48 Bible Verses about Art
Most Relevant Verses
I went in and looked, and there engraved all around the wall was every form of detestable thing, crawling creatures and beasts, as well as all the idols of the house of Israel.
“Now her sister Oholibah saw this, but she was even more depraved in her lust than Oholah, and made her promiscuous acts worse than those of her sister. She lusted after the Assyrians: governors and prefects, warriors splendidly dressed, horsemen riding on steeds, all of them desirable young men. And I saw that she had defiled herself; both of them had taken the same path. read more.
But she increased her promiscuity when she saw male figures carved on the wall, images of the Chaldeans, engraved in vermilion, wearing belts on their waists and flowing turbans on their heads; all of them looked like officers, a depiction of the Babylonians in Chaldea, the land of their birth.
The larger room he paneled with cypress wood, overlaid with fine gold, and decorated with palm trees and chains. He adorned the temple with precious stones for beauty, and the gold was the gold of Parvaim. He overlaid the temple—the beams, the thresholds, its walls and doors—with gold, and he carved cherubim on the walls.
When Solomon finished building the temple, he paneled the interior temple walls with cedar boards; from the temple floor to the surface of the ceiling he overlaid the interior with wood. He also overlaid the floor with cypress boards.
Make Your way to the everlasting ruins,
to all that the enemy has destroyed in the sanctuary.
Your adversaries roared in the meeting place
where You met with us.
They set up their emblems as signs.
It was like men in a thicket of trees,
wielding axes,
read more.
then smashing all the carvings
with hatchets and picks.
who says, “I will build myself a massive palace,
with spacious upper rooms.”
He will cut windows in it,
and it will be paneled with cedar
and painted with vermilion.
Next, Solomon overlaid the interior of the temple with pure gold, and he hung gold chains across the front of the inner sanctuary and overlaid it with gold. So he added the gold overlay to the entire temple until everything was completely finished, including the entire altar that belongs to the inner sanctuary.
The portico, which was across the front extending across the width of the temple, was 30 feet wide; its height was 30 feet; he overlaid its inner surface with pure gold. The larger room he paneled with cypress wood, overlaid with fine gold, and decorated with palm trees and chains. He adorned the temple with precious stones for beauty, and the gold was the gold of Parvaim. read more.
He overlaid the temple—the beams, the thresholds, its walls and doors—with gold, and he carved cherubim on the walls.
For the entrance of the inner sanctuary, he made olive wood doors. The pillars of the doorposts were five-sided. The two doors were made of olive wood. He carved cherubim, palm trees, and flower blossoms on them and overlaid them with gold, hammering gold over the cherubim and palm trees. In the same way, he made four-sided olive wood doorposts for the sanctuary entrance. read more.
The two doors were made of cypress wood; the first door had two folding sides, and the second door had two folding panels. He carved cherubim, palm trees, and flower blossoms on them and overlaid them with gold applied evenly over the carving.
The weight of gold that came to Solomon annually was 25 tons, besides what came from merchants, traders’ merchandise, and all the Arabian kings and governors of the land. King Solomon made 200 large shields of hammered gold; 15 pounds of gold went into each shield. read more.
He made 300 small shields of hammered gold; about four pounds of gold went into each shield. The king put them in the House of the Forest of Lebanon. The king also made a large ivory throne and overlaid it with fine gold. The throne had six steps; there was a rounded top at the back of the throne, armrests on either side of the seat, and two lions standing beside the armrests. Twelve lions were standing there on the six steps, one at each end. Nothing like it had ever been made in any other kingdom. All of King Solomon’s drinking cups were gold, and all the utensils of the House of the Forest of Lebanon were pure gold. There was no silver, since it was considered as nothing in Solomon’s time,
The weight of gold that came to Solomon annually was 25 tons, besides what was brought by the merchants and traders. All the Arabian kings and governors of the land also brought gold and silver to Solomon. King Solomon made 200 large shields of hammered gold; 15 pounds of hammered gold went into each shield. read more.
He made 300 small shields of hammered gold; about eight pounds of gold went into each shield. The king put them in the House of the Forest of Lebanon. The king also made a large ivory throne and overlaid it with pure gold. The throne had six steps; there was a footstool covered in gold for the throne, armrests on either side of the seat, and two lions standing beside the armrests. Twelve lions were standing there on the six steps, one at each end. Nothing like it had ever been made in any other kingdom. All of King Solomon’s drinking cups were gold, and all the utensils of the House of the Forest of Lebanon were pure gold. There was no silver, since it was considered as nothing in Solomon’s time,
The king also made a large ivory throne and overlaid it with fine gold.
The king also made a large ivory throne and overlaid it with pure gold.
The rest of the events of Ahab’s reign, along with all his accomplishments, including the ivory palace he built, and all the cities he built, are written in the Historical Record of Israel’s Kings.
Myrrh, aloes, and cassia perfume all your garments;
from ivory palaces harps bring you joy.
I will demolish the winter house
and the summer house;
the houses inlaid with ivory will be destroyed,
and the great houses will come to an end.
This is the Lord’s declaration.
The cedar paneling inside the temple was carved with ornamental gourds and flower blossoms. Everything was cedar; not a stone could be seen.
He carved all the surrounding temple walls with carved engravings—cherubim, palm trees and flower blossoms—in both the inner and outer sanctuaries. He overlaid the temple floor with gold in both the inner and outer sanctuaries. For the entrance of the inner sanctuary, he made olive wood doors. The pillars of the doorposts were five-sided. read more.
The two doors were made of olive wood. He carved cherubim, palm trees, and flower blossoms on them and overlaid them with gold, hammering gold over the cherubim and palm trees. In the same way, he made four-sided olive wood doorposts for the sanctuary entrance. The two doors were made of cypress wood; the first door had two folding sides, and the second door had two folding panels. He carved cherubim, palm trees, and flower blossoms on them and overlaid them with gold applied evenly over the carving.
He overlaid the temple—the beams, the thresholds, its walls and doors—with gold, and he carved cherubim on the walls.
Then our sons will be like plants
nurtured in their youth,
our daughters, like corner pillars
that are carved in the palace style.
Next he measured the length of the building facing the temple yard to the west, with its galleries on each side; it was 175 feet.
The interior of the great hall and the porticoes of the court— the thresholds, the beveled windows, and the balconies all around with their three levels opposite the threshold—were overlaid with wood on all sides. They were paneled from the ground to the windows (but the windows were covered), reaching to the top of the entrance, and as far as the inner temple and on the outside. On every wall all around, on the inside and outside, was a pattern read more.
carved with cherubim and palm trees. There was a palm tree between each pair of cherubim. Each cherub had two faces: a human face turned toward the palm tree on one side, and a lion’s face turned toward it on the other. They were carved throughout the temple on all sides. Cherubim and palm trees were carved from the ground to the top of the entrance and on the wall of the great hall. The doorposts of the great hall were square, and the front of the sanctuary had the same appearance. The altar was made of wood, 5¼ feet high and 3½ feet long. It had corners, and its length and sides were of wood. The man told me, “This is the table that stands before the Lord.” The great hall and the sanctuary each had a double door, and each of the doors had two swinging panels. There were two panels for one door and two for the other. Cherubim and palm trees were carved on the doors of the great hall like those carved on the walls. There was a wooden canopy outside, in front of the portico. There were beveled windows and palm trees on both sides, on the side walls of the portico, the side rooms of the temple, and the canopies.
Four supports were at the four corners of each water cart; each support was one piece with the water cart. At the top of the cart was a band nine inches high encircling it; also, at the top of the cart, its braces and its frames were one piece with it. He engraved cherubim, lions, and palm trees on the plates of its braces and on its frames, wherever each had space, with encircling wreaths. read more.
In this way he made the 10 water carts using the same casting, dimensions, and shape for all of them.
“Take two onyx stones and engrave on them the names of Israel’s sons: six of their names on the first stone and the remaining six names on the second stone, in the order of their birth. Engrave the two stones with the names of Israel’s sons as a gem cutter engraves a seal. Mount them, surrounded with gold filigree settings. read more.
Fasten both stones on the shoulder pieces of the ephod as memorial stones for the Israelites. Aaron will carry their names on his two shoulders before the Lord as a reminder.
Then they mounted the onyx stones surrounded with gold filigree settings, engraved with the names of Israel’s sons as a gem cutter engraves a seal. He fastened them on the shoulder pieces of the ephod as memorial stones for the Israelites, just as the Lord had commanded Moses.
And the water cart’s opening inside the crown on top was 18 inches wide. The opening was round, made as a pedestal 27 inches wide. On it were carvings, but their frames were square, not round.
The temple that I am building will be great, for our God is greater than any of the gods. But who is able to build a temple for Him, since even heaven and the highest heaven cannot contain Him? Who am I then that I should build a temple for Him except as a place to burn incense before Him? Therefore, send me a craftsman who is skilled in engraving to work with gold, silver, bronze, and iron, and with purple, crimson, and blue yarn. He will work with the craftsmen who are with me in Judah and Jerusalem, appointed by my father David.
I wish that my words were written down,
that they were recorded on a scroll
or were inscribed in stone forever
by an iron stylus and lead!
Look, I have inscribed you on the palms of My hands;
your walls are continually before Me.
The sin of Judah is written
with an iron stylus.
With a diamond point
it is engraved on the tablet of their hearts
and on the horns of their altars,
Notice the stone I have set before Joshua; on that one stone are seven eyes. I will engrave an inscription on it”—this is the declaration of the Lord of Hosts—“and I will take away the guilt of this land in a single day.
“You are to construct the tabernacle itself with 10 curtains. You must make them of finely spun linen, and blue, purple, and scarlet yarn, with a design of cherubim worked into them.
Make two cherubim of gold; make them of hammered work at the two ends of the mercy seat. Make one cherub at one end and one cherub at the other end. At its two ends, make the cherubim of one piece with the mercy seat. The cherubim are to have wings spread out above, covering the mercy seat with their wings, and are to face one another. The faces of the cherubim should be toward the mercy seat. read more.
Set the mercy seat on top of the ark and put the testimony that I will give you into the ark.
All the skilled craftsmen among those doing the work made the tabernacle with 10 curtains. Bezalel made them of finely spun linen, as well as blue, purple, and scarlet yarn, with a design of cherubim worked into them.
He made two cherubim of gold; he made them of hammered work at the two ends of the mercy seat, one cherub at one end and one cherub at the other end. At each end, he made a cherub of one piece with the mercy seat. They had wings spread out. They faced each other and covered the mercy seat with their wings. The faces of the cherubim were looking toward the mercy seat.
Solomon also made all the equipment in the Lord’s temple: the gold altar; the gold table that the bread of the Presence was placed on; the pure gold lampstands in front of the inner sanctuary, five on the right and five on the left; the gold flowers, lamps, and tongs; the pure gold ceremonial bowls, wick trimmers, sprinkling basins, ladles, and firepans; and the gold hinges for the doors of the inner temple (that is, the most holy place) and for the doors of the temple sanctuary.
Solomon also made all the equipment in God’s temple: the gold altar; the tables on which to put the bread of the Presence; the lampstands and their lamps of pure gold to burn in front of the inner sanctuary according to specifications; the flowers, lamps, and gold tongs—of purest gold; read more.
the wick trimmers, sprinkling basins, ladles, and firepans—of purest gold; and the entryway to the temple, its inner doors to the most holy place, and the doors of the temple sanctuary—of gold.
King Solomon had Hiram brought from Tyre. He was a widow’s son from the tribe of Naphtali, and his father was a man of Tyre, a bronze craftsman. Hiram had great skill, understanding, and knowledge to do every kind of bronze work. So he came to King Solomon and carried out all his work. He cast two hollow bronze pillars: each 27 feet high and 18 feet in circumference. read more.
He also made two capitals of cast bronze to set on top of the pillars; 7½ feet was the height of the first capital, and 7½ feet was also the height of the second capital. The capitals on top of the pillars had gratings of latticework, wreaths made of chainwork—seven for the first capital and seven for the second. He made the pillars with two encircling rows of pomegranates on the one grating to cover the capital on top; he did the same for the second capital. And the capitals on top of the pillars in the portico were shaped like lilies, six feet high. The capitals on the two pillars were also immediately above the rounded surface next to the grating, and 200 pomegranates were in rows encircling each capital. He set up the pillars at the portico of the sanctuary: he set up the right pillar and named it Jachin; then he set up the left pillar and named it Boaz. The tops of the pillars were shaped like lilies. Then the work of the pillars was completed.
Then Huram made the pots, the shovels, and the bowls.
So Huram finished doing the work that he was doing for King Solomon in God’s temple: two pillars; the bowls and the capitals on top of the two pillars; the two gratings for covering both bowls of the capitals that were on top of the pillars; the 400 pomegranates for the two gratings (two rows of pomegranates for each grating covering both capitals’ bowls on top of the pillars). read more.
He also made the water carts and the basins on the water carts. The one reservoir and the 12 oxen underneath it, the pots, the shovels, the forks, and all their utensils—Huram-abi made them for King Solomon for the Lord’s temple. All these were made of polished bronze.
In front of the temple he made two pillars, each 27 feet high. The capital on top of each was 7½ feet high. He had made chainwork in the inner sanctuary and also put it on top of the pillars. He made 100 pomegranates and fastened them into the chainwork. Then he set up the pillars in front of the sanctuary, one on the right and one on the left. He named the one on the right Jachin and the one on the left Boaz.
‘The person who makes a carved idol or cast image, which is detestable to the Lord, the work of a craftsman, and sets it up in secret is cursed.’
And all the people will reply, ‘Amen!’
Do not have other gods besides Me.
Do not make an idol for yourself, whether in the shape of anything in the heavens above or on the earth below or in the waters under the earth. You must not bow down to them or worship them; for I, the Lord your God, am a jealous God, punishing the children for the fathers’ sin, to the third and fourth generations of those who hate Me, read more.
but showing faithful love to a thousand generations of those who love Me and keep My commands.
From Thematic Bible
Art » Primitive » Of the potter
we are the clay, and You are our potter;
we all are the work of Your hands.
So I went down to the potter’s house, and there he was, working away at the wheel.
ב Bet
once worth their weight in pure gold
how they are regarded as clay jars,
the work of a potter’s hands!
“Throw it to the potter,”
Art » Artisans, skillful » Hiram
King Solomon had Hiram brought from Tyre. He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, a bronze craftsman. Hiram had great skill, understanding, and knowledge to do every kind of bronze work. So he came to King Solomon and carried out all his work. He cast two [hollow] bronze pillars: each 27 feet high and 18 feet in circumference. read more.
He also made two capitals of cast bronze to set on top of the pillars; seven and a half feet was the height of the first capital, and seven and a half feet was also the height of the second capital. The capitals on top of the pillars had gratings of latticework, wreaths made of chainwork-seven for the first capital and seven for the second. He made the pillars with two encircling rows of pomegranates on the one grating to cover the capital on top; he did the same for the second capital. And the capitals on top of the pillars in the portico were shaped like lilies, six feet [high]. The capitals on the two pillars were also immediately above the rounded surface next to the grating, and 200 pomegranates were in rows encircling each capital. He set up the pillars at the portico of the sanctuary: he set up the right pillar and named it Jachin; then he set up the left pillar and named it Boaz. The tops of the pillars were shaped like lilies. Then the work of the pillars was completed. He made the cast [metal] reservoir, 15 feet from brim to brim, perfectly round. It was seven and a half feet high and 45 feet in circumference. [Ornamental] gourds encircled it below the brim, 10 every half yard, completely encircling the reservoir. The gourds were cast in two rows when the reservoir was cast. It stood on 12 oxen, three facing north, three facing west, three facing south, and three facing east. The reservoir was on top of them and all their hindquarters were toward the center. The reservoir was three inches thick, and its rim was fashioned like the brim of a cup or of a lily blossom. It held 11,000 gallons. Then he made 10 bronze water carts. Each water cart was six feet long, six feet wide, and four and a half feet high. This was the design of the carts: They had frames; the frames were between the cross-pieces, and on the frames between the cross-pieces were lions, oxen, and cherubim. On the cross-pieces there was a pedestal above, and below the lions and oxen were wreaths of hanging work. Each cart had four bronze wheels with bronze axles. Underneath the four corners of the basin were cast supports, each next to a wreath. And the water cart's opening inside the crown on top was 18 inches wide. The opening was round, made as a pedestal 27 inches wide. On it were carvings, but their frames were square, not round. There were four wheels under the frames, and the wheel axles were part of the water cart; each wheel was 27 inches tall. The wheels' design was similar to that of chariot wheels: their axles, rims, spokes, and hubs were all of cast metal. Four supports were at the four corners of each water cart; each support was one piece with the water cart. At the top of the cart was a band nine inches high encircling it; also, at the top of the cart, its braces and its frames were one piece with it. He engraved cherubim, lions, and palm trees on the plates of its braces and on its frames, wherever each had space, with encircling wreaths. In this way he made the 10 water carts using the same casting, dimensions, and shape for all of them. Then he made 10 bronze basins-each basin holding 220 gallons and each was six feet wide-one basin for each of the 10 water carts. He set five water carts on the right side of the temple and five on the left side. He put the reservoir near the right side of the temple toward the southeast. Then Hiram made the basins, the shovels, and the sprinkling basins. So Hiram finished all the work that he was doing for King Solomon on the Lord's temple: two pillars; bowls for the capitals that were on top of the two pillars; the two gratings for covering both bowls of the capitals that were on top of the pillars; the 400 pomegranates for the two gratings (two rows of pomegranates for each grating covering both capitals' bowls on top of the pillars); the 10 water carts; the 10 basins on the water carts; the reservoir; the 12 oxen underneath the reservoir; and the pots, shovels, and sprinkling basins. All the utensils that Hiram made for King Solomon at the Lord's temple [were made] of burnished bronze. The king had them cast in clay molds in the Jordan Valley between Succoth and Zarethan. Solomon left all the utensils unweighed because there were so many; the weight of the bronze was not determined. Solomon also made all the equipment in the Lord's temple: the gold altar; the gold table that the bread of the Presence was placed on; the pure gold lampstands in front of the inner sanctuary, five on the right and five on the left; the gold flowers, lamps, and tongs; the pure gold ceremonial bowls, wick trimmers, sprinkling basins, ladles, and firepans; and the gold hinges for the doors of the inner temple (that is, the most holy place) and for the doors of the temple sanctuary. So all the work King Solomon did in the Lord's temple was completed. Then Solomon brought in the consecrated things of his father David-the silver, the gold, and the utensils-and put them in the treasuries of the Lord's temple.
I have now sent Huram-abi, a skillful man who has understanding. He is the son of a woman from the daughters of Dan. His father is a man of Tyre. He knows how to work with gold, silver, bronze, iron, stone, and wood, with purple, blue, crimson yarn, and fine linen. He knows how to do all kinds of engraving and to execute any design that may be given him. I have sent him to be with your craftsmen and the craftsmen of my lord, your father David.
Art » Primitive » Carpentry
"Make yourself an ark of gofer wood. Make rooms in the ark, and cover it with pitch inside and outside. This is how you are to make it: The ark will be 450 feet long, 75 feet wide, and 45 feet high. You are to make a roof, finishing [the sides of the ark] to within 18 inches [of the roof.] You are to put a door in the side of the ark. Make it with lower, middle, and upper [decks].
"Look, I have appointed by name Bezalel son of Uri, son of Hur, of the tribe of Judah. I have filled him with God's Spirit, with wisdom, understanding, and ability in every craft to design artistic works in gold, silver, and bronze, read more.
to cut gemstones for mounting, and to carve wood for work in every craft. I have also selected Oholiab son of Ahisamach, of the tribe of Dan, to be with him. I have placed wisdom within every skilled craftsman in order to make all that I have commanded you: the tent of meeting, the ark of the testimony, the mercy seat that is on top of it, and all the [other] furnishings of the tent- the table with its utensils, the pure [gold] lampstand with all its utensils, the altar of incense, the altar of burnt offering with all its utensils, the basin with its stand-
Art » Artisans, skillful » Bezaleel and aholiab
"Look, I have appointed by name Bezalel son of Uri, son of Hur, of the tribe of Judah. I have filled him with God's Spirit, with wisdom, understanding, and ability in every craft to design artistic works in gold, silver, and bronze, read more.
to cut gemstones for mounting, and to carve wood for work in every craft. I have also selected Oholiab son of Ahisamach, of the tribe of Dan, to be with him. I have placed wisdom within every skilled craftsman in order to make all that I have commanded you: the tent of meeting, the ark of the testimony, the mercy seat that is on top of it, and all the [other] furnishings of the tent- the table with its utensils, the pure [gold] lampstand with all its utensils, the altar of incense, the altar of burnt offering with all its utensils, the basin with its stand- the specially woven garments, both the holy garments for Aaron the priest and the garments for his sons to serve as priests, the anointing oil, and the fragrant incense for the sanctuary. They must make [them] according to all that I have commanded you." The Lord said to Moses: "Tell the Israelites: You must observe My Sabbaths, for it is a sign between Me and you throughout your generations, so that you will know that I am the Lord who sets you apart. Observe the Sabbath, for it is holy to you. Whoever profanes it must be put to death. If anyone does work on it, that person must be cut off from his people.
Moses then said to the Israelites: "Look, the Lord has appointed by name Bezalel son of Uri, son of Hur, of the tribe of Judah. He has filled him with God's Spirit, with wisdom, understanding, and ability in every kind of craft to design artistic works in gold, silver, and bronze, read more.
to cut gemstones for mounting, and to carve wood for work in every kind of artistic craft. He has also given both him and Oholiab son of Ahisamach, of the tribe of Dan, [the ability] to teach [others]. He has filled them with skill to do all the work of a gem cutter; a designer; an embroiderer in blue, purple, and scarlet yarn and fine linen; and a weaver. They can do every kind of craft and design artistic designs.
Art » Primitive » Of the refiner of metals
the weight of refined gold for the altar of incense;
But who can endure the day of His coming? And who will be able to stand when He appears? For He will be like a refiner's fire and like cleansing lye. He will be like a refiner and purifier of silver; He will purify the sons of Levi and refine them like gold and silver. Then they will present offerings to the Lord in righteousness.
Art » Primitive » Of the brickmaker
They said to each other, “Come, let us make oven-fired bricks.” They used brick for stone and asphalt for mortar.
"Don't continue to supply the people with straw for making bricks, as before. They must go and gather straw for themselves. But require the same quota of bricks from them as they were making before; do not reduce it. For they are slackers-that is why they are crying out, 'Let us go and sacrifice to our God.'
Now get to work. No straw will be given to you, but you must produce the same quantity of bricks.”
Art » Primitive » Of the stonecutter
If you make a stone altar for Me, you must not build it out of cut stones. If you use your chisel on it, you will defile it.
You also have many workers: stonecutters, masons, carpenters, and people skilled in every kind of work
Art » Primitive » Of the musician
As the troops were coming back, when David was returning from killing the Philistine, the women came out from all the cities of Israel to meet King Saul,
Then David told the leaders of the Levites to appoint their relatives as singers and to have them raise their voices with joy accompanied by musical instruments—harps, lyres, and cymbals.
Art » Primitive » Of the gardener
Supposing He was the gardener, she replied, “Sir, if you’ve removed Him, tell me where you’ve put Him, and I will take Him away.”
Art » Primitive » Of the weaver
He has filled them with skill
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When the soldiers crucified Jesus, they took His clothes and divided them into four parts, a part for each soldier. They also took the tunic, which was seamless, woven in one piece from the top.
Art » Primitive » Of the mason
King Hiram of Tyre sent envoys to David; he also sent cedar logs, carpenters, and stonemasons,
Then the king and Jehoiada gave it to those in charge of the labor on the Lord’s temple, who were hiring stonecutters and carpenters to renovate the Lord’s temple, also blacksmiths and coppersmiths to repair the Lord’s temple.
Art » Primitive » Of the winemaker
At that time I saw people in Judah treading wine presses on the Sabbath. They were also bringing in stores of grain and loading them on donkeys, along with wine, grapes, and figs. All kinds of goods were being brought to Jerusalem on the Sabbath day. So I warned them against selling food on that day.
and no one from the nations was with Me.
I trampled them in My anger
and ground them underfoot in My fury;
their blood spattered My garments,
and all My clothes were stained.
Art » Primitive » Of the spinner
Every skilled
and her hands hold the spindle.
Art » Primitive » Of the barber
On that day the Lord will use a razor
“Now you, son of man, take a sharp sword,
Art » Primitive » Of the baker
After this, the Egyptian king’s cupbearer
He can take your daughters to become perfumers, cooks, and bakers.
Art » Primitive » Of the tentmaker
and being of the same occupation, stayed with them and worked, for they were tentmakers
Art » Primitive » Of the tanner
Art » Primitive » Of the apothecary or perfumer
Prepare from these a holy anointing oil, a scented blend, the work of a perfumer; it will be holy anointing oil.
Prepare expertly blended incense from these; it is to be seasoned with salt, pure and holy.
Art » Primitive » Of the calker
were within you, repairing your leaks.
came to
your sailors and captains,
those who repair your leaks,
those who barter for your goods,
and all the warriors within you,
with all the other people on board,
sink into the heart of the sea
on the day of your downfall.
Art » Primitive » Invention of musical instruments and instruments of iron and copper (av, brass)
His brother was named Jubal; he was the father of all who play the lyre and the flute. Zillah bore Tubal-cain, who made all kinds of bronze and iron tools. Tubal-cain's sister was Naamah.
Art » Primitive » Of the mariner
The inhabitants of Sidon and Arvad were your rowers. Your wise men were within you, Tyre; they were your helmsmen. The elders of Gebal and its wise men were within you, repairing your leaks. All the ships of the sea and their sailors came to you to barter for your goods.
Art » Primitive » Of the goldsmith
and a metalworker plates with gold
and makes silver welds for it?
Art » Primitive » Of compounding confections
He can take your daughters to become perfumers, cooks, and bakers.
Art » Primitive » Of the smelter of metals
Art » Primitive » Of the shipbuilder
King Solomon put together a fleet of ships at Ezion-geber,
Art » Primitive » Of the ropemaker
He told her, “If they tie me up with new ropes that have never been used,
Art » Primitive » Of the armorer
He can appoint them for his use as commanders of thousands or commanders of fifties,
Art » Artisans, skillful » Tubal-cain
Zillah bore Tubal-cain, who made all kinds of bronze and iron tools. Tubal-cain’s sister was Naamah.
Art » Artisans, skillful » Jubal
Art » Primitive » Of the tailor
You are to instruct all the skilled craftsmen,
Art » Primitive » Of the writer
Benjamin came with your people after you.
The leaders came down from Machir,
and those who carry a marshal’s staff came from Zebulun.
Topics on Art
Art In The Tabernacle
Exodus 26:1“You
Art In The Temple
1 Kings 7:48-50Solomon also made all the equipment in the Lord’s temple: the gold altar; the gold table that the bread of the Presence was placed on;
Art Of Celebrating
Isaiah 25:1
I will exalt You. I will praise Your name,
for You have accomplished wonders,
plans formed long ago, with perfect faithfulness.
Arts And Crafts, Types of
1 Samuel 8:12He can appoint them for his use as commanders of thousands or commanders of fifties,
Magical Arts, Examples Of
Acts 8:9A man named Simon had previously practiced sorcery in that city and astounded the Samaritan people, while claiming to be somebody great.
Magical Arts, Practice Of
Exodus 7:11But then Pharaoh called the wise men and sorcerers—the magicians
