Reference: Music
American
The ancient Hebrews had a great taste for music, which they used in their religious services, in their public and private rejoicing, at their weddings and feasts, and even in their mourning. We have in Scripture canticles of joy, of thanksgiving, of praise, of mourning; also mournful elegies or songs, as those of David on the death of Saul and Abner, and the Lamentations of Jeremiah on the destruction of Jerusalem; so, too, songs of victory, triumph, and gratulation, as that which Moses sung after passing the Red Sea, that of Deborah and Barak, and others. The people of God went up to Jerusalem thrice a year, cheered on their way with songs of joy, Ps 84:12; Isa 30:29. The book of Psalms comprises a wonderful variety of inspired pieces for music, and is an inexhaustible treasure for the devout in all ages.
Music is perhaps the most ancient of the fine arts. Jubal, who lived before the deluge, was the "father" of those who played on the harp and the organ, Ge 4:21; 31:26-27. Laban complains that his son-in-law Jacob had left him, without giving him an opportunity of sending his family away "with mirth and with songs, with tabret and with harp." Moses, having passed through the Red Sea, composed a song, and sung it with the Israelitish men, while Miriam, his sister, sung it with dancing, and playing on instruments, at the head of the women, Ex 15:20-21. He caused silver trumpets to be made to be sounded at solemn sacrifices, and on religious festivals. David, who had great skill in music, soothed the perturbed spirit of Saul by playing on the harp, 1Sa 16:16,23; and when he was himself established on the throne - seeing that the Levites were not employed, as formerly, in carrying the boards, veils, and vessels of the tabernacle, its abode being fixed at Jerusalem - appointed a great part of them to sing and to play on instruments in the temple, 1Ch 25. David brought the ark to Jerusalem with triumphant and joyful music, 1Ch 13:8; 15:16-28; and in the same manner Solomon was proclaimed king, 1Ki 1:39-40. The Old Testament prophets also sought the aid of music in their services, 1Sa 10:5; 2Ki 3:15.
Asaph, Heman, and Jeduthun were chiefs of the music of the tabernacle under David, and of the temple under Solomon. Asaph had four sons, Jeduthun six, and Heman fourteen. These twenty-four Levites, sons of the three great masters of the temple-music, were at the head of twenty-four bands of musicians, which served in the temple by turns. Their number there was always great, but especially at the chief solemnities. They were ranged in order about the altar of burnt-sacrifices. As the whole business of their lives was to learn and to practice music, it must be supposed that they understood it well, whether it were vocal or instrumental, 2Ch 29:25.
The kings also had their music. Asaph was chief master of music to David. In the temple, and in the ceremonies of religion, female musicians were admitted as well as male; they generally were daughters of the Levites. Ezra, in his enumeration of those whom he brought back with him from the captivity, reckons two hundred singing men and singing women, 2Sa 19:35; Ezr 2:65; Ne 7:67.
As to the nature of their music, we can judge of it only by conjecture, because it has been long lost. Probably it was a unison of several voices, of which all sung together the same melody, each according to his strength and skill; without musical counterpoint, or those different parts and combinations which constitute harmony in our music. Probably, also, the voices were generally accompanied by instrumental music. If we may draw any conclusions in favor of their music from its effects, its magnificence, its majesty, and the lofty sentiments contained in their songs, we must allow it great excellence. It is supposed that the temple musicians were sometimes divided into two or more separate choirs, which, with a general chorus, sung in turn responsive to each other, each a small portion of the Psalm. The structure of the Hebrew Psalms is eminently adapted to this mode of singing, and very delightful and solemn effects might thus be produced. Compare 10/type/net'>10/type/net'>Ps 24:10/type/net'>10,10/type/net'>10,10/type/net'>10.
Numerous musical instruments are mentioned in Scripture, but it has been found impossible to affix heir names with certainty to specific instruments now in use. By a comparison, however, of the instruments probably held in common by the Jews with the Greeks, Romans, and Egyptians, a degree of probability as to most of them has been secured. They were of three kinds:
A. Stringed instruments:
1. KINNOR, "the harp," Ge 4:21. Frequently mentioned in Scripture, and probably a kind of lyre.
2. NEBEL, "the psaltery," 1Sa 10:5. It appears to have been the name of various large instruments of the harp kind.
3. ASOR, signifying ten-stringed. In Ps 92:4, it apparently denotes an instrument distinct from the NEBEL; but elsewhere it seems to be simply a description of the NEBEL as ten-stringed. See Ps 33:2; 144:9.
4. GITTITH. It occurs in the titles of Ps 8:1; 81:1; 84:1. From the name, it is supposed that David brought it from Gath. Others conclude that it is a general name for a string instrument.
5. MINNIM, strings, Ps 150:4. Probably another kind of stringed instrument.
6. SABECA, "sackbut," Da 3:5,7,10,15. A kind of lyre.
7. PESANTERIN, "psaltery," occurs Da 3:7, and is supposed to represent the NEBEL.
8. MACHALATH. Found in the titles of Ps 53:1; 88:1; supposed to be a lute or guitar.
B. Wind instruments:
9. KEREN, "horn," Jos 6:5. Cornet.
10. SHOPHAR, "trumpet," Nu 10:10. Used synonymously with KEREN.
11. CHATZOZERAH, the straight trumpet, Ps 98:6.
12. JOBEL, or KEREN JOBEL, horn of jubilee, or signal trumpet, Jos 6:4. Probably the same with 9 and 10.
13. CHAIL, "pipe" or "flute." The word means bored through, 1Sa 10:5.
14. MISHROKITHA, Da 3:5, etc. Probably the Chaldean name for the flute with two reeds.
15. UGAB, "organ" in our version Ge 4:21. It means a double or manifold pipe, and hence the shepherd's pipe; probably the same as the syrinx or Pan's pipe; or perhaps resembling the bagpipe.
C. Instruments which gave out sound on being struck:
17. TOPH, Ge 31:27, the tambourine and all instruments of the drum kind.
18. PHAAMON, "bells," Ex 28:33. Attached to the hem of the high priest's garment.
19. TZELITZELIM, "cymbals," Ps 150:5. A word frequently occurring. There were probably two kinds, hand-cymbals.
20. SHALISHIM, 1Sa 18:6. In our version, "instruments of music." "Three-stringed instruments." Most writers identify it with the triangle.
21. MENAANEIM, "cymbals," 2Sa 6:5. Probably the sistrum. The Hebrew word means to shake. The sistrum was generally about sixteen or eighteen inches long, occasionally inlaid with silver, and being held upright, was shaken, the rings moving to and fro on the bars.
Further particulars concerning some of these may be found under the names they severally bear in our English Bible.
See Verses Found in Dictionary
The name of his brother was Jubal; he was the first of all who play the harp and the flute.
The name of his brother was Jubal; he was the first of all who play the harp and the flute.
The name of his brother was Jubal; he was the first of all who play the harp and the flute.
"What have you done?" Laban demanded of Jacob. "You've deceived me and carried away my daughters as if they were captives of war! Why did you run away secretly and deceive me? Why didn't you tell me so I could send you off with a celebration complete with singing, tambourines, and harps?
Why did you run away secretly and deceive me? Why didn't you tell me so I could send you off with a celebration complete with singing, tambourines, and harps?
Miriam the prophetess, the sister of Aaron, took a hand-drum in her hand, and all the women went out after her with hand-drums and with dances. Miriam sang in response to them, "Sing to the Lord, for he has triumphed gloriously; the horse and its rider he has thrown into the sea."
You are to make pomegranates of blue, purple, and scarlet all around its hem and bells of gold between them all around.
"Also in the time when you rejoice, such as on your appointed festivals or at the beginnings of your months, you must blow with your trumpets over your burnt offerings and over the sacrifices of your peace offerings, so that they may become a memorial for you before your God: I am the Lord your God."
Have seven priests carry seven rams' horns in front of the ark. On the seventh day march around the city seven times, while the priests blow the horns. When you hear the signal from the ram's horn, have the whole army give a loud battle cry. Then the city wall will collapse and the warriors should charge straight ahead."
Afterward you will go to Gibeah of God, where there are Philistine officials. When you enter the town, you will meet a company of prophets coming down from the high place. They will have harps, tambourines, flutes, and lyres, and they will be prophesying.
Afterward you will go to Gibeah of God, where there are Philistine officials. When you enter the town, you will meet a company of prophets coming down from the high place. They will have harps, tambourines, flutes, and lyres, and they will be prophesying.
Let our lord instruct his servants who are here before you to look for a man who knows how to play the lyre. Then whenever the evil spirit from God comes upon you, he can play the lyre and you will feel better."
So whenever the spirit from God would come upon Saul, David would take his lyre and play it. This would bring relief to Saul and make him feel better. Then the evil spirit would leave him alone.
When the men arrived after David returned from striking down the Philistine, the women from all the cities of Israel came out singing and dancing to meet King Saul. They were happy as they played their tambourines and three-stringed instruments.
while David and all Israel were energetically celebrating before the Lord, singing and playing various stringed instruments, tambourines, rattles, and cymbals.
I am presently eighty years old. Am I able to discern good and bad? Can I taste what I eat and drink? Am I still able to hear the voices of male and female singers? Why should I continue to be a burden to my lord the king?
Zadok the priest took a horn filled with olive oil from the tent and poured it on Solomon; the trumpet was blown and all the people declared, "Long live King Solomon!" All the people followed him up, playing flutes and celebrating so loudly they made the ground shake.
while David and all Israel were energetically celebrating before God, singing and playing various stringed instruments, tambourines, cymbals, and trumpets.
David told the leaders of the Levites to appoint some of their relatives as musicians; they were to play various instruments, including stringed instruments and cymbals, and to sing loudly and joyfully. So the Levites appointed Heman son of Joel; one of his relatives, Asaph son of Berechiah; one of the descendants of Merari, Ethan son of Kushaiah; read more. along with some of their relatives who were second in rank, including Zechariah, Jaaziel, Shemiramoth, Jehiel, Unni, Eliab, Benaiah, Maaseiah, Mattithiah, Eliphelehu, Mikneiah, Obed-Edom, and Jeiel, the gatekeepers. The musicians Heman, Asaph, and Ethan were to sound the bronze cymbals; Zechariah, Aziel, Shemiramoth, Jehiel, Unni, Eliab, Maaseiah, and Benaiah were to play the harps according to the alamoth style; Mattithiah, Eliphelehu, Mikneiah, Obed-Edom, Jeiel, and Azaziah were to play the lyres according to the sheminith style, as led by the director; Kenaniah, the leader of the Levites, was in charge of transport, for he was well-informed on this matter; Berechiah and Elkanah were guardians of the ark; Shebaniah, Joshaphat, Nethanel, Amasai, Zechariah, Benaiah, and Eliezer the priests were to blow the trumpets before the ark of God; Obed-Edom and Jehiel were also guardians of the ark. So David, the leaders of Israel, and the commanders of units of a thousand went to bring up the ark of the Lord's covenant from the house of Obed-Edom with celebration. When God helped the Levites who were carrying the ark of the Lord's covenant, they sacrificed seven bulls and seven rams. David was wrapped in a linen robe, as were all the Levites carrying the ark, the musicians, and Kenaniah the supervisor of transport and the musicians; David also wore a linen ephod. All Israel brought up the ark of the Lord's covenant; they were shouting, blowing trumpets, sounding cymbals, and playing stringed instruments.
King Hezekiah stationed the Levites in the Lord's temple with cymbals and stringed instruments, just as David, Gad the king's prophet, and Nathan the prophet had ordered. (The Lord had actually given these orders through his prophets.)
not counting their male and female servants, who numbered 7,337. They also had 200 male and female singers
not counting their 7,337 male and female servants. They also had 245 male and female singers.
For the music director, according to the gittith style; a psalm of David. O Lord, our Lord, how magnificent is your reputation throughout the earth! You reveal your majesty in the heavens above!
Who is this majestic king? The Lord who commands armies! He is the majestic king! (Selah)
Who is this majestic king? The Lord who commands armies! He is the majestic king! (Selah)
Who is this majestic king? The Lord who commands armies! He is the majestic king! (Selah)
Give thanks to the Lord with the harp! Sing to him to the accompaniment of a ten-stringed instrument!
For the music director; according to the machalath style; a well-written song by David. Fools say to themselves, "There is no God." They sin and commit evil deeds; none of them does what is right.
For the music director; according to the gittith style; by Asaph. Shout for joy to God, our source of strength! Shout out to the God of Jacob!
For the music director; according to the gittith style; written by the Korahites, a psalm. How lovely is the place where you live, O Lord who rules over all!
O Lord who rules over all, how blessed are those who trust in you!
A song, a psalm written by the Korahites; for the music director; according to the machalath-leannoth style; a well-written song by Heman the Ezrachite. O Lord God who delivers me! By day I cry out and at night I pray before you.
For you, O Lord, have made me happy by your work. I will sing for joy because of what you have done.
Praise him with the tambourine and with dancing! Praise him with stringed instruments and the flute! Praise him with loud cymbals! Praise him with clanging cymbals!
You will sing as you do in the evening when you are celebrating a festival. You will be happy like one who plays a flute as he goes to the mountain of the Lord, the Rock who shelters Israel.
When you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the golden statue that King Nebuchadnezzar has erected.
When you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the golden statue that King Nebuchadnezzar has erected.
Therefore when they all heard the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, all the peoples, nations, and language groups began bowing down and paying homage to the golden statue that King Nebuchadnezzar had erected.
Therefore when they all heard the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, all the peoples, nations, and language groups began bowing down and paying homage to the golden statue that King Nebuchadnezzar had erected.
You have issued an edict, O king, that everyone must bow down and pay homage to the golden statue when they hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music.
Now if you are ready, when you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the statue that I had made. If you don't pay homage to it, you will immediately be thrown into the midst of the furnace of blazing fire. Now, who is that god who can rescue you from my power?"
Easton
Jubal was the inventor of musical instruments (Ge 4:21). The Hebrews were much given to the cultivation of music. Their whole history and literature afford abundant evidence of this. After the Deluge, the first mention of music is in the account of Laban's interview with Jacob (Ge 31:27). After their triumphal passage of the Red Sea, Moses and the children of Israel sang their song of deliverance (Ex 15).
But the period of Samuel, David, and Solomon was the golden age of Hebrew music, as it was of Hebrew poetry. Music was now for the first time systematically cultivated. It was an essential part of training in the schools of the prophets (1Sa 10:5; 19:19-24; 2Ki 3:15; 1Ch 25:6). There now arose also a class of professional singers (2Sa 19:35; Ec 2:8). The temple, however, was the great school of music. In the conducting of its services large bands of trained singers and players on instruments were constantly employed (2Sa 6:5; 1Ch 15; 16; 23:5; 25:1-6).
In private life also music seems to have held an important place among the Hebrews (Ec 2:8; Am 6:4-6; Isa 5:11-12; 24:8-9; Ps 137; Jer 48:33; Lu 15:25).
See Verses Found in Dictionary
The name of his brother was Jubal; he was the first of all who play the harp and the flute.
Why did you run away secretly and deceive me? Why didn't you tell me so I could send you off with a celebration complete with singing, tambourines, and harps?
Afterward you will go to Gibeah of God, where there are Philistine officials. When you enter the town, you will meet a company of prophets coming down from the high place. They will have harps, tambourines, flutes, and lyres, and they will be prophesying.
It was reported to Saul saying, "David is at Naioth in Ramah." So Saul sent messengers to capture David. When they saw a company of prophets prophesying with Samuel standing there as their leader, the spirit of God came upon Saul's messengers, and they also prophesied. read more. When it was reported to Saul, he sent more messengers, but they prophesied too. So Saul sent messengers a third time, but they also prophesied. Finally Saul himself went to Ramah. When he arrived at the large cistern that is in Secu, he asked, "Where are Samuel and David?" They said, "At Naioth in Ramah." So Saul went to Naioth in Ramah. The Spirit of God came upon him as well, and he walked along prophesying until he came to Naioth in Ramah. He even stripped off his clothes and prophesied before Samuel. He lay there naked all that day and night. (For that reason it is asked, "Is Saul also among the prophets?")
while David and all Israel were energetically celebrating before the Lord, singing and playing various stringed instruments, tambourines, rattles, and cymbals.
I am presently eighty years old. Am I able to discern good and bad? Can I taste what I eat and drink? Am I still able to hear the voices of male and female singers? Why should I continue to be a burden to my lord the king?
I also amassed silver and gold for myself, as well as valuable treasures taken from kingdoms and provinces. I acquired male singers and female singers for myself, and what gives a man sensual delight -- a harem of beautiful concubines!
I also amassed silver and gold for myself, as well as valuable treasures taken from kingdoms and provinces. I acquired male singers and female singers for myself, and what gives a man sensual delight -- a harem of beautiful concubines!
Those who get up early to drink beer are as good as dead, those who keep drinking long after dark until they are intoxicated with wine. They have stringed instruments, tambourines, flutes, and wine at their parties. So they do not recognize what the Lord is doing, they do not perceive what he is bringing about.
The happy sound of the tambourines stops, the revelry of those who celebrate comes to a halt, the happy sound of the harp ceases. They no longer sing and drink wine; the beer tastes bitter to those who drink it.
Joy and gladness will disappear from the fruitful land of Moab. I will stop the flow of wine from the winepresses. No one will stomp on the grapes there and shout for joy. The shouts there will be shouts of soldiers, not the shouts of those making wine.
They lie around on beds decorated with ivory, and sprawl out on their couches. They eat lambs from the flock, and calves from the middle of the pen. They sing to the tune of stringed instruments; like David they invent musical instruments. read more. They drink wine from sacrificial bowls, and pour the very best oils on themselves. Yet they are not concerned over the ruin of Joseph.
"Now his older son was in the field. As he came and approached the house, he heard music and dancing.
Fausets
(For illustrations, see DANCE; DAVID; FLUTE; HARP; JEDUTHUN.) Its invention is due to a Cainite, Jubal son of Lamech, "father (first teacher) of all such as handle the harp (lyre) and organ" (pipe). "The lyre and flute were introduced by the brother of a nomadic herdsman (Jabal); it is in the leisure of this occupation that music is generally first exercised and appreciated" (Kalisch: Ge 4:21). "Mahalaleel," third from Seth, means "giving praise to God," therefore vocal music in religious services was probably earlier than instrumental music among the Cainites (Ge 5:12). Laban the Syrian mentions "songs, tabret (tambourine), and harp" (Ge 31:27); Job (Job 21:12) "the timbrel (tambourine), harp, and organ (pipe)". Instead of "they take," translated "they lift up (the voice)," as in Isa 42:11, to accompany "the tambourine," etc. (Umbrett.) Thus the "voice," stringed and wind instruments, include all kinds of music. The Israelite men led by Moses sang in chorus, and Miriam led the women in singing the refrain at each interval, accompanied by tambourine and dances (Ex 15:21).
Music rude and boisterous accompanied the dances in honor of the golden calf, so that Joshua mistook it for "the noise of war," "the voice of them that shout for the mastery and that cry for being overcome" (Ex 32:17-18). The triumphant shout of the foe in the temple is similarly compared to the joyous thanksgivings formerly offered there at solemn feasts, but how sad the contrast as to the occasion (La 2:7). The two silver trumpets were used by the priests to call an assembly, and for the journeying of the camps, and on jubilant occasion (Nu 10:1-10; 2Ch 13:12). (On the rams' (rather Jubilee) horns of Joshua 6, see HORNS.) The instruments at Nebuchadnezzar's dedication of his golden image were the "cornet," like the French horn; "flute" or pipe blown at the end by a mouthpiece; "sackbut," a triangular stringed instrument with short strings, in a high sharp key; "psaltery," a kind of harp; "dulcimer," a bagpipe, emitting a plaintive sound, a Hebraized Greek word, sumfonia (Da 3:4).
The schools of the prophets cultivated music as a study preparing the mind for receiving spiritual influences (1Sa 10:5; 19:19-20): at Naioth; also at Jericho (2Ki 2:5,7), "when the minstrel among Jehoshaphat's retinue played, the hand of Jehovah came upon Elisha" (2Ki 3:15); Gilgal (2Ki 4:38); Jerusalem (2Ki 22:14). "Singing men and women" were at David's court (2Sa 19:35), also at Solomon's (Ec 2:8; Gesenius translated for "musical instruments and that of all sorts," shiddah wishidot, "a princess and princesses".) They also" spoke of Josiah in their lamentations, and made them an ordinance in Israel" (2Ch 35:25).
Music was often introduced at banquets (Isa 5:12), "the harp and viol" (nebel, the "lute", an instrument with 12 strings), etc. (Lu 15:25.) Am 6:5; "chant (parat, 'mark distinct tones,' the Arabic root expresses an unmeaning hurried flow of rhythmical sounds without much sense, as most glees) to the sound of the viol, and invent to themselves instruments of music like David"; they fancy themselves David's equals In music (1Ch 23:5; Ne 12:36). He added to the temple service the stringed psaltery, kinor ("lyre"), and nebel ("harp"), besides the cymbals. These as distinguished from the trumpets were "David's instruments" (2Ch 29:25-26; 1Ch 15:16,19-21,24; 23:5). The age of Samuel, David, and Solomon was the golden one alike of poetry and of music. The Hebrew use of music was inspirational, curative, and festive or mournful. David's skill on the harp in youth brought him under Saul's notice, and he played away Saul's melancholy under the evil spirit (1Sa 16:16-23).
As David elevated music to the praise of God, so the degenerate Israelites of Amos' time degraded it to the service of their own sensuality (like Nero fiddling when Rome was in flames), yet they defended their luxurious passion for music by his example. Solomon's songs were a thousand and five (1Ki 4:32). In the procession accompanying the ark to Zion, the Levites led by Chenaniah, "master of the song," played cornets, trumpets, cymbals, psalteries, and harps, accompanying David's psalm composed for the occasion (1 Chronicles 15; 16; 2Sa 6:5). Of the 48,000 in the tribe 4,000 praised Jehovah on David's instruments (1Ch 23:5-6). Heman led the Kohathites, Asaph the Gershonites, and Ethan or Jeduthun the Merarites (1Ch 15:17; 25:1-8). The "cunning" or skilled musicians were 288: 24 courses, 12 in each, headed by the 24 sons of Heman, Asaph, and Jeduthun.
The rest of the 4,000 were "scholars." David's chant (1Ch 16:34,41) was used for ages, and bore his name: at the consecration of Solomon's temple (2Ch 7:6); before Jehoshaphat's army when marching against the Ammonite invaders, to the thanksgiving is attributed God's giving of the victory, "when they began to sing and to praise, Jehovah set ambushments against ... Ammon" (2Ch 20:21-22), compare in Abijah's victory over Jeroboam the priests' sounding of trumpets (2Ch 13:12-22); at the laying the second temple's foundation (Ezr 3:10-11). Heman, Asaph, and Ethan played with cymbals of brass to mark the time the more clearly, while the rest played on psalteries and harps (1Ch 15:19; 16:5).
The "singers" went first, "the damsels with timbrels" in the middle, "the players on (stringed) instruments followed after" (Ps 68:25). In intelligent worship the word has precedence of ornamental accompaniments (1Co 14:15); music must not drown but be subordinate to the words and sense. Amos (Am 8:3) foretells the joyous "songs of the temple" should be changed into "howlings." In Ps 87:7 translated "the players on pipes" or "flutes" (Gesenius), but Hengstenberg, "dancers" (choleel); the future thanksgiving of the redeemed heathen (1Ki 1:40). Women were in the choir (1Ch 13:8; 25:5-6; Ezr 2:65). The priests alone blew the trumpets in the religious services (1Ch 15:24; 16:6), but the people also at royal proclamations (2Ki 11:14). A hundred and twenty priests blew the trumpets in unison with the Levite singers, in fine linen, at the dedication of Solomon's temple (2Ch 5:12-13; 7:6). So under Hezekiah in resanctifying the temple (2Ch 29:27-28).
As the temple, altar, and sacrifices were Jehovah's palace, table, and feasts, so the sacred music answers to the melody usual at kings' banquets. The absence of music such as accompanied bridal processions is made a feature of a curse being on the land (Isa 24:8-9; Jer 7:34; Eze 26:13). Judah's captors in vain called on her singers to sing her national melodies, "songs of Zion," in Babylon. She hung her harp on the willows of that marshy city, and abjured "mirth in a strange land" (Ps 137:2-4). Away from Zion, God's seat, they were away from joy. Love songs (Psalm 45 title) as well as professional mourners' (Am 5:16) dirges were composed. Harlots attracted men by songs to the guitar (Isa 23:15-16). (See MOURNING,) The grape was gathered and trodden with joyous song (Isa 16:10). (See HYMNS.)
Music, instrumental and vocal, was all in unison, not harmony, which was unknown to the ancients; the songs were all melodies, choral and antiphonal, as Moses' and Miriam's song, and Nehemiah's musicians in two responsive choirs at the dedication of the wall (Ne 12:40-42). For "instruments of music" (Da 6:18) translated "concubines." Xenophon's picture of Darius as addicted to wine and women, without self control, accords with Daniel's mention of his abstinence as something extraordinary. In Ps 45:8 Gesenius translated for "whereby" (mini), as in Ps 150:4), "out of the ivory palaces the stringed instruments make thee glad"; Hengstenberg shows this untenable, KJV is better. In 1Sa 18:6 "instruments of music," shalishim, is from shalowsh, "three," probably "triangles," invented in Syria (Athenaeus, Deipnos, 4:175).
See Verses Found in Dictionary
The name of his brother was Jubal; he was the first of all who play the harp and the flute.
When Kenan had lived 70 years, he became the father of Mahalalel.
Why did you run away secretly and deceive me? Why didn't you tell me so I could send you off with a celebration complete with singing, tambourines, and harps?
Miriam sang in response to them, "Sing to the Lord, for he has triumphed gloriously; the horse and its rider he has thrown into the sea."
When Joshua heard the noise of the people as they shouted, he said to Moses, "It is the sound of war in the camp!" Moses said, "It is not the sound of those who shout for victory, nor is it the sound of those who cry because they are overcome, but the sound of singing I hear."
The Lord spoke to Moses: "Make two trumpets of silver; you are to make them from a single hammered piece. You will use them for assembling the community and for directing the traveling of the camps. read more. When they blow them both, all the community must come to you to the entrance of the tent of meeting. "But if they blow with one trumpet, then the leaders, the heads of the thousands of Israel, must come to you. When you blow an alarm, then the camps that are located on the east side must begin to travel. And when you blow an alarm the second time, then the camps that are located on the south side must begin to travel. An alarm must be sounded for their journeys. But when you assemble the community, you must blow, but you must not sound an alarm. The sons of Aaron, the priests, must blow the trumpets; and they will be to you for an eternal ordinance throughout your generations. If you go to war in your land against an adversary who opposes you, then you must sound an alarm with the trumpets, and you will be remembered before the Lord your God, and you will be saved from your enemies. "Also in the time when you rejoice, such as on your appointed festivals or at the beginnings of your months, you must blow with your trumpets over your burnt offerings and over the sacrifices of your peace offerings, so that they may become a memorial for you before your God: I am the Lord your God."
Afterward you will go to Gibeah of God, where there are Philistine officials. When you enter the town, you will meet a company of prophets coming down from the high place. They will have harps, tambourines, flutes, and lyres, and they will be prophesying.
Let our lord instruct his servants who are here before you to look for a man who knows how to play the lyre. Then whenever the evil spirit from God comes upon you, he can play the lyre and you will feel better." So Saul said to his servants, "Find me a man who plays well and bring him to me." read more. One of his attendants replied, "I have seen a son of Jesse in Bethlehem who knows how to play the lyre. He is a brave warrior and is articulate and handsome, for the Lord is with him." So Saul sent messengers to Jesse and said, "Send me your son David, who is out with the sheep. So Jesse took a donkey loaded with bread, a container of wine, and a young goat and sent them to Saul with his son David. David came to Saul and stood before him. Saul liked him a great deal, and he became his armor bearer. Then Saul sent word to Jesse saying, "Let David be my servant, for I really like him." So whenever the spirit from God would come upon Saul, David would take his lyre and play it. This would bring relief to Saul and make him feel better. Then the evil spirit would leave him alone.
When the men arrived after David returned from striking down the Philistine, the women from all the cities of Israel came out singing and dancing to meet King Saul. They were happy as they played their tambourines and three-stringed instruments.
It was reported to Saul saying, "David is at Naioth in Ramah." So Saul sent messengers to capture David. When they saw a company of prophets prophesying with Samuel standing there as their leader, the spirit of God came upon Saul's messengers, and they also prophesied.
while David and all Israel were energetically celebrating before the Lord, singing and playing various stringed instruments, tambourines, rattles, and cymbals.
I am presently eighty years old. Am I able to discern good and bad? Can I taste what I eat and drink? Am I still able to hear the voices of male and female singers? Why should I continue to be a burden to my lord the king?
All the people followed him up, playing flutes and celebrating so loudly they made the ground shake.
He composed 3,000 proverbs and 1,005 songs.
Some members of the prophetic guild in Jericho approached Elisha and said, "Do you know that today the Lord is going to take your master from you?" He answered, "Yes, I know. Be quiet."
The fifty members of the prophetic guild went and stood opposite them at a distance, while Elijah and Elisha stood by the Jordan.
But now, get me a musician." When the musician played, the Lord energized him,
Now Elisha went back to Gilgal, while there was famine in the land. Some of the prophets were visiting him and he told his servant, "Put the big pot on the fire and boil some stew for the prophets."
Then she saw the king standing by the pillar, according to custom. The officers stood beside the king with their trumpets and all the people of the land were celebrating and blowing trumpets. Athaliah tore her clothes and screamed, "Treason, treason!"
So Hilkiah the priest, Ahikam, Acbor, Shaphan, and Asaiah went to Huldah the prophetess, the wife of Shullam son of Tikvah, the son of Harhas, the supervisor of the wardrobe. (She lived in Jerusalem in the Mishneh district.) They stated their business,
while David and all Israel were energetically celebrating before God, singing and playing various stringed instruments, tambourines, cymbals, and trumpets.
So the Levites appointed Heman son of Joel; one of his relatives, Asaph son of Berechiah; one of the descendants of Merari, Ethan son of Kushaiah;
The musicians Heman, Asaph, and Ethan were to sound the bronze cymbals;
Shebaniah, Joshaphat, Nethanel, Amasai, Zechariah, Benaiah, and Eliezer the priests were to blow the trumpets before the ark of God; Obed-Edom and Jehiel were also guardians of the ark.
Asaph was the leader and Zechariah second in command, followed by Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-Edom, and Jeiel. They were to play stringed instruments; Asaph was to sound the cymbals; and the priests Benaiah and Jahaziel were to blow trumpets regularly before the ark of God's covenant.
Give thanks to the Lord, for he is good and his loyal love endures.
Joining them were Heman, Jeduthun, and the rest of those chosen and designated by name to give thanks to the Lord. (For his loyal love endures!)
4,000 are to be gatekeepers; and 4,000 are to praise the Lord with the instruments I supplied for worship."
4,000 are to be gatekeepers; and 4,000 are to praise the Lord with the instruments I supplied for worship." David divided them into groups corresponding to the sons of Levi: Gershon, Kohath, and Merari.
David and the army officers selected some of the sons of Asaph, Heman, and Jeduthun to prophesy as they played stringed instruments and cymbals. The following men were assigned this responsibility: From the sons of Asaph: Zaccur, Joseph, Nethaniah, and Asarelah. The sons of Asaph were supervised by Asaph, who prophesied under the king's supervision. read more. From the sons of Jeduthun: Gedaliah, Zeri, Jeshaiah, Hashabiah, and Mattithiah -- six in all, under supervision of their father Jeduthun, who prophesied as he played a harp, giving thanks and praise to the Lord. From the sons of Heman: Bukkiah, Mattaniah, Uzziel, Shebuel, Jerimoth, Hananiah, Hanani, Eliathah, Giddalti, Romamti-Ezer, Joshbekashah, Mallothi, Hothir, and Mahazioth. All these were the sons of Heman, the king's prophet. God had promised him these sons in order to make him prestigious. God gave Heman fourteen sons and three daughters.
All these were the sons of Heman, the king's prophet. God had promised him these sons in order to make him prestigious. God gave Heman fourteen sons and three daughters. All of these were under the supervision of their fathers; they were musicians in the Lord's temple, playing cymbals and stringed instruments as they served in God's temple. Asaph, Jeduthun, and Heman were under the supervision of the king.
All of these were under the supervision of their fathers; they were musicians in the Lord's temple, playing cymbals and stringed instruments as they served in God's temple. Asaph, Jeduthun, and Heman were under the supervision of the king. They and their relatives, all of them skilled and trained to make music to the Lord, numbered two hundred eighty-eight. read more. They cast lots to determine their responsibilities -- oldest as well as youngest, teacher as well as student.
All the Levites who were musicians, including Asaph, Heman, Jeduthun, and their sons and relatives, wore linen. They played cymbals and stringed instruments as they stood east of the altar. They were accompanied by 120 priests who blew trumpets. The trumpeters and musicians played together, praising and giving thanks to the Lord. Accompanied by trumpets, cymbals, and other instruments, they loudly praised the Lord, singing: "Certainly he is good; certainly his loyal love endures!" Then a cloud filled the Lord's temple.
The priests stood in their assigned spots, along with the Levites who had the musical instruments used for praising the Lord. (These were the ones King David made for giving thanks to the Lord and which were used by David when he offered praise, saying, "Certainly his loyal love endures.") Opposite the Levites, the priests were blowing the trumpets, while all Israel stood there.
The priests stood in their assigned spots, along with the Levites who had the musical instruments used for praising the Lord. (These were the ones King David made for giving thanks to the Lord and which were used by David when he offered praise, saying, "Certainly his loyal love endures.") Opposite the Levites, the priests were blowing the trumpets, while all Israel stood there.
Now look, God is with us as our leader. His priests are ready to blow the trumpets to signal the attack against you. You Israelites, don't fight against the Lord God of your ancestors, for you will not win!" Now Jeroboam had sent some men to ambush the Judahite army from behind. The main army was in front of the Judahite army; the ambushers were behind it. read more. The men of Judah turned around and realized they were being attacked from the front and the rear. So they cried out for help to the Lord. The priests blew their trumpets, and the men of Judah gave the battle cry. As the men of Judah gave the battle cry, the Lord struck down Jeroboam and all Israel before Abijah and Judah. The Israelites fled from before the Judahite army, and God handed them over to the men of Judah. Abijah and his army thoroughly defeated them; 500,000 well-trained Israelite men fell dead. That day the Israelites were defeated; the men of Judah prevailed because they relied on the Lord God of their ancestors. Abijah chased Jeroboam; he seized from him these cities: Bethel and its surrounding towns, Jeshanah and its surrounding towns, and Ephron and its surrounding towns. Jeroboam did not regain power during the reign of Abijah. The Lord struck him down and he died. Abijah's power grew; he had fourteen wives and fathered twenty-two sons and sixteen daughters. The rest of the events of Abijah's reign, including his deeds and sayings, are recorded in the writings of the prophet Iddo.
He met with the people and appointed musicians to play before the Lord and praise his majestic splendor. As they marched ahead of the warriors they said: "Give thanks to the Lord, for his loyal love endures." When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated.
King Hezekiah stationed the Levites in the Lord's temple with cymbals and stringed instruments, just as David, Gad the king's prophet, and Nathan the prophet had ordered. (The Lord had actually given these orders through his prophets.) The Levites had David's musical instruments and the priests had trumpets. read more. Hezekiah ordered the burnt sacrifice to be offered on the altar. As they began to offer the sacrifice, they also began to sing to the Lord, accompanied by the trumpets and the musical instruments of King David of Israel. The entire assembly worshiped, as the singers sang and the trumpeters played. They continued until the burnt sacrifice was completed.
Jeremiah composed laments for Josiah which all the male and female singers use to mourn Josiah to this very day. It has become customary in Israel to sing these; they are recorded in the Book of Laments.
not counting their male and female servants, who numbered 7,337. They also had 200 male and female singers
When the builders established the Lord's temple, the priests, ceremonially attired and with their clarions, and the Levites (the sons of Asaph) with their cymbals, stood to praise the Lord according to the instructions left by King David of Israel. With antiphonal response they sang, praising and glorifying the Lord: "For he is good; his loyal love toward Israel is forever." All the people gave a loud shout as they praised the Lord when the temple of the Lord was established.
and his colleagues -- Shemaiah, Azarel, Milalai, Gilalai, Maai, Nethanel, Judah, and Hanani -- with musical instruments of David the man of God. (Ezra the scribe led them.)
Then the two choirs that gave thanks took their stations in the temple of God. I did also, along with half the officials with me, and the priests -- Eliakim, Maaseiah, Miniamin, Micaiah, Elioenai, Zechariah, and Hananiah, with their trumpets -- read more. and also Maaseiah, Shemaiah, Eleazar, Uzzi, Jehohanan, Malkijah, Elam, and Ezer. The choirs sang loudly under the direction of Jezrahiah.
They sing to the accompaniment of tambourine and harp, and make merry to the sound of the flute.
All your garments are perfumed with myrrh, aloes, and cassia. From the luxurious palaces comes the music of stringed instruments that makes you happy.
Singers walk in front; musicians follow playing their stringed instruments, in the midst of young women playing tambourines.
As for the singers, as well as the pipers -- all of them sing within your walls.
On the poplars in her midst we hang our harps, for there our captors ask us to compose songs; those who mock us demand that we be happy, saying: "Sing for us a song about Zion!" read more. How can we sing a song to the Lord in a foreign land?
Praise him with the tambourine and with dancing! Praise him with stringed instruments and the flute!
I also amassed silver and gold for myself, as well as valuable treasures taken from kingdoms and provinces. I acquired male singers and female singers for myself, and what gives a man sensual delight -- a harem of beautiful concubines!
They have stringed instruments, tambourines, flutes, and wine at their parties. So they do not recognize what the Lord is doing, they do not perceive what he is bringing about.
Joy and happiness disappear from the orchards, and in the vineyards no one rejoices or shouts; no one treads out juice in the wine vats -- I have brought the joyful shouts to an end.
At that time Tyre will be forgotten for seventy years, the typical life span of a king. At the end of seventy years Tyre will try to attract attention again, like the prostitute in the popular song: "Take the harp, go through the city, forgotten prostitute! Play it well, play lots of songs, so you'll be noticed!"
The happy sound of the tambourines stops, the revelry of those who celebrate comes to a halt, the happy sound of the harp ceases. They no longer sing and drink wine; the beer tastes bitter to those who drink it.
Let the desert and its cities shout out, the towns where the nomads of Kedar live! Let the residents of Sela shout joyfully; let them shout loudly from the mountaintops.
I will put an end to the sounds of joy and gladness, or the glad celebration of brides and grooms throughout the towns of Judah and the streets of Jerusalem. For the whole land will become a desolate wasteland."
(Zayin) The Lord rejected his altar and abhorred his temple. He handed over to the enemy her palace walls; the enemy shouted in the Lord's temple as if it were a feast day.
I will silence the noise of your songs; the sound of your harps will be heard no more.
Then the herald made a loud proclamation: "To you, O peoples, nations, and language groups, the following command is given:
Then the king departed to his palace. But he spent the night without eating, and no diversions were brought to him. He was unable to sleep.
Because of Israel's sins this is what the Lord, the God who commands armies, the sovereign One, says: "In all the squares there will be wailing, in all the streets they will mourn the dead. They will tell the field workers to lament and the professional mourners to wail.
They sing to the tune of stringed instruments; like David they invent musical instruments.
The women singing in the temple will wail in that day." The sovereign Lord is speaking. "There will be many corpses littered everywhere! Be quiet!"
"Now his older son was in the field. As he came and approached the house, he heard music and dancing.
What should I do? I will pray with my spirit, but I will also pray with my mind. I will sing praises with my spirit, but I will also sing praises with my mind.
Smith
Music.
1. The most ancient music. --The inventor of musical instruments, like the first poet and the first forger of metals, was a Cainite. We learn from
that Jubal the son of Lamech was "the father of all such as handle the harp and organ," that is, of all players upon stringed and wind instruments. The first mentioned of music in the times after the deluge is in the narrative of Laban's interview with Jacob,
so that, whatever way it was preserved, the practice of music existed in the upland country of Syria, and of the three possible kinds of musical instruments two were known and employed to accompany the song. The three kinds are alluded to in
On the banks of the Red Sea Moses and the children of Israel sang their triumphal song of deliverance from the hosts of Egypt; and Miriam, in celebration of the same event, exercised one of her functions as a prophetess by leading a procession of the women of the camp, chanting in chorus the burden of the song of Moses. The song of Deborah and Barak is cast in a distinctly metrical form, and was probably intended to be sung with a musical accompaniment as one of the people's songs. The simpler impromptu with which the women from the cities of Israel greeted David after the slaughter of the Philistines was apparently struck off on the spur of the moment, under the influence of the wild joy with which they welcomed their national champion. "the darling of the sons of Israel."
Up to this time we meet with nothing like a systematic cultivation of music among the Hebrews, but the establishment of the schools of the prophets appears to have supplied this want. Whatever the students of these schools may have been taught, music was an essential part of their practice. Professional musicians soon became attached to the court.
2. The golden age of Hebrew music. David seems to have gathered round him "singing men and singing women."
Solomon did the same,
adding to the luxury of his court by his patronage of art, and obtaining a reputation himself as no mean composer.
But the temple was the great school of music, and it was consecrated to its highest service in the worship of Jehovah. Before, however the elaborate arrangements had been made by David for the temple choir, there must have been a considerable body of musicians throughout the country.
(David chose 4000 musicians from the 38,000 Levies in his reign, or one in ten of the whole tribe. Of these musicians 288 were specially trained and skillful.
The whole number was divided into 24 courses, each of which would thus consist of a full band of 154 musicians, presided over by a body of 12 specially-trained leaders, under one of the twenty-four sons of Asaph, Heman or Jeduthun as conductor. The leaders appear to have played on the cymbals, perhaps to make the time.
All these joined in a special chant which David taught them, and which went by his name.
Women also took part in the temple choir.
These great choirs answered one to another in responsive singing; thus the temple music most have been grand and inspiring beyond anything known before that time.
3. Character of Hebrew music.--As in all Oriental nations, the music of the Hebrews was melody rather than harmony, which latter was then unknown. All old and young, men and maidens, singers and instruments, appear to have sung one part only in or in octaves. "The beauty of the music consisted altogether in the melody;" but this, with so many instruments and voices, was so charming that "the whole of antiquity is full of the praises of this music. By its means battles were won, cities conquered, mutinies quelled, diseases cured." --ED.)
4. Uses of music. --In the private as well as in the religions life of the Hebrews music held a prominent place. The kings had their court musicians,
and in the luxurious times of the later monarchy the effeminate gallants of Israel amused themselves with devising musical instruments while their nation was perishing ("as Nero fiddled while Rome was burning"). But music was also the legitimate expression of mirth and gladness The bridal processions as they passed through the streets were accompanied with music and song.
The music of the banquets was accompanied with song and dancing.
Lu 15:26
The triumphal processions which celebrated victory were enlivened by minstrels and singers.
There were also religious songs.
Love songs are alluded to; in
title, and Isai 5:1 There were also the doleful songs of the funeral procession, and the wailing chant of the mourners. The grape-gatherers sang at their work, and the women sang as they toiled at the mill, and on every occasion the land of the Hebrews during their national prosperity was a land of music and melody.
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Then Moses and the Israelites sang this song to the Lord. They said, "I will sing to the Lord, for he has triumphed gloriously, the horse and its rider he has thrown into the sea.
Miriam the prophetess, the sister of Aaron, took a hand-drum in her hand, and all the women went out after her with hand-drums and with dances.
On that day Deborah and Barak son of Abinoam sang this victory song:
When Jephthah came home to Mizpah, there was his daughter hurrying out to meet him, dancing to the rhythm of tambourines. She was his only child; except for her he had no son or daughter.
When the men arrived after David returned from striking down the Philistine, the women from all the cities of Israel came out singing and dancing to meet King Saul. They were happy as they played their tambourines and three-stringed instruments. The women who were playing the music sang, "Saul has struck down his thousands, but David his tens of thousands!"
while David and all Israel were energetically celebrating before the Lord, singing and playing various stringed instruments, tambourines, rattles, and cymbals.
I am presently eighty years old. Am I able to discern good and bad? Can I taste what I eat and drink? Am I still able to hear the voices of male and female singers? Why should I continue to be a burden to my lord the king?
He composed 3,000 proverbs and 1,005 songs.
while David and all Israel were energetically celebrating before God, singing and playing various stringed instruments, tambourines, cymbals, and trumpets.
The musicians Heman, Asaph, and Ethan were to sound the bronze cymbals;
Asaph was the leader and Zechariah second in command, followed by Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-Edom, and Jeiel. They were to play stringed instruments; Asaph was to sound the cymbals;
4,000 are to be gatekeepers; and 4,000 are to praise the Lord with the instruments I supplied for worship."
All these were the sons of Heman, the king's prophet. God had promised him these sons in order to make him prestigious. God gave Heman fourteen sons and three daughters. All of these were under the supervision of their fathers; they were musicians in the Lord's temple, playing cymbals and stringed instruments as they served in God's temple. Asaph, Jeduthun, and Heman were under the supervision of the king.
His son Shemaiah also had sons, who were leaders of their families, for they were highly respected. The sons of Shemaiah: Othni, Rephael, Obed, and Elzabad. His relatives Elihu and Semakiah were also respected.
Jeremiah composed laments for Josiah which all the male and female singers use to mourn Josiah to this very day. It has become customary in Israel to sing these; they are recorded in the Book of Laments.
They sing to the accompaniment of tambourine and harp, and make merry to the sound of the flute.
For the music director; according to the tune of "Lilies;" by the Korahites, a well-written poem, a love song. My heart is stirred by a beautiful song. I say, "I have composed this special song for the king; my tongue is as skilled as the stylus of an experienced scribe."
I also amassed silver and gold for myself, as well as valuable treasures taken from kingdoms and provinces. I acquired male singers and female singers for myself, and what gives a man sensual delight -- a harem of beautiful concubines!
I also amassed silver and gold for myself, as well as valuable treasures taken from kingdoms and provinces. I acquired male singers and female singers for myself, and what gives a man sensual delight -- a harem of beautiful concubines!
You will sing as you do in the evening when you are celebrating a festival. You will be happy like one who plays a flute as he goes to the mountain of the Lord, the Rock who shelters Israel.
I will put an end to the sounds of joy and gladness, or the glad celebration of brides and grooms throughout the towns of Judah and the streets of Jerusalem. For the whole land will become a desolate wasteland."
Is anyone among you suffering? He should pray. Is anyone in good spirits? He should sing praises.
Watsons
MUSIC is probably nearly coeval with our race, or, at least, with the first attempts to preserve the memory of transactions. Before the invention of writing, the history of remarkable events was committed to memory, and handed down by oral tradition. The knowledge of laws and of useful arts was preserved in the same way. Rhythm and song were probably soon found important helps to the memory; and thus the muses became the early instructers of mankind. Nor was it long, we may conjecture, before dancing and song united contributed to festivity, or to the solemnities of religion. The first instruments of music were probably of the pulsatile kind; and rhythm, it is likely, preceded the observation of those intervals of sound which are so pleasing to the ear. The first mention of stringed instruments, however, precedes the deluge. Tubal, the sixth descendant from Cain, was "the father of all such as handle the harp and the organ." About five hundred and fifty years after the deluge, or B.C. 1800, according to the common chronology, both vocal and instrumental music are spoken of as things in general use: "And Laban said, What hast thou done, that thou hast stolen away unawares to me, and carried away my daughters, as captives taken with the sword? Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth and with songs, with tabret and with harp?" Ge 31:26-27.
Egypt has been called the cradle of the arts and sciences, and there can be no doubt of the very early civilization of that country. To the Egyptian Mercury, or Thoth, who is called Trismegistos, or "thrice illustrious," is ascribed the invention of the lyre, which had at first only three strings. It would be idle to mention the various conjectures how these strings were tuned, or to try to settle the chronology of this invention. The single flute, which they called photinx, is also ascribed to the Egyptians. Its shape was that of a horn, of which, no doubt, it was originally made. Before the invention of these instruments, as Dr. Burney justly observes, "music could have been little more than metrical, as no other instruments except those of percussion were known. When the art was first discovered of refining and sustaining tones, the power of music over mankind was probably irresistible, from the agreeable surprise which soft and lengthened sounds must have occasioned." The same learned writer has given a drawing, made under his own eye, of an Egyptian musical instrument, represented on a very ancient obelisk at Rome, brought from Egypt by Augustus. This obelisk is supposed to have been erected at Heliopolis, by Sesostris, near four hundred years before the Trojan war. The most remarkable thing in this instrument is, that it is supplied with a neck, so that its two strings were capable of furnishing a great number of sounds. This is a contrivance which the Greeks, with all their ingenuity, never hit upon. "I have never been able," says the doctor, "to discover in any remains of Greek sculpture, an instrument furnished with a neck; and Father Montfaucon says that in examining the representations of near five hundred ancient lyres, harps, and citharas, he never met with one in which there was any contrivance for shortening the strings during the time of performance, as by a neck and finger board." From the long residence of the Hebrews in Egypt, it is no improbable conjecture that their music was derived from that source. However that may be, music, vocal and instrumental, made one important part of their religious service. If the excellence of the music was conformable to the sublimity of the poetry which it accompanied, there would be no injustice in supposing it unspeakably superior. to that of every other people; and the pains that were taken to render the tabernacle and temple music worthy of the subjects of their lofty odes, leaves little doubt that it was so. That the instruments were loud and sonorous, will appear from what follows; but as the public singing was performed in alternate responses, or the chorus of all succeeded to those parts of the psalm which were sung only by the appointed leaders, instruments of this kind were necessary to command and control the voices of so great a number as was usually assembled on high occasions.
The Hebrews insisted on having music at marriages, on anniversary birth days, on the days which reminded them of victories over their enemies, at the inauguration of their kings, in their public worship, and when they were coming from afar to attend the great festivals of their nation, Isa 30:29. In the tabernacle and the temple, the Levites were the lawful musicians; but on other occasions any one might use musical instruments who chose. There was this exception, however: the holy silver trumpets were to be blown only by the priests, who, by the sounding of them, proclaimed the festival days, assembled the leaders of the people, and gave the signal for the battle and for the retreat, Nu 10:1-10. David, in order to give the best effect to the music of the tabernacle, divided the four thousand Levites into twenty-four classes, who sung psalms, and accompanied them with music. Each of these classes was superintended by a leader, placed over it; and they performed the duties which devolved upon them, each class a week at a time in succession, 1Ch 16:5; 23:4-5; 25; 2Ch 5:12-13. The classes collectively, as a united body, were superintended by three directors. This arrangement was subsequently continued by Solomon after the erection of the temple, and was transmitted till the time of the overthrow of Jerusalem. It was indeed sometimes interrupted, during the reign of the idolatrous kings, but was restored by their successors, 2Ch 5:12-14; 29:27; 35:15. It was even continued after the captivity, Ezr 3:10; 12/45/type/net'>Ne 12:45-47; 1 Mac. 4:54; 13:51. It should be remarked, however, that neither music nor poetry attained to the same excellence after the captivity as before that period.
There were women singers as well as men in the temple choir; for in the book of Ezra, among those who returned from the Babylonish captivity, there are said to have been two hundred, Ezr 2:65; and in Ne 7:67, we read of two hundred and forty-five singing men and women. The Jewish doctors will, indeed, by no means admit there were any female voices in the temple choir; and as for those ??????meshoreroth, as they are called in the Hebrew, they suppose them to be the wives of those who sung. Nevertheless, the following passage makes it evident that women, likewise, were thus employed: "God gave to Heman fourteen sons and three daughters; and all these were under the hands of their father for song in the house of the Lord, with cymbals, psalteries, and harps, for the service of the house of God," 1Ch 25:5-6. Instrumental music was first introduced into the Jewish service by Moses; and afterward, by the express command of God, was very much improved with the addition of several instruments in the reign of David. When Hezekiah restored the temple service, which had been neglected in his predecessor's reign, "he set the Levites in the house of the Lord, with cymbals, with psalteries, and with harps, according to the commandment of David, and of Gad the king's seer, and Nathan the prophet; for so was the commandment of the Lord by his prophets," 2Ch 29:25.
The harp, ????, kinnor, was the most ancient of the class of stringed instruments, Ge 4:21. It was sometimes called ??????, or "eight stringed," 1Ch 15:21; Ps 6:1; 12:1; although, as we may gather from the coins or medals of the Maccabean age, there were some harps which were furnished with only three strings. The nablum or psaltery, ???????, ?????, ???, is first mentioned in the Psalms of David. In Ps 33:2; 144:9, it is called ???? "a ten-stringed instrument;" but in Ps 92:3, it is distinguished from it. Josephus assigns to it twelve strings, which, taken in connection with the fact above stated, leaves us to conclude that it sometimes had ten and sometimes twelve strings. It was not played with a bow or fret, but with the fingers: the act of playing it is expressed in Hebrew by the word
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The name of his brother was Jubal; he was the first of all who play the harp and the flute.
The name of his brother was Jubal; he was the first of all who play the harp and the flute.
"What have you done?" Laban demanded of Jacob. "You've deceived me and carried away my daughters as if they were captives of war! Why did you run away secretly and deceive me? Why didn't you tell me so I could send you off with a celebration complete with singing, tambourines, and harps?
Why did you run away secretly and deceive me? Why didn't you tell me so I could send you off with a celebration complete with singing, tambourines, and harps?
Miriam the prophetess, the sister of Aaron, took a hand-drum in her hand, and all the women went out after her with hand-drums and with dances.
The Lord spoke to Moses: "Make two trumpets of silver; you are to make them from a single hammered piece. You will use them for assembling the community and for directing the traveling of the camps. read more. When they blow them both, all the community must come to you to the entrance of the tent of meeting. "But if they blow with one trumpet, then the leaders, the heads of the thousands of Israel, must come to you. When you blow an alarm, then the camps that are located on the east side must begin to travel. And when you blow an alarm the second time, then the camps that are located on the south side must begin to travel. An alarm must be sounded for their journeys. But when you assemble the community, you must blow, but you must not sound an alarm. The sons of Aaron, the priests, must blow the trumpets; and they will be to you for an eternal ordinance throughout your generations. If you go to war in your land against an adversary who opposes you, then you must sound an alarm with the trumpets, and you will be remembered before the Lord your God, and you will be saved from your enemies. "Also in the time when you rejoice, such as on your appointed festivals or at the beginnings of your months, you must blow with your trumpets over your burnt offerings and over the sacrifices of your peace offerings, so that they may become a memorial for you before your God: I am the Lord your God."
while David and all Israel were energetically celebrating before the Lord, singing and playing various stringed instruments, tambourines, rattles, and cymbals.
Mattithiah, Eliphelehu, Mikneiah, Obed-Edom, Jeiel, and Azaziah were to play the lyres according to the sheminith style, as led by the director;
Asaph was the leader and Zechariah second in command, followed by Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-Edom, and Jeiel. They were to play stringed instruments; Asaph was to sound the cymbals;
David said, "Of these, 24,000 are to direct the work of the Lord's temple; 6,000 are to be officials and judges; 4,000 are to be gatekeepers; and 4,000 are to praise the Lord with the instruments I supplied for worship."
All these were the sons of Heman, the king's prophet. God had promised him these sons in order to make him prestigious. God gave Heman fourteen sons and three daughters. All of these were under the supervision of their fathers; they were musicians in the Lord's temple, playing cymbals and stringed instruments as they served in God's temple. Asaph, Jeduthun, and Heman were under the supervision of the king.
All the Levites who were musicians, including Asaph, Heman, Jeduthun, and their sons and relatives, wore linen. They played cymbals and stringed instruments as they stood east of the altar. They were accompanied by 120 priests who blew trumpets. The trumpeters and musicians played together, praising and giving thanks to the Lord. Accompanied by trumpets, cymbals, and other instruments, they loudly praised the Lord, singing: "Certainly he is good; certainly his loyal love endures!" Then a cloud filled the Lord's temple. read more. The priests could not carry out their duties because of the cloud; the Lord's splendor filled God's temple.
King Hezekiah stationed the Levites in the Lord's temple with cymbals and stringed instruments, just as David, Gad the king's prophet, and Nathan the prophet had ordered. (The Lord had actually given these orders through his prophets.)
Hezekiah ordered the burnt sacrifice to be offered on the altar. As they began to offer the sacrifice, they also began to sing to the Lord, accompanied by the trumpets and the musical instruments of King David of Israel.
The musicians, the descendants of Asaph, manned their posts, as prescribed by David, Asaph, Heman, and Jeduthun the king's prophet. The guards at the various gates did not need to leave their posts, for their fellow Levites made preparations for them.
not counting their male and female servants, who numbered 7,337. They also had 200 male and female singers
When the builders established the Lord's temple, the priests, ceremonially attired and with their clarions, and the Levites (the sons of Asaph) with their cymbals, stood to praise the Lord according to the instructions left by King David of Israel.
not counting their 7,337 male and female servants. They also had 245 male and female singers.
They performed the service of their God and the service of purification, along with the singers and gatekeepers, according to the commandment of David and his son Solomon. For long ago, in the days of David and Asaph, there had been directors for the singers and for the songs of praise and thanks to God. read more. So in the days of Zerubbabel and in the days of Nehemiah, all Israel was contributing the portions for the singers and gatekeepers, according to the daily need. They also set aside the portion for the Levites, and the Levites set aside the portion for the descendants of Aaron.
He has made me a byword to people, I am the one in whose face they spit.
They sing to the accompaniment of tambourine and harp, and make merry to the sound of the flute.
For the music director, to be accompanied by wind instruments; a psalm of David. Listen to what I say, Lord! Carefully consider my complaint!
For the music director, to be accompanied by stringed instruments, according to the sheminith style; a psalm of David. Lord, do not rebuke me in your anger! Do not discipline me in your raging fury!
For the music director; according to the sheminith style; a psalm of David. Deliver, Lord! For the godly have disappeared; people of integrity have vanished.
Give thanks to the Lord with the harp! Sing to him to the accompaniment of a ten-stringed instrument!
to the accompaniment of a ten-stringed instrument and a lyre, to the accompaniment of the meditative tone of the harp.
O God, I will sing a new song to you! Accompanied by a ten-stringed instrument, I will sing praises to you,
They have stringed instruments, tambourines, flutes, and wine at their parties. So they do not recognize what the Lord is doing, they do not perceive what he is bringing about.
You will sing as you do in the evening when you are celebrating a festival. You will be happy like one who plays a flute as he goes to the mountain of the Lord, the Rock who shelters Israel.
You will sing as you do in the evening when you are celebrating a festival. You will be happy like one who plays a flute as he goes to the mountain of the Lord, the Rock who shelters Israel.
So my heart moans for Moab like a flute playing a funeral song. Yes, like a flute playing a funeral song, my heart moans for the people of Kir Heres. For the wealth they have gained will perish.
You were in Eden, the garden of God. Every precious stone was your covering, the ruby, topaz, and emerald, the chrysolite, onyx, and jasper, the sapphire, turquoise, and beryl; your settings and mounts were made of gold. On the day you were created they were prepared.
When you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the golden statue that King Nebuchadnezzar has erected.
When you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the golden statue that King Nebuchadnezzar has erected.
When you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the golden statue that King Nebuchadnezzar has erected.
Therefore when they all heard the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, all the peoples, nations, and language groups began bowing down and paying homage to the golden statue that King Nebuchadnezzar had erected.
You have issued an edict, O king, that everyone must bow down and pay homage to the golden statue when they hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music.
You have issued an edict, O king, that everyone must bow down and pay homage to the golden statue when they hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music.
Now if you are ready, when you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the statue that I had made. If you don't pay homage to it, you will immediately be thrown into the midst of the furnace of blazing fire. Now, who is that god who can rescue you from my power?"
On that day the bells of the horses will bear the inscription "Holy to the Lord." The cooking pots in the Lord's temple will be as holy as the bowls in front of the altar.