Reference: Music
American
The ancient Hebrews had a great taste for music, which they used in their religious services, in their public and private rejoicing, at their weddings and feasts, and even in their mourning. We have in Scripture canticles of joy, of thanksgiving, of praise, of mourning; also mournful elegies or songs, as those of David on the death of Saul and Abner, and the Lamentations of Jeremiah on the destruction of Jerusalem; so, too, songs of victory, triumph, and gratulation, as that which Moses sung after passing the Red Sea, that of Deborah and Barak, and others. The people of God went up to Jerusalem thrice a year, cheered on their way with songs of joy, Ps 84:12; Isa 30:29. The book of Psalms comprises a wonderful variety of inspired pieces for music, and is an inexhaustible treasure for the devout in all ages.
Music is perhaps the most ancient of the fine arts. Jubal, who lived before the deluge, was the "father" of those who played on the harp and the organ, Ge 4:21; 31:26-27. Laban complains that his son-in-law Jacob had left him, without giving him an opportunity of sending his family away "with mirth and with songs, with tabret and with harp." Moses, having passed through the Red Sea, composed a song, and sung it with the Israelitish men, while Miriam, his sister, sung it with dancing, and playing on instruments, at the head of the women, Ex 15:20-21. He caused silver trumpets to be made to be sounded at solemn sacrifices, and on religious festivals. David, who had great skill in music, soothed the perturbed spirit of Saul by playing on the harp, 1Sa 16:16,23; and when he was himself established on the throne - seeing that the Levites were not employed, as formerly, in carrying the boards, veils, and vessels of the tabernacle, its abode being fixed at Jerusalem - appointed a great part of them to sing and to play on instruments in the temple, 1Ch 25. David brought the ark to Jerusalem with triumphant and joyful music, 1Ch 13:8; 15:16-28; and in the same manner Solomon was proclaimed king, 1Ki 1:39-40. The Old Testament prophets also sought the aid of music in their services, 1Sa 10:5; 2Ki 3:15.
Asaph, Heman, and Jeduthun were chiefs of the music of the tabernacle under David, and of the temple under Solomon. Asaph had four sons, Jeduthun six, and Heman fourteen. These twenty-four Levites, sons of the three great masters of the temple-music, were at the head of twenty-four bands of musicians, which served in the temple by turns. Their number there was always great, but especially at the chief solemnities. They were ranged in order about the altar of burnt-sacrifices. As the whole business of their lives was to learn and to practice music, it must be supposed that they understood it well, whether it were vocal or instrumental, 2Ch 29:25.
The kings also had their music. Asaph was chief master of music to David. In the temple, and in the ceremonies of religion, female musicians were admitted as well as male; they generally were daughters of the Levites. Ezra, in his enumeration of those whom he brought back with him from the captivity, reckons two hundred singing men and singing women, 2Sa 19:35; Ezr 2:65; Ne 7:67.
As to the nature of their music, we can judge of it only by conjecture, because it has been long lost. Probably it was a unison of several voices, of which all sung together the same melody, each according to his strength and skill; without musical counterpoint, or those different parts and combinations which constitute harmony in our music. Probably, also, the voices were generally accompanied by instrumental music. If we may draw any conclusions in favor of their music from its effects, its magnificence, its majesty, and the lofty sentiments contained in their songs, we must allow it great excellence. It is supposed that the temple musicians were sometimes divided into two or more separate choirs, which, with a general chorus, sung in turn responsive to each other, each a small portion of the Psalm. The structure of the Hebrew Psalms is eminently adapted to this mode of singing, and very delightful and solemn effects might thus be produced. Compare 10/type/am'>10/type/am'>Ps 24:10/type/am'>10,10/type/am'>10,10/type/am'>10.
Numerous musical instruments are mentioned in Scripture, but it has been found impossible to affix heir names with certainty to specific instruments now in use. By a comparison, however, of the instruments probably held in common by the Jews with the Greeks, Romans, and Egyptians, a degree of probability as to most of them has been secured. They were of three kinds:
A. Stringed instruments:
1. KINNOR, "the harp," Ge 4:21. Frequently mentioned in Scripture, and probably a kind of lyre.
2. NEBEL, "the psaltery," 1Sa 10:5. It appears to have been the name of various large instruments of the harp kind.
3. ASOR, signifying ten-stringed. In Ps 92:4, it apparently denotes an instrument distinct from the NEBEL; but elsewhere it seems to be simply a description of the NEBEL as ten-stringed. See Ps 33:2; 144:9.
4. GITTITH. It occurs in the titles of Ps 8:1; 81:1; 84:1. From the name, it is supposed that David brought it from Gath. Others conclude that it is a general name for a string instrument.
5. MINNIM, strings, Ps 150:4. Probably another kind of stringed instrument.
6. SABECA, "sackbut," Da 3:5,7,10,15. A kind of lyre.
7. PESANTERIN, "psaltery," occurs Da 3:7, and is supposed to represent the NEBEL.
8. MACHALATH. Found in the titles of Ps 53:1; 88:1; supposed to be a lute or guitar.
B. Wind instruments:
9. KEREN, "horn," Jos 6:5. Cornet.
10. SHOPHAR, "trumpet," Nu 10:10. Used synonymously with KEREN.
11. CHATZOZERAH, the straight trumpet, Ps 98:6.
12. JOBEL, or KEREN JOBEL, horn of jubilee, or signal trumpet, Jos 6:4. Probably the same with 9 and 10.
13. CHAIL, "pipe" or "flute." The word means bored through, 1Sa 10:5.
14. MISHROKITHA, Da 3:5, etc. Probably the Chaldean name for the flute with two reeds.
15. UGAB, "organ" in our version Ge 4:21. It means a double or manifold pipe, and hence the shepherd's pipe; probably the same as the syrinx or Pan's pipe; or perhaps resembling the bagpipe.
C. Instruments which gave out sound on being struck:
17. TOPH, Ge 31:27, the tambourine and all instruments of the drum kind.
18. PHAAMON, "bells," Ex 28:33. Attached to the hem of the high priest's garment.
19. TZELITZELIM, "cymbals," Ps 150:5. A word frequently occurring. There were probably two kinds, hand-cymbals.
20. SHALISHIM, 1Sa 18:6. In our version, "instruments of music." "Three-stringed instruments." Most writers identify it with the triangle.
21. MENAANEIM, "cymbals," 2Sa 6:5. Probably the sistrum. The Hebrew word means to shake. The sistrum was generally about sixteen or eighteen inches long, occasionally inlaid with silver, and being held upright, was shaken, the rings moving to and fro on the bars.
Further particulars concerning some of these may be found under the names they severally bear in our English Bible.
See Verses Found in Dictionary
His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
And Laban said to Jacob, What do you mean stealing away and leaving like this without my knowing it, and carrying off my daughters as if captives of the sword? Why did you flee secretly and cheat me and did not tell me, so that I might have sent you away with joy and gladness and with singing, with tambourine and lyre?
Why did you flee secretly and cheat me and did not tell me, so that I might have sent you away with joy and gladness and with singing, with tambourine and lyre?
Then Miriam the prophetess, the sister of Aaron, took a timbrel in her hand, and all the women went out after her with timbrels and dancing. And Miriam responded to them, Sing to the Lord, for He has triumphed gloriously and is highly exalted; the horse and his rider He has thrown into the sea.
And you shall make pomegranates of blue, purple, and scarlet [stuff] around about its skirts, with gold bells between them;
Also in the day of rejoicing, and in your set feasts, and at the beginnings of your months, you shall blow the trumpets over your burnt offerings and your peace offerings; thus they may be a remembrance before your God. I am the Lord your God.
And seven priests shall bear before the ark seven trumpets of rams' horns; and on the seventh day you shall march around the enclosure seven times, and the priests shall blow the trumpets. When they make a long blast with the ram's horn and you hear the sound of the trumpet, all the people shall shout with a great shout; and the wall of the enclosure shall fall down in its place and the people shall go up [over it], every man straight before him.
After that you will come to the hill of God, where the garrison of the Philistines is; and when you come to the city, you will meet a company of prophets coming down from the high place with harp, tambourine, flute, and lyre before them, prophesying.
After that you will come to the hill of God, where the garrison of the Philistines is; and when you come to the city, you will meet a company of prophets coming down from the high place with harp, tambourine, flute, and lyre before them, prophesying.
Let our lord now command your servants here before you to find a man who plays skillfully on the lyre; and when the evil spirit from God is upon you, he will play it, and you will be well.
And when the evil spirit from God was upon Saul, David took a lyre and played it; so Saul was refreshed and became well, and the evil spirit left him.
As they were coming home, when David returned from killing the Philistine, the women came out of all the Israelite towns, singing and dancing, to meet King Saul with timbrels, songs of joy, and instruments of music.
And David and all the house of Israel played before the Lord with all their might, with songs, lyres, harps, tambourines, castanets, and cymbals.
I am this day eighty years old. Could I now [be useful as a counselor to] discern between good and evil? Can your servant appreciate what I eat or drink? Can I any longer enjoy the voices of singing men and women? Why then should your servant be still a burden to my lord the king?
Zadok the priest took a horn of oil out of the tent and anointed Solomon. They blew the trumpet and all the people said, Long live King Solomon! All the people followed him; they played on pipes and rejoiced greatly, so that the earth [resounded] with the joyful sound.
And David and all Israel merrily celebrated before God with all their might, with songs and lyres and harps and tambourines and cymbals and trumpets.
David told the chief Levites to appoint their brethren the singers with instruments of music -- "harps, lyres, and cymbals -- "to play loudly and lift up their voices with joy. So the Levites appointed Heman son of Joel; and of his brethren, Asaph son of Berechiah; and of the sons of Merari their brethren, Ethan son of Kushaiah; read more. And with them their brethren of the second class: Zechariah, Ben, Jaaziel, Shemiramoth, Jehiel, Unni, Eliab, Benaiah, Maaseiah, Mattithiah, Eliphelehu, and Mikneiah, and also the gatekeepers, Obed-edom and Jeiel. So the singers Heman, Asaph, and Ethan, were appointed to sound bronze cymbals; Zechariah, Aziel, Shemiramoth, Jehiel, Unni, Eliab, Maaseiah, and Benaiah were to play harps [resembling guitars] set to Alamoth [probably the treble voice]; Mattithiah, Eliphelehu, Mikneiah, Obed-edom, Jeiel, and Azaziah were to lead with lyres set to Sheminith [the bass voice]. Chenaniah, leader of the Levites in singing, was put in charge of carrying the ark and lifting up song. He instructed about these matters because he was skilled and able. Berechiah and Elkanah were gatekeepers for the ark. Shebaniah, Joshaphat, Nethanel, Amasai, Zechariah, Benaiah, and Eliezer the priests were to blow the trumpets before the ark of God. And Obed-edom and Jehiah (Jeiel) were also gatekeepers for the ark. So David, the elders of Israel, and the captains over thousands went to bring up the ark of the covenant of the Lord out of the house of Obed-edom with joy. And when God helped the Levites who carried the ark of the covenant of the Lord [with a safe start], they offered seven bulls and seven rams. David was clothed with a robe of fine linen, as were the Levites who bore the ark, and the singers, and Chenaniah, director of the music of the singers. David also wore an ephod [a priestly upper garment] of linen. Thus all Israel brought up the ark of the covenant of the Lord with shouting, sound of the cornet, trumpets, and cymbals, sounding aloud with harps and lyres.
Hezekiah stationed the Levites in the Lord's house with cymbals, harps, and lyres, as David [his forefather] and Gad the king's seer and Nathan the prophet had commanded; for the commandment was from the Lord through His prophets.
Besides their menservants and maidservants, 7,337; and among them they had 200 men and women singers.
Besides their manservants and their maidservants, of whom there were 7,337; and they had 245 singers, men and women.
O Lord, our Lord, how excellent (majestic and glorious) is Your name in all the earth! You have set Your glory on [or above] the heavens.
Who is [He then] this King of glory? The Lord of hosts, He is the King of glory. Selah [pause, and think of that]!
Who is [He then] this King of glory? The Lord of hosts, He is the King of glory. Selah [pause, and think of that]!
Who is [He then] this King of glory? The Lord of hosts, He is the King of glory. Selah [pause, and think of that]!
Give thanks to the Lord with the lyre; sing praises to Him with the harp of ten strings.
The [empty-headed] fool has said in his heart, There is no God. Corrupt and evil are they, and doing abominable iniquity; there is none who does good.
Sing aloud to God our Strength! Shout for joy to the God of Jacob!
How lovely are Your tabernacles, O Lord of hosts!
O Lord of hosts, blessed (happy, fortunate, to be envied) is the man who trusts in You [leaning and believing on You, committing all and confidently looking to You, and that without fear or misgiving]!
O Lord, the God of my salvation, I have cried to You for help by day; at night I am in Your presence.
For You, O Lord, have made me glad by Your works; at the deeds of Your hands I joyfully sing.
Praise Him with tambourine and [single or group] dance; praise Him with stringed and wind instruments or flutes! Praise Him with resounding cymbals; praise Him with loud clashing cymbals!
You shall have a song as in the night when a holy feast is kept, and gladness of heart as when one marches in procession with a flute to go to the temple on the mountain of the Lord, to the Rock of Israel.
That when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music, you are to fall down and worship the golden image that King Nebuchadnezzar has set up.
That when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music, you are to fall down and worship the golden image that King Nebuchadnezzar has set up.
Therefore, when all the peoples heard the sound of the horn, pipe, lyre, trigon, dulcimer or bagpipe, and every kind of music, all the peoples, nations, and languages fell down and worshiped the golden image that King Nebuchadnezzar had set up.
Therefore, when all the peoples heard the sound of the horn, pipe, lyre, trigon, dulcimer or bagpipe, and every kind of music, all the peoples, nations, and languages fell down and worshiped the golden image that King Nebuchadnezzar had set up.
You, O king, have made a decree that every man who hears the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music shall fall down and worship the golden image,
Now if you are ready when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music to fall down and worship the image which I have made, very good. But if you do not worship, you shall be cast at once into the midst of a burning fiery furnace, and who is that god who can deliver you out of my hands?
Easton
Jubal was the inventor of musical instruments (Ge 4:21). The Hebrews were much given to the cultivation of music. Their whole history and literature afford abundant evidence of this. After the Deluge, the first mention of music is in the account of Laban's interview with Jacob (Ge 31:27). After their triumphal passage of the Red Sea, Moses and the children of Israel sang their song of deliverance (Ex 15).
But the period of Samuel, David, and Solomon was the golden age of Hebrew music, as it was of Hebrew poetry. Music was now for the first time systematically cultivated. It was an essential part of training in the schools of the prophets (1Sa 10:5; 19:19-24; 2Ki 3:15; 1Ch 25:6). There now arose also a class of professional singers (2Sa 19:35; Ec 2:8). The temple, however, was the great school of music. In the conducting of its services large bands of trained singers and players on instruments were constantly employed (2Sa 6:5; 1Ch 15; 16; 23:5; 25:1-6).
In private life also music seems to have held an important place among the Hebrews (Ec 2:8; Am 6:4-6; Isa 5:11-12; 24:8-9; Ps 137; Jer 48:33; Lu 15:25).
See Verses Found in Dictionary
His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
Why did you flee secretly and cheat me and did not tell me, so that I might have sent you away with joy and gladness and with singing, with tambourine and lyre?
After that you will come to the hill of God, where the garrison of the Philistines is; and when you come to the city, you will meet a company of prophets coming down from the high place with harp, tambourine, flute, and lyre before them, prophesying.
And it was told Saul, Behold, David is at Naioth in Ramah. And Saul sent messengers to take David; and when they saw the company of the prophets prophesying, and Samuel standing as appointed head over them, the Spirit of God came upon the messengers of Saul and they also prophesied. read more. When it was told Saul, he sent other messengers, and they also prophesied. And Saul sent messengers again the third time, and they also prophesied. Then Saul himself went to Ramah and came to a great well that is in Secu; and he asked, Where are Samuel and David? And he was told, They are at Naioth in Ramah. So he went on to Naioth in Ramah; and the Spirit of God came upon him also, and as he went on he prophesied until he came to Naioth in Ramah. He took off his royal robes and prophesied before Samuel and lay down stripped thus all that day and night. So they say, Is Saul also among the prophets?
And David and all the house of Israel played before the Lord with all their might, with songs, lyres, harps, tambourines, castanets, and cymbals.
I am this day eighty years old. Could I now [be useful as a counselor to] discern between good and evil? Can your servant appreciate what I eat or drink? Can I any longer enjoy the voices of singing men and women? Why then should your servant be still a burden to my lord the king?
I also gathered for myself silver and gold and the treasure of kings and of the provinces. I got for myself men singers and women singers, and the delights of the sons of men -- " concubines very many.
I also gathered for myself silver and gold and the treasure of kings and of the provinces. I got for myself men singers and women singers, and the delights of the sons of men -- " concubines very many.
Woe unto those who rise early in the morning, that they may pursue strong drink, who tarry late into the night till wine inflames them! They have lyre and harp, tambourine and flute and wine at their feasts, but they do not regard the deeds of the Lord, neither do they consider the operation of His hands [in mercy and in judgment].
The mirth of the timbrels is stilled, the noise of those who rejoice ends, the joy of the lyre is stopped. No more will they drink wine with a song; strong drink will be bitter to those who drink it.
Joy and gladness are taken away from the fruitful orchards and fields and from the land of Moab. And I have made the juice [of the grape] to fail from what is pressed out in the vats; no one treads [the grapes] with shouting. Their shouting is no shouting [of joy, but is a battle cry].
Woe to those who lie upon beds of ivory and stretch themselves upon their couches, and eat the lambs out of the flock and the calves out of the midst of the stall, Who sing idle songs to the sound of the harp and invent for themselves instruments of music like David's, read more. Who drink wine in bowls and anoint themselves with the finest oils, but are not grieved and sick at heart over the affliction and ruin of Joseph (Israel)!
But his older son was in the field; and as he returned and came near the house, he heard music and dancing.
Fausets
(For illustrations, see DANCE; DAVID; FLUTE; HARP; JEDUTHUN.) Its invention is due to a Cainite, Jubal son of Lamech, "father (first teacher) of all such as handle the harp (lyre) and organ" (pipe). "The lyre and flute were introduced by the brother of a nomadic herdsman (Jabal); it is in the leisure of this occupation that music is generally first exercised and appreciated" (Kalisch: Ge 4:21). "Mahalaleel," third from Seth, means "giving praise to God," therefore vocal music in religious services was probably earlier than instrumental music among the Cainites (Ge 5:12). Laban the Syrian mentions "songs, tabret (tambourine), and harp" (Ge 31:27); Job (Job 21:12) "the timbrel (tambourine), harp, and organ (pipe)". Instead of "they take," translated "they lift up (the voice)," as in Isa 42:11, to accompany "the tambourine," etc. (Umbrett.) Thus the "voice," stringed and wind instruments, include all kinds of music. The Israelite men led by Moses sang in chorus, and Miriam led the women in singing the refrain at each interval, accompanied by tambourine and dances (Ex 15:21).
Music rude and boisterous accompanied the dances in honor of the golden calf, so that Joshua mistook it for "the noise of war," "the voice of them that shout for the mastery and that cry for being overcome" (Ex 32:17-18). The triumphant shout of the foe in the temple is similarly compared to the joyous thanksgivings formerly offered there at solemn feasts, but how sad the contrast as to the occasion (La 2:7). The two silver trumpets were used by the priests to call an assembly, and for the journeying of the camps, and on jubilant occasion (Nu 10:1-10; 2Ch 13:12). (On the rams' (rather Jubilee) horns of Joshua 6, see HORNS.) The instruments at Nebuchadnezzar's dedication of his golden image were the "cornet," like the French horn; "flute" or pipe blown at the end by a mouthpiece; "sackbut," a triangular stringed instrument with short strings, in a high sharp key; "psaltery," a kind of harp; "dulcimer," a bagpipe, emitting a plaintive sound, a Hebraized Greek word, sumfonia (Da 3:4).
The schools of the prophets cultivated music as a study preparing the mind for receiving spiritual influences (1Sa 10:5; 19:19-20): at Naioth; also at Jericho (2Ki 2:5,7), "when the minstrel among Jehoshaphat's retinue played, the hand of Jehovah came upon Elisha" (2Ki 3:15); Gilgal (2Ki 4:38); Jerusalem (2Ki 22:14). "Singing men and women" were at David's court (2Sa 19:35), also at Solomon's (Ec 2:8; Gesenius translated for "musical instruments and that of all sorts," shiddah wishidot, "a princess and princesses".) They also" spoke of Josiah in their lamentations, and made them an ordinance in Israel" (2Ch 35:25).
Music was often introduced at banquets (Isa 5:12), "the harp and viol" (nebel, the "lute", an instrument with 12 strings), etc. (Lu 15:25.) Am 6:5; "chant (parat, 'mark distinct tones,' the Arabic root expresses an unmeaning hurried flow of rhythmical sounds without much sense, as most glees) to the sound of the viol, and invent to themselves instruments of music like David"; they fancy themselves David's equals In music (1Ch 23:5; Ne 12:36). He added to the temple service the stringed psaltery, kinor ("lyre"), and nebel ("harp"), besides the cymbals. These as distinguished from the trumpets were "David's instruments" (2Ch 29:25-26; 1Ch 15:16,19-21,24; 23:5). The age of Samuel, David, and Solomon was the golden one alike of poetry and of music. The Hebrew use of music was inspirational, curative, and festive or mournful. David's skill on the harp in youth brought him under Saul's notice, and he played away Saul's melancholy under the evil spirit (1Sa 16:16-23).
As David elevated music to the praise of God, so the degenerate Israelites of Amos' time degraded it to the service of their own sensuality (like Nero fiddling when Rome was in flames), yet they defended their luxurious passion for music by his example. Solomon's songs were a thousand and five (1Ki 4:32). In the procession accompanying the ark to Zion, the Levites led by Chenaniah, "master of the song," played cornets, trumpets, cymbals, psalteries, and harps, accompanying David's psalm composed for the occasion (1 Chronicles 15; 16; 2Sa 6:5). Of the 48,000 in the tribe 4,000 praised Jehovah on David's instruments (1Ch 23:5-6). Heman led the Kohathites, Asaph the Gershonites, and Ethan or Jeduthun the Merarites (1Ch 15:17; 25:1-8). The "cunning" or skilled musicians were 288: 24 courses, 12 in each, headed by the 24 sons of Heman, Asaph, and Jeduthun.
The rest of the 4,000 were "scholars." David's chant (1Ch 16:34,41) was used for ages, and bore his name: at the consecration of Solomon's temple (2Ch 7:6); before Jehoshaphat's army when marching against the Ammonite invaders, to the thanksgiving is attributed God's giving of the victory, "when they began to sing and to praise, Jehovah set ambushments against ... Ammon" (2Ch 20:21-22), compare in Abijah's victory over Jeroboam the priests' sounding of trumpets (2Ch 13:12-22); at the laying the second temple's foundation (Ezr 3:10-11). Heman, Asaph, and Ethan played with cymbals of brass to mark the time the more clearly, while the rest played on psalteries and harps (1Ch 15:19; 16:5).
The "singers" went first, "the damsels with timbrels" in the middle, "the players on (stringed) instruments followed after" (Ps 68:25). In intelligent worship the word has precedence of ornamental accompaniments (1Co 14:15); music must not drown but be subordinate to the words and sense. Amos (Am 8:3) foretells the joyous "songs of the temple" should be changed into "howlings." In Ps 87:7 translated "the players on pipes" or "flutes" (Gesenius), but Hengstenberg, "dancers" (choleel); the future thanksgiving of the redeemed heathen (1Ki 1:40). Women were in the choir (1Ch 13:8; 25:5-6; Ezr 2:65). The priests alone blew the trumpets in the religious services (1Ch 15:24; 16:6), but the people also at royal proclamations (2Ki 11:14). A hundred and twenty priests blew the trumpets in unison with the Levite singers, in fine linen, at the dedication of Solomon's temple (2Ch 5:12-13; 7:6). So under Hezekiah in resanctifying the temple (2Ch 29:27-28).
As the temple, altar, and sacrifices were Jehovah's palace, table, and feasts, so the sacred music answers to the melody usual at kings' banquets. The absence of music such as accompanied bridal processions is made a feature of a curse being on the land (Isa 24:8-9; Jer 7:34; Eze 26:13). Judah's captors in vain called on her singers to sing her national melodies, "songs of Zion," in Babylon. She hung her harp on the willows of that marshy city, and abjured "mirth in a strange land" (Ps 137:2-4). Away from Zion, God's seat, they were away from joy. Love songs (Psalm 45 title) as well as professional mourners' (Am 5:16) dirges were composed. Harlots attracted men by songs to the guitar (Isa 23:15-16). (See MOURNING,) The grape was gathered and trodden with joyous song (Isa 16:10). (See HYMNS.)
Music, instrumental and vocal, was all in unison, not harmony, which was unknown to the ancients; the songs were all melodies, choral and antiphonal, as Moses' and Miriam's song, and Nehemiah's musicians in two responsive choirs at the dedication of the wall (Ne 12:40-42). For "instruments of music" (Da 6:18) translated "concubines." Xenophon's picture of Darius as addicted to wine and women, without self control, accords with Daniel's mention of his abstinence as something extraordinary. In Ps 45:8 Gesenius translated for "whereby" (mini), as in Ps 150:4), "out of the ivory palaces the stringed instruments make thee glad"; Hengstenberg shows this untenable, KJV is better. In 1Sa 18:6 "instruments of music," shalishim, is from shalowsh, "three," probably "triangles," invented in Syria (Athenaeus, Deipnos, 4:175).
See Verses Found in Dictionary
His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
Why did you flee secretly and cheat me and did not tell me, so that I might have sent you away with joy and gladness and with singing, with tambourine and lyre?
And Miriam responded to them, Sing to the Lord, for He has triumphed gloriously and is highly exalted; the horse and his rider He has thrown into the sea.
And when Joshua heard the noise of the people as they shouted, he said to Moses, There is a noise of war in the camp. But Moses said, It is not the sound of shouting for victory, neither is it the sound of the cry of the defeated, but the sound of singing that I hear.
And the Lord said to Moses, Make two trumpets of silver; of hammered or turned work you shall make them, that you may use them to call the congregation and for breaking camp. read more. When they both are blown, all the congregation shall assemble before you at the door of the Tent of Meeting. And if one blast on a single trumpet is blown, then the princes or leaders, heads of the tribes of Israel, shall gather themselves to you. When you blow an alarm, the camps on the east side [of the tabernacle] shall set out. When you blow an alarm the second time, then the camps on the south side shall set out. An alarm shall be blown whenever they are to set out on their journeys. When the congregation is to be assembled, you shall blow [the trumpets in short, sharp tones], but not the blast of an alarm. And the sons of Aaron, the priests, shall blow the trumpets, and the trumpets shall be to you for a perpetual statute throughout your generations. When you go to war in your land against the enemy that oppresses you, then blow an alarm with the trumpets, that you may be remembered before the Lord your God, and you shall be saved from your enemies. Also in the day of rejoicing, and in your set feasts, and at the beginnings of your months, you shall blow the trumpets over your burnt offerings and your peace offerings; thus they may be a remembrance before your God. I am the Lord your God.
After that you will come to the hill of God, where the garrison of the Philistines is; and when you come to the city, you will meet a company of prophets coming down from the high place with harp, tambourine, flute, and lyre before them, prophesying.
Let our lord now command your servants here before you to find a man who plays skillfully on the lyre; and when the evil spirit from God is upon you, he will play it, and you will be well. Saul told his servants, Find me a man who plays well and bring him to me. read more. One of the young men said, I have seen a son of Jesse the Bethlehemite who plays skillfully, a valiant man, a man of war, prudent in speech and eloquent, an attractive person; and the Lord is with him. So Saul sent messengers to Jesse and said, Send me David your son, who is with the sheep. And Jesse took a donkey loaded with bread, a skin of wine, and a kid and sent them by David his son to Saul. And David came to Saul and served him. Saul became very fond of him, and he became his armor-bearer. Saul sent to Jesse, saying, Let David remain in my service, for he pleases me. And when the evil spirit from God was upon Saul, David took a lyre and played it; so Saul was refreshed and became well, and the evil spirit left him.
As they were coming home, when David returned from killing the Philistine, the women came out of all the Israelite towns, singing and dancing, to meet King Saul with timbrels, songs of joy, and instruments of music.
And it was told Saul, Behold, David is at Naioth in Ramah. And Saul sent messengers to take David; and when they saw the company of the prophets prophesying, and Samuel standing as appointed head over them, the Spirit of God came upon the messengers of Saul and they also prophesied.
And David and all the house of Israel played before the Lord with all their might, with songs, lyres, harps, tambourines, castanets, and cymbals.
I am this day eighty years old. Could I now [be useful as a counselor to] discern between good and evil? Can your servant appreciate what I eat or drink? Can I any longer enjoy the voices of singing men and women? Why then should your servant be still a burden to my lord the king?
All the people followed him; they played on pipes and rejoiced greatly, so that the earth [resounded] with the joyful sound.
He also originated 3,000 proverbs, and his songs were 1,005.
The sons of the prophets who were at Jericho came to Elisha and said, Do you know that the Lord will take your master away from you today? And he answered, Yes, I know it; hold your peace.
Fifty men of the sons of the prophets also went and stood [to watch] afar off; and the two of them stood by the Jordan.
But now bring me a minstrel. And while the minstrel played, the hand and power of the Lord came upon [Elisha].
Elisha came back to Gilgal during a famine in the land. The sons of the prophets were sitting before him, and he said to his servant, Set on the big pot and cook pottage for the sons of the prophets.
When she looked, there stood the king [on the platform] by the pillar, as was customary [on such occasions], and the captains and the trumpeters beside the king, with all the people of the land rejoicing and blowing trumpets. And Athaliah rent her clothes and cried, Treason! Treason!
So Hilkiah the priest, Ahikam, Achbor, Shaphan, and Asaiah went to Huldah the prophetess, the wife of Shallum son of Tikvah, the son of Harhas, keeper of the wardrobe -- "now she dwelt in Jerusalem, in the Second Quarter -- "and they talked with her.
And David and all Israel merrily celebrated before God with all their might, with songs and lyres and harps and tambourines and cymbals and trumpets.
So the Levites appointed Heman son of Joel; and of his brethren, Asaph son of Berechiah; and of the sons of Merari their brethren, Ethan son of Kushaiah;
So the singers Heman, Asaph, and Ethan, were appointed to sound bronze cymbals;
Shebaniah, Joshaphat, Nethanel, Amasai, Zechariah, Benaiah, and Eliezer the priests were to blow the trumpets before the ark of God. And Obed-edom and Jehiah (Jeiel) were also gatekeepers for the ark.
Asaph was the chief, next to him Zechariah, Jeiel (Jaaziel), Shemiramoth, Jehiel, Mattithiah, Eliab, and Benaiah, Obed-edom and Jeiel, who were to play harps and lyres; Asaph was to sound the cymbals; Benaiah and Jahaziel the priests were to blow trumpets continually before the ark of the covenant of God.
O give thanks to the Lord, for He is good; for His mercy and loving-kindness endure forever!
With them were Heman and Jeduthun and the rest who were chosen and expressly named to give thanks to the Lord, for His mercy and loving-kindness endure forever.
And, said David, 4,000 shall be gatekeepers and 4,000 are to praise the Lord with the instruments which I made for praise.
And, said David, 4,000 shall be gatekeepers and 4,000 are to praise the Lord with the instruments which I made for praise. And David organized them in sections according to the sons of Levi: Gershon, Kohath, and Merari.
Also David and the chiefs of the host [of the Lord] separated to the [temple] service some of the sons of Asaph, Heman, and Jeduthun, who should prophesy [being inspired] with lyres, harps, and cymbals. The list of the musicians according to their service was: Of the sons of Asaph: Zaccur, Joseph, Nethaniah, and Asharelah, the sons of Asaph under the direction of Asaph, who prophesied (witnessed and testified under divine inspiration) in keeping with the king's order. read more. Of the sons of Jeduthun: Gedaliah, Zeri, Jeshaiah, Shimei, Hashabiah, and Mattithiah, six in all, under the direction of their father Jeduthun, who witnessed and prophesied under divine inspiration with the lyre in thanksgiving and praise to the Lord. Of Heman: the sons of Heman: Bukkiah, Mattaniah, Uzziel, Shebuel, Jerimoth, Hananiah, Hanani, Eliathah, Giddalti, Romamti-ezer, Joshbekashah, Mallothi, Hothir, and Mahazioth. All these were the sons of Heman the king's seer [his mediator] in the words and things of God to exalt Him; for God gave to Heman fourteen sons and three daughters,
All these were the sons of Heman the king's seer [his mediator] in the words and things of God to exalt Him; for God gave to Heman fourteen sons and three daughters, All of whom were [in the choir] under the direction of their father for song in the house of the Lord, with cymbals, harps, and lyres, for the service of the house of God. Asaph, Jeduthun, and Heman were under the order of the king.
All of whom were [in the choir] under the direction of their father for song in the house of the Lord, with cymbals, harps, and lyres, for the service of the house of God. Asaph, Jeduthun, and Heman were under the order of the king. So the number of them [who led the remainder of the 4,000], with their kinsmen who were specially trained in songs for the Lord, all who were talented singers, was 288. read more. [The musicians] cast lots for their duties, small and great, teacher and scholar alike.
And all the Levites who were singers -- "all of those of Asaph, Heman, and Jeduthun, with their sons and kinsmen, arrayed in fine linen, having cymbals, harps, and lyres -- "stood at the east end of the altar, and with them 120 priests blowing trumpets; And when the trumpeters and singers were joined in unison, making one sound to be heard in praising and thanking the Lord, and when they lifted up their voice with the trumpets and cymbals and other instruments for song and praised the Lord, saying, For He is good, for His mercy and loving-kindness endure forever, then the house of the Lord was filled with a cloud,
The priests stood at their posts, and the Levites also, with instruments of music to the Lord, which King David had made to praise and give thanks to the Lord -- "for His mercy and loving-kindness endure forever -- "whenever David praised through their ministry; the priests blew trumpets before them, and all Israel stood.
The priests stood at their posts, and the Levites also, with instruments of music to the Lord, which King David had made to praise and give thanks to the Lord -- "for His mercy and loving-kindness endure forever -- "whenever David praised through their ministry; the priests blew trumpets before them, and all Israel stood.
Behold, God Himself is with us at our head, and His priests with their battle trumpets to sound an alarm against you. O Israelites, fight not against the Lord, the God of your fathers, for you cannot prosper. But Jeroboam caused an ambushment to come around them from behind, so his troops were before Judah and the ambush behind. read more. When Judah looked, behold, the battle was before and behind; and they cried to the Lord, and the priests blew the trumpets. Then the men of Judah gave a shout; and as they shouted, God smote Jeroboam and all Israel before Abijah and Judah. And the Israelites fled before Judah, and God delivered them into their hands. And Abijah and his people slew them with a great slaughter, so there fell of Israel 500,000 chosen men. Thus the Israelites were brought low at that time, and the people of Judah prevailed because they relied upon the Lord, the God of their fathers. And Abijah pursued Jeroboam and took some cities from him, Bethel, Jeshanah, and Ephraim (Ephron), with their towns. Jeroboam did not recover strength again in the days of Abijah. And the Lord smote him and he died. But Abijah became mighty. He married fourteen wives and had twenty-two sons and sixteen daughters. And the rest of the acts of Abijah, his ways and his sayings, are written in the story of the prophet Iddo.
When he had consulted with the people, he appointed singers to sing to the Lord and praise Him in their holy [priestly] garments as they went out before the army, saying, Give thanks to the Lord, for His mercy and loving-kindness endure forever! And when they began to sing and to praise, the Lord set ambushments against the men of Ammon, Moab, and Mount Seir who had come against Judah, and they were [self-] slaughtered;
Hezekiah stationed the Levites in the Lord's house with cymbals, harps, and lyres, as David [his forefather] and Gad the king's seer and Nathan the prophet had commanded; for the commandment was from the Lord through His prophets. The Levites stood with the instruments of David, and the priests with the trumpets. read more. Hezekiah commanded to offer the burnt offering upon the altar. And when the burnt offering began, the song of the Lord began also with the trumpets and with the instruments ordained by King David of Israel. And all the congregation worshiped, the singers sang, and the trumpeters sounded; all this continued until the burnt offering was finished.
Jeremiah gave a lament for Josiah, and all the singing men and women have spoken of Josiah in their laments to this day. They made them an ordinance in Israel; behold, they are written in the Laments.
Besides their menservants and maidservants, 7,337; and among them they had 200 men and women singers.
And when the builders laid the foundation of the temple of the Lord, the priests stood in their vestments with trumpets, and the Levite sons of Asaph with their cymbals, to praise the Lord, after the order of David king of Israel. They sang responsively, praising and giving thanks to the Lord, saying, For He is good, for His mercy and loving-kindness endure forever toward Israel. And all the people shouted with a great shout when they praised the Lord, because the foundation of the house of the Lord was laid!
And his kinsmen -- "Shemaiah, Azarel, Milalai, Gilalai, Maai, Nethanel, Judah, Hanani -- "with the musical instruments of David, God's man. And Ezra the scribe went before them.
So the two companies of those who gave thanks stood in the house of God, and I, and the half of the officials with me; And the priests Eliakim, Maaseiah, Miniamin, Micaiah, Elioenai, Zechariah, and Hananiah, with trumpets; read more. And Maaseiah, Shemaiah, Eleazar, Uzzi, Jehohanan, Malchijah, Elam, and Ezer. And the singers sang and made themselves heard, with Jezrahiah as leader.
They themselves lift up their voices and sing to the tambourine and the lyre and rejoice to the sound of the pipe.
Your garments are all fragrant with myrrh, aloes, and cassia; stringed instruments make You glad.
The singers go in front, the players on instruments last; between them the maidens are playing on tambourines.
The singers as well as the players on instruments shall say, All my springs (my sources of life and joy) are in you [city of our God].
On the willow trees in the midst of [Babylon] we hung our harps. For there they who led us captive required of us a song with words, and our tormentors and they who wasted us required of us mirth, saying, Sing us one of the songs of Zion. read more. How shall we sing the Lord's song in a strange land?
Praise Him with tambourine and [single or group] dance; praise Him with stringed and wind instruments or flutes!
I also gathered for myself silver and gold and the treasure of kings and of the provinces. I got for myself men singers and women singers, and the delights of the sons of men -- " concubines very many.
They have lyre and harp, tambourine and flute and wine at their feasts, but they do not regard the deeds of the Lord, neither do they consider the operation of His hands [in mercy and in judgment].
And gladness is taken away, and joy out of the plentiful field; and in the vineyards there is no singing, nor is there joyful sound; the treaders tread out no wine in the presses, for the shout of joy has been made to cease.
And in that day Tyre will be in obscurity and forgotten for seventy years, according to the days of one dynasty. After the end of seventy years will Tyre sing as a harlot [who has been forgotten but again attracts her lovers]. Take a harp, go about the city, forgotten harlot; play skillfully and make sweet melody, sing many songs, that you may be remembered.
The mirth of the timbrels is stilled, the noise of those who rejoice ends, the joy of the lyre is stopped. No more will they drink wine with a song; strong drink will be bitter to those who drink it.
Let the wilderness and its cities lift up their voices, the villages that Kedar inhabits. Let the inhabitants of the rock [Sela or Petra] sing; let them shout from the tops of the mountains!
Then will I cause to cease from the cities of Judah and from the streets of Jerusalem the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride; for the land will become a waste.
The Lord has scorned, rejected, and cast off His altar; He has abhorred and disowned His sanctuary. He has given into the hand of the enemy the walls of her palaces [and high buildings]; they have raised a clamor in the house of the Lord as on a day of a solemn appointed feast.
And I will cause the noise of your songs to cease, and the sound of your lyres shall be no more heard.
Then the herald cried aloud, You are commanded, O peoples, nations, and languages,
Then the king went to his palace and passed the night fasting, neither were instruments of music or dancing girls brought before him; and his sleep fled from him.
Therefore thus says the Lord, the God of hosts, the Lord: There shall be wailing in all the broad ways, and in all the streets they shall say, Alas! Alas! And they shall call the farmers to mourning and such as are skilled in lamentation to wailing.
Who sing idle songs to the sound of the harp and invent for themselves instruments of music like David's,
And the songs of the temple shall become wailings in that day, says the Lord God. The dead bodies shall be many; in every place they shall be cast forth in silence.
But his older son was in the field; and as he returned and came near the house, he heard music and dancing.
Then what am I to do? I will pray with my spirit [by the Holy Spirit that is within me], but I will also pray [intelligently] with my mind and understanding; I will sing with my spirit [by the Holy Spirit that is within me], but I will sing [intelligently] with my mind and understanding also.
Smith
Music.
1. The most ancient music. --The inventor of musical instruments, like the first poet and the first forger of metals, was a Cainite. We learn from
that Jubal the son of Lamech was "the father of all such as handle the harp and organ," that is, of all players upon stringed and wind instruments. The first mentioned of music in the times after the deluge is in the narrative of Laban's interview with Jacob,
so that, whatever way it was preserved, the practice of music existed in the upland country of Syria, and of the three possible kinds of musical instruments two were known and employed to accompany the song. The three kinds are alluded to in
On the banks of the Red Sea Moses and the children of Israel sang their triumphal song of deliverance from the hosts of Egypt; and Miriam, in celebration of the same event, exercised one of her functions as a prophetess by leading a procession of the women of the camp, chanting in chorus the burden of the song of Moses. The song of Deborah and Barak is cast in a distinctly metrical form, and was probably intended to be sung with a musical accompaniment as one of the people's songs. The simpler impromptu with which the women from the cities of Israel greeted David after the slaughter of the Philistines was apparently struck off on the spur of the moment, under the influence of the wild joy with which they welcomed their national champion. "the darling of the sons of Israel."
Up to this time we meet with nothing like a systematic cultivation of music among the Hebrews, but the establishment of the schools of the prophets appears to have supplied this want. Whatever the students of these schools may have been taught, music was an essential part of their practice. Professional musicians soon became attached to the court.
2. The golden age of Hebrew music. David seems to have gathered round him "singing men and singing women."
Solomon did the same,
adding to the luxury of his court by his patronage of art, and obtaining a reputation himself as no mean composer.
But the temple was the great school of music, and it was consecrated to its highest service in the worship of Jehovah. Before, however the elaborate arrangements had been made by David for the temple choir, there must have been a considerable body of musicians throughout the country.
(David chose 4000 musicians from the 38,000 Levies in his reign, or one in ten of the whole tribe. Of these musicians 288 were specially trained and skillful.
The whole number was divided into 24 courses, each of which would thus consist of a full band of 154 musicians, presided over by a body of 12 specially-trained leaders, under one of the twenty-four sons of Asaph, Heman or Jeduthun as conductor. The leaders appear to have played on the cymbals, perhaps to make the time.
All these joined in a special chant which David taught them, and which went by his name.
Women also took part in the temple choir.
These great choirs answered one to another in responsive singing; thus the temple music most have been grand and inspiring beyond anything known before that time.
3. Character of Hebrew music.--As in all Oriental nations, the music of the Hebrews was melody rather than harmony, which latter was then unknown. All old and young, men and maidens, singers and instruments, appear to have sung one part only in or in octaves. "The beauty of the music consisted altogether in the melody;" but this, with so many instruments and voices, was so charming that "the whole of antiquity is full of the praises of this music. By its means battles were won, cities conquered, mutinies quelled, diseases cured." --ED.)
4. Uses of music. --In the private as well as in the religions life of the Hebrews music held a prominent place. The kings had their court musicians,
and in the luxurious times of the later monarchy the effeminate gallants of Israel amused themselves with devising musical instruments while their nation was perishing ("as Nero fiddled while Rome was burning"). But music was also the legitimate expression of mirth and gladness The bridal processions as they passed through the streets were accompanied with music and song.
The music of the banquets was accompanied with song and dancing.
Lu 15:26
The triumphal processions which celebrated victory were enlivened by minstrels and singers.
There were also religious songs.
Love songs are alluded to; in
title, and Isai 5:1 There were also the doleful songs of the funeral procession, and the wailing chant of the mourners. The grape-gatherers sang at their work, and the women sang as they toiled at the mill, and on every occasion the land of the Hebrews during their national prosperity was a land of music and melody.
See Verses Found in Dictionary
[The Man] asked him, What is your name? And [in shock of realization, whispering] he said, Jacob [supplanter, schemer, trickster, swindler]!
Then Moses and the Israelites sang this song to the Lord, saying, I will sing to the Lord, for He has triumphed gloriously; the horse and his rider or its chariot has He thrown into the sea.
Then Miriam the prophetess, the sister of Aaron, took a timbrel in her hand, and all the women went out after her with timbrels and dancing.
Then sang Deborah and Barak son of Abinoam on that day, saying,
Then Jephthah came to Mizpah to his home, and behold, his daughter came out to meet him with timbrels and with dances! And she was his only child; beside her he had neither son nor daughter.
As they were coming home, when David returned from killing the Philistine, the women came out of all the Israelite towns, singing and dancing, to meet King Saul with timbrels, songs of joy, and instruments of music. And the women responded as they laughed and frolicked, saying, Saul has slain his thousands, and David his ten thousands.
And David and all the house of Israel played before the Lord with all their might, with songs, lyres, harps, tambourines, castanets, and cymbals.
I am this day eighty years old. Could I now [be useful as a counselor to] discern between good and evil? Can your servant appreciate what I eat or drink? Can I any longer enjoy the voices of singing men and women? Why then should your servant be still a burden to my lord the king?
He also originated 3,000 proverbs, and his songs were 1,005.
And David and all Israel merrily celebrated before God with all their might, with songs and lyres and harps and tambourines and cymbals and trumpets.
So the singers Heman, Asaph, and Ethan, were appointed to sound bronze cymbals;
Asaph was the chief, next to him Zechariah, Jeiel (Jaaziel), Shemiramoth, Jehiel, Mattithiah, Eliab, and Benaiah, Obed-edom and Jeiel, who were to play harps and lyres; Asaph was to sound the cymbals;
And, said David, 4,000 shall be gatekeepers and 4,000 are to praise the Lord with the instruments which I made for praise.
All these were the sons of Heman the king's seer [his mediator] in the words and things of God to exalt Him; for God gave to Heman fourteen sons and three daughters, All of whom were [in the choir] under the direction of their father for song in the house of the Lord, with cymbals, harps, and lyres, for the service of the house of God. Asaph, Jeduthun, and Heman were under the order of the king.
Also to Shemaiah his son were sons born, who were rulers in their fathers' houses, for they were mighty men of ability and courage. The sons of Shemaiah: Othni, Rephael, Obed, and Elzabad, whose brethren were strong and able men, Elihu and Semachiah.
Jeremiah gave a lament for Josiah, and all the singing men and women have spoken of Josiah in their laments to this day. They made them an ordinance in Israel; behold, they are written in the Laments.
They themselves lift up their voices and sing to the tambourine and the lyre and rejoice to the sound of the pipe.
My heart overflows with a goodly theme; I address my psalm to a King. My tongue is like the pen of a ready writer.
I also gathered for myself silver and gold and the treasure of kings and of the provinces. I got for myself men singers and women singers, and the delights of the sons of men -- " concubines very many.
I also gathered for myself silver and gold and the treasure of kings and of the provinces. I got for myself men singers and women singers, and the delights of the sons of men -- " concubines very many.
You shall have a song as in the night when a holy feast is kept, and gladness of heart as when one marches in procession with a flute to go to the temple on the mountain of the Lord, to the Rock of Israel.
Then will I cause to cease from the cities of Judah and from the streets of Jerusalem the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride; for the land will become a waste.
And having called one of the servant [boys] to him, he began to ask what this meant.
Is anyone among you afflicted (ill-treated, suffering evil)? He should pray. Is anyone glad at heart? He should sing praise [to God].
Watsons
MUSIC is probably nearly coeval with our race, or, at least, with the first attempts to preserve the memory of transactions. Before the invention of writing, the history of remarkable events was committed to memory, and handed down by oral tradition. The knowledge of laws and of useful arts was preserved in the same way. Rhythm and song were probably soon found important helps to the memory; and thus the muses became the early instructers of mankind. Nor was it long, we may conjecture, before dancing and song united contributed to festivity, or to the solemnities of religion. The first instruments of music were probably of the pulsatile kind; and rhythm, it is likely, preceded the observation of those intervals of sound which are so pleasing to the ear. The first mention of stringed instruments, however, precedes the deluge. Tubal, the sixth descendant from Cain, was "the father of all such as handle the harp and the organ." About five hundred and fifty years after the deluge, or B.C. 1800, according to the common chronology, both vocal and instrumental music are spoken of as things in general use: "And Laban said, What hast thou done, that thou hast stolen away unawares to me, and carried away my daughters, as captives taken with the sword? Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth and with songs, with tabret and with harp?" Ge 31:26-27.
Egypt has been called the cradle of the arts and sciences, and there can be no doubt of the very early civilization of that country. To the Egyptian Mercury, or Thoth, who is called Trismegistos, or "thrice illustrious," is ascribed the invention of the lyre, which had at first only three strings. It would be idle to mention the various conjectures how these strings were tuned, or to try to settle the chronology of this invention. The single flute, which they called photinx, is also ascribed to the Egyptians. Its shape was that of a horn, of which, no doubt, it was originally made. Before the invention of these instruments, as Dr. Burney justly observes, "music could have been little more than metrical, as no other instruments except those of percussion were known. When the art was first discovered of refining and sustaining tones, the power of music over mankind was probably irresistible, from the agreeable surprise which soft and lengthened sounds must have occasioned." The same learned writer has given a drawing, made under his own eye, of an Egyptian musical instrument, represented on a very ancient obelisk at Rome, brought from Egypt by Augustus. This obelisk is supposed to have been erected at Heliopolis, by Sesostris, near four hundred years before the Trojan war. The most remarkable thing in this instrument is, that it is supplied with a neck, so that its two strings were capable of furnishing a great number of sounds. This is a contrivance which the Greeks, with all their ingenuity, never hit upon. "I have never been able," says the doctor, "to discover in any remains of Greek sculpture, an instrument furnished with a neck; and Father Montfaucon says that in examining the representations of near five hundred ancient lyres, harps, and citharas, he never met with one in which there was any contrivance for shortening the strings during the time of performance, as by a neck and finger board." From the long residence of the Hebrews in Egypt, it is no improbable conjecture that their music was derived from that source. However that may be, music, vocal and instrumental, made one important part of their religious service. If the excellence of the music was conformable to the sublimity of the poetry which it accompanied, there would be no injustice in supposing it unspeakably superior. to that of every other people; and the pains that were taken to render the tabernacle and temple music worthy of the subjects of their lofty odes, leaves little doubt that it was so. That the instruments were loud and sonorous, will appear from what follows; but as the public singing was performed in alternate responses, or the chorus of all succeeded to those parts of the psalm which were sung only by the appointed leaders, instruments of this kind were necessary to command and control the voices of so great a number as was usually assembled on high occasions.
The Hebrews insisted on having music at marriages, on anniversary birth days, on the days which reminded them of victories over their enemies, at the inauguration of their kings, in their public worship, and when they were coming from afar to attend the great festivals of their nation, Isa 30:29. In the tabernacle and the temple, the Levites were the lawful musicians; but on other occasions any one might use musical instruments who chose. There was this exception, however: the holy silver trumpets were to be blown only by the priests, who, by the sounding of them, proclaimed the festival days, assembled the leaders of the people, and gave the signal for the battle and for the retreat, Nu 10:1-10. David, in order to give the best effect to the music of the tabernacle, divided the four thousand Levites into twenty-four classes, who sung psalms, and accompanied them with music. Each of these classes was superintended by a leader, placed over it; and they performed the duties which devolved upon them, each class a week at a time in succession, 1Ch 16:5; 23:4-5; 25; 2Ch 5:12-13. The classes collectively, as a united body, were superintended by three directors. This arrangement was subsequently continued by Solomon after the erection of the temple, and was transmitted till the time of the overthrow of Jerusalem. It was indeed sometimes interrupted, during the reign of the idolatrous kings, but was restored by their successors, 2Ch 5:12-14; 29:27; 35:15. It was even continued after the captivity, Ezr 3:10; 12/45/type/am'>Ne 12:45-47; 1 Mac. 4:54; 13:51. It should be remarked, however, that neither music nor poetry attained to the same excellence after the captivity as before that period.
There were women singers as well as men in the temple choir; for in the book of Ezra, among those who returned from the Babylonish captivity, there are said to have been two hundred, Ezr 2:65; and in Ne 7:67, we read of two hundred and forty-five singing men and women. The Jewish doctors will, indeed, by no means admit there were any female voices in the temple choir; and as for those ??????meshoreroth, as they are called in the Hebrew, they suppose them to be the wives of those who sung. Nevertheless, the following passage makes it evident that women, likewise, were thus employed: "God gave to Heman fourteen sons and three daughters; and all these were under the hands of their father for song in the house of the Lord, with cymbals, psalteries, and harps, for the service of the house of God," 1Ch 25:5-6. Instrumental music was first introduced into the Jewish service by Moses; and afterward, by the express command of God, was very much improved with the addition of several instruments in the reign of David. When Hezekiah restored the temple service, which had been neglected in his predecessor's reign, "he set the Levites in the house of the Lord, with cymbals, with psalteries, and with harps, according to the commandment of David, and of Gad the king's seer, and Nathan the prophet; for so was the commandment of the Lord by his prophets," 2Ch 29:25.
The harp, ????, kinnor, was the most ancient of the class of stringed instruments, Ge 4:21. It was sometimes called ??????, or "eight stringed," 1Ch 15:21; Ps 6:1; 12:1; although, as we may gather from the coins or medals of the Maccabean age, there were some harps which were furnished with only three strings. The nablum or psaltery, ???????, ?????, ???, is first mentioned in the Psalms of David. In Ps 33:2; 144:9, it is called ???? "a ten-stringed instrument;" but in Ps 92:3, it is distinguished from it. Josephus assigns to it twelve strings, which, taken in connection with the fact above stated, leaves us to conclude that it sometimes had ten and sometimes twelve strings. It was not played with a bow or fret, but with the fingers: the act of playing it is expressed in Hebrew by the word
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His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
His brother's name was Jubal; he was the father of all those who play the lyre and pipe.
And Laban said to Jacob, What do you mean stealing away and leaving like this without my knowing it, and carrying off my daughters as if captives of the sword? Why did you flee secretly and cheat me and did not tell me, so that I might have sent you away with joy and gladness and with singing, with tambourine and lyre?
Why did you flee secretly and cheat me and did not tell me, so that I might have sent you away with joy and gladness and with singing, with tambourine and lyre?
Then Miriam the prophetess, the sister of Aaron, took a timbrel in her hand, and all the women went out after her with timbrels and dancing.
And the Lord said to Moses, Make two trumpets of silver; of hammered or turned work you shall make them, that you may use them to call the congregation and for breaking camp. read more. When they both are blown, all the congregation shall assemble before you at the door of the Tent of Meeting. And if one blast on a single trumpet is blown, then the princes or leaders, heads of the tribes of Israel, shall gather themselves to you. When you blow an alarm, the camps on the east side [of the tabernacle] shall set out. When you blow an alarm the second time, then the camps on the south side shall set out. An alarm shall be blown whenever they are to set out on their journeys. When the congregation is to be assembled, you shall blow [the trumpets in short, sharp tones], but not the blast of an alarm. And the sons of Aaron, the priests, shall blow the trumpets, and the trumpets shall be to you for a perpetual statute throughout your generations. When you go to war in your land against the enemy that oppresses you, then blow an alarm with the trumpets, that you may be remembered before the Lord your God, and you shall be saved from your enemies. Also in the day of rejoicing, and in your set feasts, and at the beginnings of your months, you shall blow the trumpets over your burnt offerings and your peace offerings; thus they may be a remembrance before your God. I am the Lord your God.
And David and all the house of Israel played before the Lord with all their might, with songs, lyres, harps, tambourines, castanets, and cymbals.
Mattithiah, Eliphelehu, Mikneiah, Obed-edom, Jeiel, and Azaziah were to lead with lyres set to Sheminith [the bass voice].
Asaph was the chief, next to him Zechariah, Jeiel (Jaaziel), Shemiramoth, Jehiel, Mattithiah, Eliab, and Benaiah, Obed-edom and Jeiel, who were to play harps and lyres; Asaph was to sound the cymbals;
Of whom 24,000 were to oversee the work of the house of the Lord and 6,000 were to be officers and judges. And, said David, 4,000 shall be gatekeepers and 4,000 are to praise the Lord with the instruments which I made for praise.
All these were the sons of Heman the king's seer [his mediator] in the words and things of God to exalt Him; for God gave to Heman fourteen sons and three daughters, All of whom were [in the choir] under the direction of their father for song in the house of the Lord, with cymbals, harps, and lyres, for the service of the house of God. Asaph, Jeduthun, and Heman were under the order of the king.
And all the Levites who were singers -- "all of those of Asaph, Heman, and Jeduthun, with their sons and kinsmen, arrayed in fine linen, having cymbals, harps, and lyres -- "stood at the east end of the altar, and with them 120 priests blowing trumpets; And when the trumpeters and singers were joined in unison, making one sound to be heard in praising and thanking the Lord, and when they lifted up their voice with the trumpets and cymbals and other instruments for song and praised the Lord, saying, For He is good, for His mercy and loving-kindness endure forever, then the house of the Lord was filled with a cloud, read more. So that the priests could not stand to minister because of the cloud, for the glory of the Lord filled the house of God.
Hezekiah stationed the Levites in the Lord's house with cymbals, harps, and lyres, as David [his forefather] and Gad the king's seer and Nathan the prophet had commanded; for the commandment was from the Lord through His prophets.
Hezekiah commanded to offer the burnt offering upon the altar. And when the burnt offering began, the song of the Lord began also with the trumpets and with the instruments ordained by King David of Israel.
The singers, the sons of Asaph, were in their places according to the command of David, Asaph, Heman, and Jeduthun the king's seer. And the gatekeepers were at every gate; they did not need to leave their service, for their brethren the Levites prepared for them.
Besides their menservants and maidservants, 7,337; and among them they had 200 men and women singers.
And when the builders laid the foundation of the temple of the Lord, the priests stood in their vestments with trumpets, and the Levite sons of Asaph with their cymbals, to praise the Lord, after the order of David king of Israel.
Besides their manservants and their maidservants, of whom there were 7,337; and they had 245 singers, men and women.
And they performed the due service of their God and of the purification; so did the singers and gatekeepers, as David and his son Solomon had commanded. For in the days of David and Asaph of old, there was a chief of singers and songs of praise and thanksgiving to God. read more. And all Israel in the days of Zerubbabel and [later] of Nehemiah gave the daily portions for the singers and the gatekeepers; and they set apart what was for the Levites, and the Levites set apart what was for the sons of Aaron [the priests].
But He has made me a byword among the people, and they spit before my face.
They themselves lift up their voices and sing to the tambourine and the lyre and rejoice to the sound of the pipe.
Listen to my words, O Lord, give heed to my sighing and groaning.
O Lord, rebuke me not in Your anger nor discipline and chasten me in Your hot displeasure.
Help, Lord! For principled and godly people are here no more; faithfulness and the faithful vanish from among the sons of men.
Give thanks to the Lord with the lyre; sing praises to Him with the harp of ten strings.
With an instrument of ten strings and with the lute, with a solemn sound upon the lyre.
I will sing a new song to You, O God; upon a harp, an instrument of ten strings, will I offer praises to You.
They have lyre and harp, tambourine and flute and wine at their feasts, but they do not regard the deeds of the Lord, neither do they consider the operation of His hands [in mercy and in judgment].
You shall have a song as in the night when a holy feast is kept, and gladness of heart as when one marches in procession with a flute to go to the temple on the mountain of the Lord, to the Rock of Israel.
You shall have a song as in the night when a holy feast is kept, and gladness of heart as when one marches in procession with a flute to go to the temple on the mountain of the Lord, to the Rock of Israel.
Therefore My heart moans and sighs for Moab like flutes, and My heart moans and sighs like flutes for the men of Kir-heres (Kir-hareseth); therefore [the remnant of] the abundant riches they gained has perished.
You were in Eden, the garden of God; every precious stone was your covering, the carnelian, topaz, jasper, chrysolite, beryl, onyx, sapphire, carbuncle, and emerald; and your settings and your sockets and engravings were wrought in gold. On the day that you were created they were prepared.
That when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music, you are to fall down and worship the golden image that King Nebuchadnezzar has set up.
That when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music, you are to fall down and worship the golden image that King Nebuchadnezzar has set up.
That when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music, you are to fall down and worship the golden image that King Nebuchadnezzar has set up.
Therefore, when all the peoples heard the sound of the horn, pipe, lyre, trigon, dulcimer or bagpipe, and every kind of music, all the peoples, nations, and languages fell down and worshiped the golden image that King Nebuchadnezzar had set up.
You, O king, have made a decree that every man who hears the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music shall fall down and worship the golden image,
You, O king, have made a decree that every man who hears the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music shall fall down and worship the golden image,
Now if you are ready when you hear the sound of the horn, pipe, lyre, trigon, harp, dulcimer or bagpipe, and every kind of music to fall down and worship the image which I have made, very good. But if you do not worship, you shall be cast at once into the midst of a burning fiery furnace, and who is that god who can deliver you out of my hands?
In that day there shall be [written] upon the [little] bells on the horses, holy to the lord, and the pots in the Lord's house shall be holy to the Lord like the bowls before the altar.