all of them. Then he made 10 bronze basins-each basin holding 220 gallons and each was six feet wide-one basin for each of the 10 water carts. He set five water carts on the right side of the temple and five on the left side. He put the reservoir near the right side of the temple toward the southeast. Then Hiram made the basins, the shovels, and the sprinkling basins. So Hiram finished all the work that he was doing for King Solomon on the Lord's temple: two pillars; bowls for the capitals that were on top of the two pillars; the two gratings for covering both bowls of the capitals that were on top of the pillars; the 400 pomegranates for the two gratings (two rows of pomegranates for each grating covering both capitals' bowls on top of the pillars); the 10 water carts; the 10 basins on the water carts; the reservoir; the 12 oxen underneath the reservoir; and the pots, shovels, and sprinkling basins. All the utensils that Hiram made for King Solomon at the Lord's temple [were made] of burnished bronze. The king had them cast in clay molds in the Jordan Valley between Succoth and Zarethan. Solomon left all the utensils unweighed because there were so many; the weight of the bronze was not determined. Solomon also made all the equipment in the Lord's temple: the gold altar; the gold table that the bread of the Presence was placed on; the pure gold lampstands in front of the inner sanctuary, five on the right and five on the left; the gold flowers, lamps, and tongs; the pure gold ceremonial bowls, wick trimmers, sprinkling basins, ladles, and firepans; and the gold hinges for the doors of the inner temple (that is, the most holy place) and for the doors of the temple sanctuary. So all the work King Solomon did in the Lord's temple was completed. Then Solomon brought in the consecrated things of his father David-the silver, the gold, and the utensils-and put them in the treasuries of the Lord's temple.

I have now sent Huram-abi, a skillful man who has understanding. He is the son of a woman from the daughters of Dan. His father is a man of Tyre. He knows how to work with gold, silver, bronze, iron, stone, and wood, with purple, blue, crimson yarn, and fine linen. He knows how to do all kinds of engraving and to execute any design that may be given him. I have sent him to be with your craftsmen and the craftsmen of my lord, your father David.

I’ve spread coverings on my bed—
richly colored linen from Egypt.

to cut gemstones for mounting, and to carve wood for work in every craft.