Reference: Music
American
The ancient Hebrews had a great taste for music, which they used in their religious services, in their public and private rejoicing, at their weddings and feasts, and even in their mourning. We have in Scripture canticles of joy, of thanksgiving, of praise, of mourning; also mournful elegies or songs, as those of David on the death of Saul and Abner, and the Lamentations of Jeremiah on the destruction of Jerusalem; so, too, songs of victory, triumph, and gratulation, as that which Moses sung after passing the Red Sea, that of Deborah and Barak, and others. The people of God went up to Jerusalem thrice a year, cheered on their way with songs of joy, Ps 84:12; Isa 30:29. The book of Psalms comprises a wonderful variety of inspired pieces for music, and is an inexhaustible treasure for the devout in all ages.
Music is perhaps the most ancient of the fine arts. Jubal, who lived before the deluge, was the "father" of those who played on the harp and the organ, Ge 4:21; 31:26-27. Laban complains that his son-in-law Jacob had left him, without giving him an opportunity of sending his family away "with mirth and with songs, with tabret and with harp." Moses, having passed through the Red Sea, composed a song, and sung it with the Israelitish men, while Miriam, his sister, sung it with dancing, and playing on instruments, at the head of the women, Ex 15:20-21. He caused silver trumpets to be made to be sounded at solemn sacrifices, and on religious festivals. David, who had great skill in music, soothed the perturbed spirit of Saul by playing on the harp, 1Sa 16:16,23; and when he was himself established on the throne - seeing that the Levites were not employed, as formerly, in carrying the boards, veils, and vessels of the tabernacle, its abode being fixed at Jerusalem - appointed a great part of them to sing and to play on instruments in the temple, 1Ch 25. David brought the ark to Jerusalem with triumphant and joyful music, 1Ch 13:8; 15:16-28; and in the same manner Solomon was proclaimed king, 1Ki 1:39-40. The Old Testament prophets also sought the aid of music in their services, 1Sa 10:5; 2Ki 3:15.
Asaph, Heman, and Jeduthun were chiefs of the music of the tabernacle under David, and of the temple under Solomon. Asaph had four sons, Jeduthun six, and Heman fourteen. These twenty-four Levites, sons of the three great masters of the temple-music, were at the head of twenty-four bands of musicians, which served in the temple by turns. Their number there was always great, but especially at the chief solemnities. They were ranged in order about the altar of burnt-sacrifices. As the whole business of their lives was to learn and to practice music, it must be supposed that they understood it well, whether it were vocal or instrumental, 2Ch 29:25.
The kings also had their music. Asaph was chief master of music to David. In the temple, and in the ceremonies of religion, female musicians were admitted as well as male; they generally were daughters of the Levites. Ezra, in his enumeration of those whom he brought back with him from the captivity, reckons two hundred singing men and singing women, 2Sa 19:35; Ezr 2:65; Ne 7:67.
As to the nature of their music, we can judge of it only by conjecture, because it has been long lost. Probably it was a unison of several voices, of which all sung together the same melody, each according to his strength and skill; without musical counterpoint, or those different parts and combinations which constitute harmony in our music. Probably, also, the voices were generally accompanied by instrumental music. If we may draw any conclusions in favor of their music from its effects, its magnificence, its majesty, and the lofty sentiments contained in their songs, we must allow it great excellence. It is supposed that the temple musicians were sometimes divided into two or more separate choirs, which, with a general chorus, sung in turn responsive to each other, each a small portion of the Psalm. The structure of the Hebrew Psalms is eminently adapted to this mode of singing, and very delightful and solemn effects might thus be produced. Compare 10/type/ylt'>10/type/ylt'>Ps 24:10/type/ylt'>10,10/type/ylt'>10,10/type/ylt'>10.
Numerous musical instruments are mentioned in Scripture, but it has been found impossible to affix heir names with certainty to specific instruments now in use. By a comparison, however, of the instruments probably held in common by the Jews with the Greeks, Romans, and Egyptians, a degree of probability as to most of them has been secured. They were of three kinds:
A. Stringed instruments:
1. KINNOR, "the harp," Ge 4:21. Frequently mentioned in Scripture, and probably a kind of lyre.
2. NEBEL, "the psaltery," 1Sa 10:5. It appears to have been the name of various large instruments of the harp kind.
3. ASOR, signifying ten-stringed. In Ps 92:4, it apparently denotes an instrument distinct from the NEBEL; but elsewhere it seems to be simply a description of the NEBEL as ten-stringed. See Ps 33:2; 144:9.
4. GITTITH. It occurs in the titles of Ps 8:1; 81:1; 84:1. From the name, it is supposed that David brought it from Gath. Others conclude that it is a general name for a string instrument.
5. MINNIM, strings, Ps 150:4. Probably another kind of stringed instrument.
6. SABECA, "sackbut," Da 3:5,7,10,15. A kind of lyre.
7. PESANTERIN, "psaltery," occurs Da 3:7, and is supposed to represent the NEBEL.
8. MACHALATH. Found in the titles of Ps 53:1; 88:1; supposed to be a lute or guitar.
B. Wind instruments:
9. KEREN, "horn," Jos 6:5. Cornet.
10. SHOPHAR, "trumpet," Nu 10:10. Used synonymously with KEREN.
11. CHATZOZERAH, the straight trumpet, Ps 98:6.
12. JOBEL, or KEREN JOBEL, horn of jubilee, or signal trumpet, Jos 6:4. Probably the same with 9 and 10.
13. CHAIL, "pipe" or "flute." The word means bored through, 1Sa 10:5.
14. MISHROKITHA, Da 3:5, etc. Probably the Chaldean name for the flute with two reeds.
15. UGAB, "organ" in our version Ge 4:21. It means a double or manifold pipe, and hence the shepherd's pipe; probably the same as the syrinx or Pan's pipe; or perhaps resembling the bagpipe.
C. Instruments which gave out sound on being struck:
17. TOPH, Ge 31:27, the tambourine and all instruments of the drum kind.
18. PHAAMON, "bells," Ex 28:33. Attached to the hem of the high priest's garment.
19. TZELITZELIM, "cymbals," Ps 150:5. A word frequently occurring. There were probably two kinds, hand-cymbals.
20. SHALISHIM, 1Sa 18:6. In our version, "instruments of music." "Three-stringed instruments." Most writers identify it with the triangle.
21. MENAANEIM, "cymbals," 2Sa 6:5. Probably the sistrum. The Hebrew word means to shake. The sistrum was generally about sixteen or eighteen inches long, occasionally inlaid with silver, and being held upright, was shaken, the rings moving to and fro on the bars.
Further particulars concerning some of these may be found under the names they severally bear in our English Bible.
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and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
And Laban saith to Jacob, 'What hast thou done that thou dost deceive my heart, and lead away my daughters as captives of the sword? Why hast thou hidden thyself to flee, and deceivest me, and hast not declared to me, and I send thee away with joy and with songs, with tabret and with harp,
Why hast thou hidden thyself to flee, and deceivest me, and hast not declared to me, and I send thee away with joy and with songs, with tabret and with harp,
And Miriam the inspired one, sister of Aaron, taketh the timbrel in her hand, and all the women go out after her, with timbrels and with choruses; and Miriam answereth to them: -- 'Sing ye to Jehovah, For Triumphing He hath triumphed; The horse and its rider He hath thrown into the sea!'
'And thou hast made on its hem pomegranates of blue, and purple, and scarlet, on its hem round about, and bells of gold in their midst round about;
And in the day of your gladness, and in your appointed seasons, and in the beginnings of your months, ye have blown also with the trumpets over your burnt-offerings, and over the sacrifices of your peace-offerings, and they have been to you for a memorial before your God; I, Jehovah, am your God.'
and seven priests do bear seven trumpets of the jubilee before the ark, and on the seventh day ye compass the city seven times, and the priests blow with the trumpets, and it hath been, in the prolongation of the horn of the jubilee, in your hearing the voice of the trumpet, all the people shout -- a great shout, and the wall of the city hath fallen under it, and the people have gone up, each over-against him.'
Afterwards thou dost come unto the hill of God, where the garrison of the Philistines is, and it cometh to pass, at thy coming in thither to the city, that thou hast met a band of prophets coming down from the high place, and before them psaltery, and tabret, and pipe, and harp, and they are prophesying;
Afterwards thou dost come unto the hill of God, where the garrison of the Philistines is, and it cometh to pass, at thy coming in thither to the city, that thou hast met a band of prophets coming down from the high place, and before them psaltery, and tabret, and pipe, and harp, and they are prophesying;
let our lord command, we pray thee, thy servants before thee, they seek a skilful man, playing on a harp, and it hath come to pass, in the spirit of sadness from God being upon thee, that he hath played with his hand, and it is well with thee.'
And it hath come to pass, in the spirit of sadness from God being on Saul, that David hath taken the harp, and played with his hand, and Saul hath refreshment and gladness, and the spirit of sadness hath turned aside from off him.
And it cometh to pass, in their coming in, in David's returning from smiting the Philistine, that the women come out from all the cities of Israel to sing -- also the dancers -- to meet Saul the king, with tabrets, with joy, and with three-stringed instruments;
and David and all the house of Israel are playing before Jehovah, with all kinds of instruments of fir-wood, even with harps, and with psalteries, and with timbrels, and with cornets, and with cymbals.
A son of eighty years I am to-day; do I know between good and evil? doth thy servant taste that which I am eating, and that which I drink? do I hearken any more to the voice of singers and songstresses? and why is thy servant any more for a burden unto my lord the king?
and Zadok the priest taketh the horn of oil out of the tent, and anointeth Solomon, and they blow with a trumpet, and all the people say, 'Let king Solomon live.' And all the people come up after him, and the people are piping with pipes, and rejoicing -- great joy, and the earth rendeth with their voice.
and David and all Israel are playing before God, with all strength, and with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets.
And David saith to the heads of the Levites to appoint their brethren the singers, with instruments of song, psalteries, and harps, and cymbals, sounding, to lift up with the voice for joy. And the Levites appoint Heman son of Joel, and of his brethren, Asaph son of Berechiah, and of the sons of Merari their brethren, Ethan son of Kushaiah; read more. and with them their brethren, the seconds in rank, Zechariah, Ben, and Jaaziel, and Shemiramoth, and Jehiel, and Unni, Eliab, and Benaiah, and Maaseiah, and Mattithiah, and Elipheleh, and Mikneiah; and Obed-Edom and Jeiel the gatekeepers; and the singers, Heman, Asaph, and Ethan, with cymbals of brass to sound, and Zechariah, and Aziel, and Shemiramoth, and Jeheil, and Unni, and Eliab, and Maaseiah, and Benaiah, with psalteries besides virgins, and Mattithiah, and Elipheleh, and Mikneiah, and Obed-Edom, and Jeiel, and Azaziah, with harps, on the octave, to oversee. And Chenaniah, head of the Levites, is over the burden; he instructeth about the burden, for he is intelligent. And Berechiah and Elkanah are gatekeepers for the ark. And Shebaniah, and Joshaphat, and Nethaneel, and Amasai, and Zechariah, and Benaiah, and Eliezer the priests, are blowing with trumpets before the ark of God; and Obed-Edom and Jehiah are gatekeepers for the ark. And it is David, and the elders of Israel, and the heads of the thousands, who are going to bring up the ark of the covenant of Jehovah from the house of Obed-Edom with joy; and it cometh to pass, in God's helping the Levites bearing the ark of the covenant of Jehovah, that they sacrifice seven bullocks and seven rams. And David is wrapped in an upper robe of fine linen, and all the Levites who are bearing the ark, and the singers, and Chenaniah head of the burden of the singers; and on David is an Ephod of linen. And all Israel are bringing up the ark of the covenant of Jehovah with shouting, and with the sound of a cornet, and with trumpets, and with cymbals, sounding with psalteries and harps,
And he appointeth the Levites in the house of Jehovah with cymbals, with psalteries, and with harps, by the command of David, and of Gad, seer of the king, and of Nathan the prophet, for by the hand of Jehovah is the command, by the hand of His prophets;
apart from their servants and their handmaids; these are seven thousand three hundred thirty and seven: and of them are singers and songstresses two hundred.
apart from their servants and their handmaids -- these are seven thousand three hundred thirty and seven; and of them are singers and songstresses, two hundred forty and five.
To the Overseer, 'On the Gittith.' A Psalm of David. Jehovah, our Lord, How honourable Thy name in all the earth! Who settest thine honour on the heavens.
Who is He -- this 'king of glory?' Jehovah of hosts -- He is the king of glory! Selah.
Who is He -- this 'king of glory?' Jehovah of hosts -- He is the king of glory! Selah.
Who is He -- this 'king of glory?' Jehovah of hosts -- He is the king of glory! Selah.
Give ye thanks to Jehovah with a harp, With psaltery of ten strings sing praise to Him,
To the Overseer. -- 'On a disease.' -- An instruction, by David. A fool said in his heart, 'There is no God.' They have done corruptly, Yea, they have done abominable iniquity, There is none doing good.
To the Overseer. -- 'On the Gittith.' By Asaph. Cry aloud to God our strength, Shout to the God of Jacob.
To the Overseer. -- 'On the Gittith By sons of Korah.' -- A Psalm. How beloved Thy tabernacles, Jehovah of Hosts!
Jehovah of Hosts! O the happiness of a man trusting in Thee.
A Song, a Psalm, by sons of Korah, to the Overseer, 'Concerning the Sickness of Afflictions.' -- An instruction, by Heman the Ezrahite. O Jehovah, God of my salvation, Daily I have cried, nightly before Thee,
For Thou hast caused me to rejoice, O Jehovah, in Thy work, Concerning the works of Thy hands I sing.
Praise Him with timbrel and dance, Praise Him with stringed instruments and organ. Praise Him with cymbals of sounding, Praise Him with cymbals of shouting.
Singing is to you as in a night sanctified for a festival, And joy of heart as he who is going with a pipe, To go in to the mountain of Jehovah, Unto the rock of Israel.
at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, the symphony, and all kinds of music, ye fall down and do obeisance to the golden image that Nebuchadnezzar the king hath raised up:
at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, the symphony, and all kinds of music, ye fall down and do obeisance to the golden image that Nebuchadnezzar the king hath raised up:
Therefore at that time, when all the peoples are hearing the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and all kinds of music, falling down are all the peoples, nations and languages, doing obeisance to the golden image that Nebuchadnezzar the king hath raised up.
Therefore at that time, when all the peoples are hearing the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and all kinds of music, falling down are all the peoples, nations and languages, doing obeisance to the golden image that Nebuchadnezzar the king hath raised up.
Thou, O king, hast made a decree that every man who doth hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and the symphony, and all kinds of music, doth fall down and do obeisance to the golden image;
Now, lo, ye are ready, so that at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and the symphony, and all kinds of music, ye fall down and do obeisance to the image that I have made! -- and lo, ye do no obeisance -- in that hour ye are cast into the midst of a burning fiery furnace; who is that God who doth deliver you out of my hands?'
Easton
Jubal was the inventor of musical instruments (Ge 4:21). The Hebrews were much given to the cultivation of music. Their whole history and literature afford abundant evidence of this. After the Deluge, the first mention of music is in the account of Laban's interview with Jacob (Ge 31:27). After their triumphal passage of the Red Sea, Moses and the children of Israel sang their song of deliverance (Ex 15).
But the period of Samuel, David, and Solomon was the golden age of Hebrew music, as it was of Hebrew poetry. Music was now for the first time systematically cultivated. It was an essential part of training in the schools of the prophets (1Sa 10:5; 19:19-24; 2Ki 3:15; 1Ch 25:6). There now arose also a class of professional singers (2Sa 19:35; Ec 2:8). The temple, however, was the great school of music. In the conducting of its services large bands of trained singers and players on instruments were constantly employed (2Sa 6:5; 1Ch 15; 16; 23:5; 25:1-6).
In private life also music seems to have held an important place among the Hebrews (Ec 2:8; Am 6:4-6; Isa 5:11-12; 24:8-9; Ps 137; Jer 48:33; Lu 15:25).
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and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
Why hast thou hidden thyself to flee, and deceivest me, and hast not declared to me, and I send thee away with joy and with songs, with tabret and with harp,
Afterwards thou dost come unto the hill of God, where the garrison of the Philistines is, and it cometh to pass, at thy coming in thither to the city, that thou hast met a band of prophets coming down from the high place, and before them psaltery, and tabret, and pipe, and harp, and they are prophesying;
And it is declared to Saul, saying, 'Lo, David is in Naioth in Ramah.' And Saul sendeth messengers to take David, and they see the assembly of the prophets prophesying, and Samuel standing, set over them, and the Spirit of God is on Saul's messengers, and they prophesy -- they also. read more. And they declare it to Saul, and he sendeth other messengers, and they prophesy -- they also; and Saul addeth and sendeth messengers a third time, and they prophesy -- they also. And he goeth -- he also -- to Ramath, and cometh in unto the great well which is in Sechu, and asketh, and saith, 'Where are Samuel and David?' and one saith, 'Lo, in Naioth in Ramah.' And he goeth thither -- unto Naioth in Ramah, and the Spirit of God is upon him -- him also; and he goeth, going on, and he prophesieth till his coming in to Naioth in Ramah, and he strippeth off -- he also -- his garments, and prophesieth -- he also -- before Samuel, and falleth down naked all that day and all the night; therefore they say, 'Is Saul also among the prophets?'
and David and all the house of Israel are playing before Jehovah, with all kinds of instruments of fir-wood, even with harps, and with psalteries, and with timbrels, and with cornets, and with cymbals.
A son of eighty years I am to-day; do I know between good and evil? doth thy servant taste that which I am eating, and that which I drink? do I hearken any more to the voice of singers and songstresses? and why is thy servant any more for a burden unto my lord the king?
I gathered for me also silver and gold, and the peculiar treasure of kings and of the provinces. I prepared for me men-singers and women-singers, and the luxuries of the sons of man -- a wife and wives.
I gathered for me also silver and gold, and the peculiar treasure of kings and of the provinces. I prepared for me men-singers and women-singers, and the luxuries of the sons of man -- a wife and wives.
Woe to those rising early in the morning, Strong drink they pursue! Tarrying in twilight, wine inflameth them! And harp, and psaltery, tabret, and pipe, And wine, have been their banquets, And the work of Jehovah they behold not, Yea, the work of His hands they have not seen.
Ceased hath the joy of tabrets, Ceased hath the noise of exulting ones, Ceased hath the joy of a harp. With a song they drink not wine, Bitter is strong drink to those drinking it.
And removed hath been joy and gladness From the fruitful field, Even from the land of Moab, And wine from wine-presses I have caused to cease, Shouting doth not proceed, The shouting is no shouting!
Who are lying down on beds of ivory, And are spread out on their couches, And are eating lambs from the flock, And calves from the midst of the stall, Who are taking part according to the psaltery, Like David they invented for themselves instruments of music; read more. Who are drinking with bowls of wine, And with chief perfumes anoint themselves, And have not been pained for the breach of Joseph.
'And his elder son was in a field, and as, coming, he drew nigh to the house, he heard music and dancing,
Fausets
(For illustrations, see DANCE; DAVID; FLUTE; HARP; JEDUTHUN.) Its invention is due to a Cainite, Jubal son of Lamech, "father (first teacher) of all such as handle the harp (lyre) and organ" (pipe). "The lyre and flute were introduced by the brother of a nomadic herdsman (Jabal); it is in the leisure of this occupation that music is generally first exercised and appreciated" (Kalisch: Ge 4:21). "Mahalaleel," third from Seth, means "giving praise to God," therefore vocal music in religious services was probably earlier than instrumental music among the Cainites (Ge 5:12). Laban the Syrian mentions "songs, tabret (tambourine), and harp" (Ge 31:27); Job (Job 21:12) "the timbrel (tambourine), harp, and organ (pipe)". Instead of "they take," translated "they lift up (the voice)," as in Isa 42:11, to accompany "the tambourine," etc. (Umbrett.) Thus the "voice," stringed and wind instruments, include all kinds of music. The Israelite men led by Moses sang in chorus, and Miriam led the women in singing the refrain at each interval, accompanied by tambourine and dances (Ex 15:21).
Music rude and boisterous accompanied the dances in honor of the golden calf, so that Joshua mistook it for "the noise of war," "the voice of them that shout for the mastery and that cry for being overcome" (Ex 32:17-18). The triumphant shout of the foe in the temple is similarly compared to the joyous thanksgivings formerly offered there at solemn feasts, but how sad the contrast as to the occasion (La 2:7). The two silver trumpets were used by the priests to call an assembly, and for the journeying of the camps, and on jubilant occasion (Nu 10:1-10; 2Ch 13:12). (On the rams' (rather Jubilee) horns of Joshua 6, see HORNS.) The instruments at Nebuchadnezzar's dedication of his golden image were the "cornet," like the French horn; "flute" or pipe blown at the end by a mouthpiece; "sackbut," a triangular stringed instrument with short strings, in a high sharp key; "psaltery," a kind of harp; "dulcimer," a bagpipe, emitting a plaintive sound, a Hebraized Greek word, sumfonia (Da 3:4).
The schools of the prophets cultivated music as a study preparing the mind for receiving spiritual influences (1Sa 10:5; 19:19-20): at Naioth; also at Jericho (2Ki 2:5,7), "when the minstrel among Jehoshaphat's retinue played, the hand of Jehovah came upon Elisha" (2Ki 3:15); Gilgal (2Ki 4:38); Jerusalem (2Ki 22:14). "Singing men and women" were at David's court (2Sa 19:35), also at Solomon's (Ec 2:8; Gesenius translated for "musical instruments and that of all sorts," shiddah wishidot, "a princess and princesses".) They also" spoke of Josiah in their lamentations, and made them an ordinance in Israel" (2Ch 35:25).
Music was often introduced at banquets (Isa 5:12), "the harp and viol" (nebel, the "lute", an instrument with 12 strings), etc. (Lu 15:25.) Am 6:5; "chant (parat, 'mark distinct tones,' the Arabic root expresses an unmeaning hurried flow of rhythmical sounds without much sense, as most glees) to the sound of the viol, and invent to themselves instruments of music like David"; they fancy themselves David's equals In music (1Ch 23:5; Ne 12:36). He added to the temple service the stringed psaltery, kinor ("lyre"), and nebel ("harp"), besides the cymbals. These as distinguished from the trumpets were "David's instruments" (2Ch 29:25-26; 1Ch 15:16,19-21,24; 23:5). The age of Samuel, David, and Solomon was the golden one alike of poetry and of music. The Hebrew use of music was inspirational, curative, and festive or mournful. David's skill on the harp in youth brought him under Saul's notice, and he played away Saul's melancholy under the evil spirit (1Sa 16:16-23).
As David elevated music to the praise of God, so the degenerate Israelites of Amos' time degraded it to the service of their own sensuality (like Nero fiddling when Rome was in flames), yet they defended their luxurious passion for music by his example. Solomon's songs were a thousand and five (1Ki 4:32). In the procession accompanying the ark to Zion, the Levites led by Chenaniah, "master of the song," played cornets, trumpets, cymbals, psalteries, and harps, accompanying David's psalm composed for the occasion (1 Chronicles 15; 16; 2Sa 6:5). Of the 48,000 in the tribe 4,000 praised Jehovah on David's instruments (1Ch 23:5-6). Heman led the Kohathites, Asaph the Gershonites, and Ethan or Jeduthun the Merarites (1Ch 15:17; 25:1-8). The "cunning" or skilled musicians were 288: 24 courses, 12 in each, headed by the 24 sons of Heman, Asaph, and Jeduthun.
The rest of the 4,000 were "scholars." David's chant (1Ch 16:34,41) was used for ages, and bore his name: at the consecration of Solomon's temple (2Ch 7:6); before Jehoshaphat's army when marching against the Ammonite invaders, to the thanksgiving is attributed God's giving of the victory, "when they began to sing and to praise, Jehovah set ambushments against ... Ammon" (2Ch 20:21-22), compare in Abijah's victory over Jeroboam the priests' sounding of trumpets (2Ch 13:12-22); at the laying the second temple's foundation (Ezr 3:10-11). Heman, Asaph, and Ethan played with cymbals of brass to mark the time the more clearly, while the rest played on psalteries and harps (1Ch 15:19; 16:5).
The "singers" went first, "the damsels with timbrels" in the middle, "the players on (stringed) instruments followed after" (Ps 68:25). In intelligent worship the word has precedence of ornamental accompaniments (1Co 14:15); music must not drown but be subordinate to the words and sense. Amos (Am 8:3) foretells the joyous "songs of the temple" should be changed into "howlings." In Ps 87:7 translated "the players on pipes" or "flutes" (Gesenius), but Hengstenberg, "dancers" (choleel); the future thanksgiving of the redeemed heathen (1Ki 1:40). Women were in the choir (1Ch 13:8; 25:5-6; Ezr 2:65). The priests alone blew the trumpets in the religious services (1Ch 15:24; 16:6), but the people also at royal proclamations (2Ki 11:14). A hundred and twenty priests blew the trumpets in unison with the Levite singers, in fine linen, at the dedication of Solomon's temple (2Ch 5:12-13; 7:6). So under Hezekiah in resanctifying the temple (2Ch 29:27-28).
As the temple, altar, and sacrifices were Jehovah's palace, table, and feasts, so the sacred music answers to the melody usual at kings' banquets. The absence of music such as accompanied bridal processions is made a feature of a curse being on the land (Isa 24:8-9; Jer 7:34; Eze 26:13). Judah's captors in vain called on her singers to sing her national melodies, "songs of Zion," in Babylon. She hung her harp on the willows of that marshy city, and abjured "mirth in a strange land" (Ps 137:2-4). Away from Zion, God's seat, they were away from joy. Love songs (Psalm 45 title) as well as professional mourners' (Am 5:16) dirges were composed. Harlots attracted men by songs to the guitar (Isa 23:15-16). (See MOURNING,) The grape was gathered and trodden with joyous song (Isa 16:10). (See HYMNS.)
Music, instrumental and vocal, was all in unison, not harmony, which was unknown to the ancients; the songs were all melodies, choral and antiphonal, as Moses' and Miriam's song, and Nehemiah's musicians in two responsive choirs at the dedication of the wall (Ne 12:40-42). For "instruments of music" (Da 6:18) translated "concubines." Xenophon's picture of Darius as addicted to wine and women, without self control, accords with Daniel's mention of his abstinence as something extraordinary. In Ps 45:8 Gesenius translated for "whereby" (mini), as in Ps 150:4), "out of the ivory palaces the stringed instruments make thee glad"; Hengstenberg shows this untenable, KJV is better. In 1Sa 18:6 "instruments of music," shalishim, is from shalowsh, "three," probably "triangles," invented in Syria (Athenaeus, Deipnos, 4:175).
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and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
Why hast thou hidden thyself to flee, and deceivest me, and hast not declared to me, and I send thee away with joy and with songs, with tabret and with harp,
and Miriam answereth to them: -- 'Sing ye to Jehovah, For Triumphing He hath triumphed; The horse and its rider He hath thrown into the sea!'
And Joshua heareth the voice of the people in their shouting, and saith unto Moses, 'A noise of battle in the camp!' and he saith, 'It is not the voice of the crying of might, nor is it the voice of the crying of weakness -- a voice of singing I am hearing.'
And Jehovah speaketh unto Moses, saying, 'Make to thee two trumpets of silver; beaten work thou dost make them, and they have been to thee for the convocation of the company, and for the journeying of the camps; read more. and they have blown with them, and all the company have met together unto thee, unto the opening of the tent of meeting. And if with one they blow, then have the princes, heads of the thousands of Israel, met together unto thee; And ye have blown -- a shout, and the camps which are encamping eastward have journeyed. And ye have blown -- a second shout, and the camps which are encamping southward have journeyed; a shout they blow for their journeys. 'And in the assembling of the assembly ye blow, and do not shout; and sons of Aaron, the priests, blow with the trumpets; and they have been to you for a statute age-during to your generations. 'And when ye go into battle in your land against the adversary who is distressing you, then ye have shouted with the trumpets, and ye have been remembered before Jehovah your God, and ye have been saved from your enemies. And in the day of your gladness, and in your appointed seasons, and in the beginnings of your months, ye have blown also with the trumpets over your burnt-offerings, and over the sacrifices of your peace-offerings, and they have been to you for a memorial before your God; I, Jehovah, am your God.'
Afterwards thou dost come unto the hill of God, where the garrison of the Philistines is, and it cometh to pass, at thy coming in thither to the city, that thou hast met a band of prophets coming down from the high place, and before them psaltery, and tabret, and pipe, and harp, and they are prophesying;
let our lord command, we pray thee, thy servants before thee, they seek a skilful man, playing on a harp, and it hath come to pass, in the spirit of sadness from God being upon thee, that he hath played with his hand, and it is well with thee.' And Saul saith unto his servants, 'Provide, I pray you, for me a man playing well -- then ye have brought him in unto me.' read more. And one of the servants answereth and saith, 'Lo, I have seen a son of Jesse the Beth-Lehemite, skilful in playing, and a mighty virtuous man, and a man of battle, and intelligent in word, and a man of form, and Jehovah is with him.' And Saul sendeth messengers unto Jesse, and saith, 'Send unto me David thy son, who is with the flock.' And Jesse taketh an ass, with bread, and a bottle of wine, and one kid of the goats, and sendeth by the hand of David his son unto Saul. And David cometh in unto Saul, and standeth before him, and he loveth him greatly; and he is a bearer of his weapons. And Saul sendeth unto Jesse, saying, 'Let David, I pray thee, stand before me, for he hath found grace in mine eyes.' And it hath come to pass, in the spirit of sadness from God being on Saul, that David hath taken the harp, and played with his hand, and Saul hath refreshment and gladness, and the spirit of sadness hath turned aside from off him.
And it cometh to pass, in their coming in, in David's returning from smiting the Philistine, that the women come out from all the cities of Israel to sing -- also the dancers -- to meet Saul the king, with tabrets, with joy, and with three-stringed instruments;
And it is declared to Saul, saying, 'Lo, David is in Naioth in Ramah.' And Saul sendeth messengers to take David, and they see the assembly of the prophets prophesying, and Samuel standing, set over them, and the Spirit of God is on Saul's messengers, and they prophesy -- they also.
and David and all the house of Israel are playing before Jehovah, with all kinds of instruments of fir-wood, even with harps, and with psalteries, and with timbrels, and with cornets, and with cymbals.
A son of eighty years I am to-day; do I know between good and evil? doth thy servant taste that which I am eating, and that which I drink? do I hearken any more to the voice of singers and songstresses? and why is thy servant any more for a burden unto my lord the king?
And all the people come up after him, and the people are piping with pipes, and rejoicing -- great joy, and the earth rendeth with their voice.
And he speaketh three thousand similes, and his songs are five, and the chief one;
And sons of the prophets who are in Jericho come nigh unto Elisha, and say unto him, 'Hast thou known that to-day Jehovah is taking thy lord from thy head?' and he saith, 'I also have known -- keep silent.'
-- and fifty men of the sons of the prophets have gone on, and stand over-against afar off -- and both of them have stood by the Jordan.
and now, bring to me a minstrel; and it hath been, at the playing of the minstrel, that the hand of Jehovah is on him,
And Elisha hath turned back to Gilgal, and the famine is in the land, and the sons of the prophets are sitting before him, and he saith to his young man, 'Set on the great pot, and boil pottage for the sons of the prophets.'
and looketh, and lo, the king is standing by the pillar, according to the ordinance, and the heads, and the trumpets, are by the king, and all the people of the land are rejoicing, and blowing with trumpets, and Athaliah rendeth her garments, and calleth, 'Conspiracy! conspiracy!'
And Hilkiah the priest goeth, and Ahikam, and Achbor, and Shaphan, and Asahiah, unto Huldah the prophetess, wife of Shallum, son of Tikvah, son of Harhas, keeper of the garments, and she is dwelling in Jerusalem in the second, and they speak unto her.
and David and all Israel are playing before God, with all strength, and with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets.
And the Levites appoint Heman son of Joel, and of his brethren, Asaph son of Berechiah, and of the sons of Merari their brethren, Ethan son of Kushaiah;
and the singers, Heman, Asaph, and Ethan, with cymbals of brass to sound,
And Shebaniah, and Joshaphat, and Nethaneel, and Amasai, and Zechariah, and Benaiah, and Eliezer the priests, are blowing with trumpets before the ark of God; and Obed-Edom and Jehiah are gatekeepers for the ark.
Asaph the head, and his second Zechariah; Jeiel, and Shemiramoth, and Jehiel, and Mattithiah, and Eliab, and Benaiah, and Obed-Edom, and Jeiel, with instruments of psalteries, and with harps; and Asaph with cymbals is sounding; and Benaiah and Jahaziel the priests are with trumpets continually before the ark of the covenant of God.
Give thanks to Jehovah, for good, For to the age, is His kindness,
And with them are Heman and Jeduthun, and the rest of those chosen, who were defined by name, to give thanks to Jehovah, for to the age is His kindness,
and four thousand gatekeepers, and four thousand giving praise to Jehovah, 'with instruments that I made for praising,' saith David.
and four thousand gatekeepers, and four thousand giving praise to Jehovah, 'with instruments that I made for praising,' saith David. And David distributeth them into courses: Of the sons of Levi: of Gershon, Kohath, and Merari.
And David and the heads of the host separate for service, of the sons of Asaph, and Heman, and Jeduthun, who are prophesying with harps, with psalteries, and with cymbals, and the number of the workmen is according to their service. Of sons of Asaph: Zaccur, and Joseph, and Nethaniah, and Asharelah, sons of Asaph, are by the side of Asaph, who is prophesying by the side of the king. read more. Of Jeduthun: sons of Jeduthun, Gedaliah, and Zeri, and Jeshaiah, Hashabiah, and Mattithiah, Shisshah, are by the side of their father Jeduthun; with a harp he is prophesying, for giving of thanks and of praise to Jehovah. Of Heman: sons of Heman: Bukkiah, Mattaniah, Uzziel, Shebuel, and Jerimoth, Hananiah, Hanani, Eliathah, Giddalti, and Romamti-Ezer, Joshbekashah, Mallothi, Hothir, Mahazioth; all these are sons of Heman -- seer of the king in the things of God -- to lift up a horn; and God giveth to Heman fourteen sons and three daughters.
all these are sons of Heman -- seer of the king in the things of God -- to lift up a horn; and God giveth to Heman fourteen sons and three daughters. All these are by the side of their father in the song of the house of Jehovah, with cymbals, psalteries, and harps, for the service of the house of God; by the side of the king are Asaph, and Jeduthun, and Heman.
All these are by the side of their father in the song of the house of Jehovah, with cymbals, psalteries, and harps, for the service of the house of God; by the side of the king are Asaph, and Jeduthun, and Heman. And their number, with their brethren -- taught in the song of Jehovah, all who are intelligent -- is two hundred, eighty and eight. read more. And they cause to fall lots -- charge over-against charge, as well the small as the great, the intelligent with the learner.
and the Levites, the singers, to all of them, to Asaph, to Heman, to Jeduthun, and to their sons, and to their brethren, clothed in white linen, with cymbals, and with psalteries, and harps, are standing on the east of the altar, and with them priests, to a hundred and twenty, blowing with trumpets -- yea, it cometh to pass, as one are trumpeters and singers, to sound -- one voice -- to praise and to give thanks to Jehovah, and at the lifting up of the sound with trumpets, and with cymbals, and with instruments of song, and at giving praise to Jehovah, for good, for to the age is His kindness, that the house is filled with a cloud -- the house of Jehovah,
And the priests over their charges are standing, and the Levites with instruments of the song of Jehovah -- that David the king made, to give thanks to Jehovah, for to the age is His kindness, in David's praising by their hand -- and the priests are blowing trumpets over-against them, and all Israel are standing.
And the priests over their charges are standing, and the Levites with instruments of the song of Jehovah -- that David the king made, to give thanks to Jehovah, for to the age is His kindness, in David's praising by their hand -- and the priests are blowing trumpets over-against them, and all Israel are standing.
And lo, with us -- at our head -- is God, and His priests and trumpets of shouting to shout against you; O sons of Israel, do not fight with Jehovah, God of your fathers, for ye do not prosper.' And Jeroboam hath brought round the ambush to come in from behind them, and they are before Judah, and the ambush is behind them. read more. And Judah turneth, and lo, against them is the battle, before and behind, and they cry to Jehovah, and the priests are blowing with trumpets, and the men of Judah shout -- and it cometh to pass, at the shouting of the men of Judah, that God hath smitten Jeroboam, and all Israel, before Abijah and Judah. And the sons of Israel flee from the face of Judah, and God giveth them into their hand, and Abijah and his people smite among them a great smiting, and there fall wounded of Israel five hundred thousand chosen men. And the sons of Israel are humbled at that time, and the sons of Judah are strong, for they have leant on Jehovah, God of their fathers. And Abijah pursueth after Jeroboam, and captureth from him cities, Beth-El and its small towns, and Jeshanah and its small towns, and Ephraim and its small towns. And Jeroboam hath not retained power any more in the days of Abijah, and Jehovah smiteth him, and he dieth. And Abijah strengtheneth himself, and taketh to him fourteen wives, and begetteth twenty and two sons, and sixteen daughters, and the rest of the matters of Abijah, and his ways, and his words, are written in the 'Inquiry' of the prophet Iddo.
And he taketh counsel with the people, and appointeth singers to Jehovah, and those giving praise to the honour of holiness, in the going out before the armed men, and saying, 'Give ye thanks to Jehovah, for to the age is His kindness.' And at the time they have begun with singing and praise, Jehovah hath put ambushments against the sons of Ammon, Moab, and mount Seir, who are coming in to Judah, and they are smitten,
And he appointeth the Levites in the house of Jehovah with cymbals, with psalteries, and with harps, by the command of David, and of Gad, seer of the king, and of Nathan the prophet, for by the hand of Jehovah is the command, by the hand of His prophets; and the Levites stand with the instruments of David, and the priests with the trumpets. read more. And Hezekiah saith to cause the burnt-offering to ascend on the altar; and at the time the burnt-offering began -- began the song of Jehovah, and the trumpets, even by the hands of the instruments of David king of Israel. And all the assembly are doing obeisance, and the singers singing, and the trumpeters blowing; the whole is till the completion of the burnt-offering.
and Jeremiah lamenteth for Josiah, and all the singers and the songstresses speak in their lamentations of Josiah unto this day, and set them for a statute on Israel, and lo, they are written beside the lamentations.
apart from their servants and their handmaids; these are seven thousand three hundred thirty and seven: and of them are singers and songstresses two hundred.
And those building have founded the temple of Jehovah, and they appoint the priests, clothed, with trumpets, and the Levites, sons of Asaph, with cymbals, to praise Jehovah, by means of the instruments of David king of Israel. And they respond in praising and in giving thanks to Jehovah, for good, for to the age His kindness is over Israel, and all the people have shouted -- a great shout -- in giving praise to Jehovah, because the house of Jehovah hath been founded.
and his brethren Shemaiah, and Azarael, Milalai, Gilalai, Maai, Nethaneel, and Judah, Hanani, with instruments of song of David the man of God, and Ezra the scribe is before them;
And the two thanksgiving companies stand in the house of God, and I and half of the prefects with me, and the priests, Eliakim, Maaseiah, Miniamin, Michaiah, Elioenai, Zechariah, Hananiah, with trumpets, read more. and Masseiah, and Shemaiah, and Eleazar, and Uzzi, and Jehohanan, and Malchijah, and Elam, and Ezer, and the singers sound, and Jezrahiah the inspector;
They lift themselves up at timbrel and harp, And rejoice at the sound of an organ.
Myrrh and aloes, cassia! all thy garments, Out of palaces of ivory Stringed instruments have made thee glad.
Singers have been before, Behind are players on instruments, In the midst virgins playing with timbrels.
Singers also as players on instruments, All my fountains are in Thee!
On willows in its midst we hung our harps. For there our captors asked us the words of a song, And our spoilers -- joy: 'Sing ye to us of a song of Zion.' read more. How do we sing the song of Jehovah, On the land of a stranger?
Praise Him with timbrel and dance, Praise Him with stringed instruments and organ.
I gathered for me also silver and gold, and the peculiar treasure of kings and of the provinces. I prepared for me men-singers and women-singers, and the luxuries of the sons of man -- a wife and wives.
And harp, and psaltery, tabret, and pipe, And wine, have been their banquets, And the work of Jehovah they behold not, Yea, the work of His hands they have not seen.
And removed have been gladness and joy from the fruitful field, And in vineyards they sing not, nor shout, Wine in the presses treadeth not the treader, Shouting I have caused to cease.
And it hath come to pass, in that day, That forgotten is Tyre seventy years, According to the days of one king. At the end of seventy years there is to Tyre as the song of the harlot. Take a harp, go round the city, O forgotten harlot, play well, Multiply song that thou mayest be remembered.
Ceased hath the joy of tabrets, Ceased hath the noise of exulting ones, Ceased hath the joy of a harp. With a song they drink not wine, Bitter is strong drink to those drinking it.
The wilderness and its cities do lift up the voice, The villages Kedar doth inhabit, Sing do the inhabitants of Sela, From the top of mountains they cry.
And I have caused to cease from cities of Judah, And from streets of Jerusalem, The voice of joy, and the voice of gladness, Voice of bridegroom, and voice of bride, For the land doth become a desolation!
The Lord hath cast off His altar, He hath rejected His sanctuary, He hath shut up into the hand of the enemy The walls of her palaces, A noise they have made in the house of Jehovah Like a day of appointment.
And I have caused the noise of thy songs to cease, And the voice of thy harps is heard no more.
And a crier is calling mightily: 'To you they are saying: O peoples, nations, and languages!
Then hath the king gone to his palace, and he hath passed the night fasting, and dahavan have not been brought up before him, and his sleep hath fled from off him.
Therefore, thus said Jehovah, God of Hosts, the Lord, In all broad places is lamentation, And in all out-places they say, 'Alas, alas,' And called the husbandman to mourning, And to lamentation the skilful of wailing.
Who are taking part according to the psaltery, Like David they invented for themselves instruments of music;
And howled have songstresses of a palace in that day, An affirmation of the Lord Jehovah, Many are the carcases, into any place throw -- hush!
'And his elder son was in a field, and as, coming, he drew nigh to the house, he heard music and dancing,
What then is it? I will pray with the spirit, and I will pray also with the understanding; I will sing psalms with the spirit, and I will sing psalms also with the understanding;
Smith
Music.
1. The most ancient music. --The inventor of musical instruments, like the first poet and the first forger of metals, was a Cainite. We learn from
that Jubal the son of Lamech was "the father of all such as handle the harp and organ," that is, of all players upon stringed and wind instruments. The first mentioned of music in the times after the deluge is in the narrative of Laban's interview with Jacob,
so that, whatever way it was preserved, the practice of music existed in the upland country of Syria, and of the three possible kinds of musical instruments two were known and employed to accompany the song. The three kinds are alluded to in
On the banks of the Red Sea Moses and the children of Israel sang their triumphal song of deliverance from the hosts of Egypt; and Miriam, in celebration of the same event, exercised one of her functions as a prophetess by leading a procession of the women of the camp, chanting in chorus the burden of the song of Moses. The song of Deborah and Barak is cast in a distinctly metrical form, and was probably intended to be sung with a musical accompaniment as one of the people's songs. The simpler impromptu with which the women from the cities of Israel greeted David after the slaughter of the Philistines was apparently struck off on the spur of the moment, under the influence of the wild joy with which they welcomed their national champion. "the darling of the sons of Israel."
Up to this time we meet with nothing like a systematic cultivation of music among the Hebrews, but the establishment of the schools of the prophets appears to have supplied this want. Whatever the students of these schools may have been taught, music was an essential part of their practice. Professional musicians soon became attached to the court.
2. The golden age of Hebrew music. David seems to have gathered round him "singing men and singing women."
Solomon did the same,
adding to the luxury of his court by his patronage of art, and obtaining a reputation himself as no mean composer.
But the temple was the great school of music, and it was consecrated to its highest service in the worship of Jehovah. Before, however the elaborate arrangements had been made by David for the temple choir, there must have been a considerable body of musicians throughout the country.
(David chose 4000 musicians from the 38,000 Levies in his reign, or one in ten of the whole tribe. Of these musicians 288 were specially trained and skillful.
The whole number was divided into 24 courses, each of which would thus consist of a full band of 154 musicians, presided over by a body of 12 specially-trained leaders, under one of the twenty-four sons of Asaph, Heman or Jeduthun as conductor. The leaders appear to have played on the cymbals, perhaps to make the time.
All these joined in a special chant which David taught them, and which went by his name.
Women also took part in the temple choir.
These great choirs answered one to another in responsive singing; thus the temple music most have been grand and inspiring beyond anything known before that time.
3. Character of Hebrew music.--As in all Oriental nations, the music of the Hebrews was melody rather than harmony, which latter was then unknown. All old and young, men and maidens, singers and instruments, appear to have sung one part only in or in octaves. "The beauty of the music consisted altogether in the melody;" but this, with so many instruments and voices, was so charming that "the whole of antiquity is full of the praises of this music. By its means battles were won, cities conquered, mutinies quelled, diseases cured." --ED.)
4. Uses of music. --In the private as well as in the religions life of the Hebrews music held a prominent place. The kings had their court musicians,
and in the luxurious times of the later monarchy the effeminate gallants of Israel amused themselves with devising musical instruments while their nation was perishing ("as Nero fiddled while Rome was burning"). But music was also the legitimate expression of mirth and gladness The bridal processions as they passed through the streets were accompanied with music and song.
The music of the banquets was accompanied with song and dancing.
Lu 15:26
The triumphal processions which celebrated victory were enlivened by minstrels and singers.
There were also religious songs.
Love songs are alluded to; in
title, and Isai 5:1 There were also the doleful songs of the funeral procession, and the wailing chant of the mourners. The grape-gatherers sang at their work, and the women sang as they toiled at the mill, and on every occasion the land of the Hebrews during their national prosperity was a land of music and melody.
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Then singeth Moses and the sons of Israel this song to Jehovah, and they speak, saying: -- 'I sing to Jehovah, For triumphing He hath triumphed; The horse and its rider He hath thrown into the sea.
And Miriam the inspired one, sister of Aaron, taketh the timbrel in her hand, and all the women go out after her, with timbrels and with choruses;
And Deborah singeth -- also Barak son of Abinoam -- on that day, saying: --
And Jephthah cometh into Mizpeh, unto his house, and lo, his daughter is coming out to meet him with timbrels, and with choruses, and save her alone, he hath none, son or daughter.
And it cometh to pass, in their coming in, in David's returning from smiting the Philistine, that the women come out from all the cities of Israel to sing -- also the dancers -- to meet Saul the king, with tabrets, with joy, and with three-stringed instruments; and the women answer -- those playing, and say, 'Saul hath smitten among his thousands, And David among his myriads.'
and David and all the house of Israel are playing before Jehovah, with all kinds of instruments of fir-wood, even with harps, and with psalteries, and with timbrels, and with cornets, and with cymbals.
A son of eighty years I am to-day; do I know between good and evil? doth thy servant taste that which I am eating, and that which I drink? do I hearken any more to the voice of singers and songstresses? and why is thy servant any more for a burden unto my lord the king?
And he speaketh three thousand similes, and his songs are five, and the chief one;
and David and all Israel are playing before God, with all strength, and with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets.
and the singers, Heman, Asaph, and Ethan, with cymbals of brass to sound,
Asaph the head, and his second Zechariah; Jeiel, and Shemiramoth, and Jehiel, and Mattithiah, and Eliab, and Benaiah, and Obed-Edom, and Jeiel, with instruments of psalteries, and with harps; and Asaph with cymbals is sounding;
and four thousand gatekeepers, and four thousand giving praise to Jehovah, 'with instruments that I made for praising,' saith David.
all these are sons of Heman -- seer of the king in the things of God -- to lift up a horn; and God giveth to Heman fourteen sons and three daughters. All these are by the side of their father in the song of the house of Jehovah, with cymbals, psalteries, and harps, for the service of the house of God; by the side of the king are Asaph, and Jeduthun, and Heman.
And to Shemaiah his son have sons been born, who are ruling throughout the house of their father, for they are mighty of valour. Sons of Shemaiah are Othni, and Rephael, and Obed, Elzabad; his brethren are sons of valour, Elihu and Semachiah,
and Jeremiah lamenteth for Josiah, and all the singers and the songstresses speak in their lamentations of Josiah unto this day, and set them for a statute on Israel, and lo, they are written beside the lamentations.
They lift themselves up at timbrel and harp, And rejoice at the sound of an organ.
To the Overseer. -- 'On the Lilies.' -- By sons of Korah. -- An Instruction. -- A song of loves. My heart hath indited a good thing, I am telling my works to a king, My tongue is the pen of a speedy writer.
I gathered for me also silver and gold, and the peculiar treasure of kings and of the provinces. I prepared for me men-singers and women-singers, and the luxuries of the sons of man -- a wife and wives.
I gathered for me also silver and gold, and the peculiar treasure of kings and of the provinces. I prepared for me men-singers and women-singers, and the luxuries of the sons of man -- a wife and wives.
Singing is to you as in a night sanctified for a festival, And joy of heart as he who is going with a pipe, To go in to the mountain of Jehovah, Unto the rock of Israel.
And I have caused to cease from cities of Judah, And from streets of Jerusalem, The voice of joy, and the voice of gladness, Voice of bridegroom, and voice of bride, For the land doth become a desolation!
and having called near one of the young men, he was inquiring what these things might be,
Doth any one suffer evil among you? let him pray; is any of good cheer? let him sing psalms;
Watsons
MUSIC is probably nearly coeval with our race, or, at least, with the first attempts to preserve the memory of transactions. Before the invention of writing, the history of remarkable events was committed to memory, and handed down by oral tradition. The knowledge of laws and of useful arts was preserved in the same way. Rhythm and song were probably soon found important helps to the memory; and thus the muses became the early instructers of mankind. Nor was it long, we may conjecture, before dancing and song united contributed to festivity, or to the solemnities of religion. The first instruments of music were probably of the pulsatile kind; and rhythm, it is likely, preceded the observation of those intervals of sound which are so pleasing to the ear. The first mention of stringed instruments, however, precedes the deluge. Tubal, the sixth descendant from Cain, was "the father of all such as handle the harp and the organ." About five hundred and fifty years after the deluge, or B.C. 1800, according to the common chronology, both vocal and instrumental music are spoken of as things in general use: "And Laban said, What hast thou done, that thou hast stolen away unawares to me, and carried away my daughters, as captives taken with the sword? Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth and with songs, with tabret and with harp?" Ge 31:26-27.
Egypt has been called the cradle of the arts and sciences, and there can be no doubt of the very early civilization of that country. To the Egyptian Mercury, or Thoth, who is called Trismegistos, or "thrice illustrious," is ascribed the invention of the lyre, which had at first only three strings. It would be idle to mention the various conjectures how these strings were tuned, or to try to settle the chronology of this invention. The single flute, which they called photinx, is also ascribed to the Egyptians. Its shape was that of a horn, of which, no doubt, it was originally made. Before the invention of these instruments, as Dr. Burney justly observes, "music could have been little more than metrical, as no other instruments except those of percussion were known. When the art was first discovered of refining and sustaining tones, the power of music over mankind was probably irresistible, from the agreeable surprise which soft and lengthened sounds must have occasioned." The same learned writer has given a drawing, made under his own eye, of an Egyptian musical instrument, represented on a very ancient obelisk at Rome, brought from Egypt by Augustus. This obelisk is supposed to have been erected at Heliopolis, by Sesostris, near four hundred years before the Trojan war. The most remarkable thing in this instrument is, that it is supplied with a neck, so that its two strings were capable of furnishing a great number of sounds. This is a contrivance which the Greeks, with all their ingenuity, never hit upon. "I have never been able," says the doctor, "to discover in any remains of Greek sculpture, an instrument furnished with a neck; and Father Montfaucon says that in examining the representations of near five hundred ancient lyres, harps, and citharas, he never met with one in which there was any contrivance for shortening the strings during the time of performance, as by a neck and finger board." From the long residence of the Hebrews in Egypt, it is no improbable conjecture that their music was derived from that source. However that may be, music, vocal and instrumental, made one important part of their religious service. If the excellence of the music was conformable to the sublimity of the poetry which it accompanied, there would be no injustice in supposing it unspeakably superior. to that of every other people; and the pains that were taken to render the tabernacle and temple music worthy of the subjects of their lofty odes, leaves little doubt that it was so. That the instruments were loud and sonorous, will appear from what follows; but as the public singing was performed in alternate responses, or the chorus of all succeeded to those parts of the psalm which were sung only by the appointed leaders, instruments of this kind were necessary to command and control the voices of so great a number as was usually assembled on high occasions.
The Hebrews insisted on having music at marriages, on anniversary birth days, on the days which reminded them of victories over their enemies, at the inauguration of their kings, in their public worship, and when they were coming from afar to attend the great festivals of their nation, Isa 30:29. In the tabernacle and the temple, the Levites were the lawful musicians; but on other occasions any one might use musical instruments who chose. There was this exception, however: the holy silver trumpets were to be blown only by the priests, who, by the sounding of them, proclaimed the festival days, assembled the leaders of the people, and gave the signal for the battle and for the retreat, Nu 10:1-10. David, in order to give the best effect to the music of the tabernacle, divided the four thousand Levites into twenty-four classes, who sung psalms, and accompanied them with music. Each of these classes was superintended by a leader, placed over it; and they performed the duties which devolved upon them, each class a week at a time in succession, 1Ch 16:5; 23:4-5; 25; 2Ch 5:12-13. The classes collectively, as a united body, were superintended by three directors. This arrangement was subsequently continued by Solomon after the erection of the temple, and was transmitted till the time of the overthrow of Jerusalem. It was indeed sometimes interrupted, during the reign of the idolatrous kings, but was restored by their successors, 2Ch 5:12-14; 29:27; 35:15. It was even continued after the captivity, Ezr 3:10; 12/45/type/ylt'>Ne 12:45-47; 1 Mac. 4:54; 13:51. It should be remarked, however, that neither music nor poetry attained to the same excellence after the captivity as before that period.
There were women singers as well as men in the temple choir; for in the book of Ezra, among those who returned from the Babylonish captivity, there are said to have been two hundred, Ezr 2:65; and in Ne 7:67, we read of two hundred and forty-five singing men and women. The Jewish doctors will, indeed, by no means admit there were any female voices in the temple choir; and as for those ??????meshoreroth, as they are called in the Hebrew, they suppose them to be the wives of those who sung. Nevertheless, the following passage makes it evident that women, likewise, were thus employed: "God gave to Heman fourteen sons and three daughters; and all these were under the hands of their father for song in the house of the Lord, with cymbals, psalteries, and harps, for the service of the house of God," 1Ch 25:5-6. Instrumental music was first introduced into the Jewish service by Moses; and afterward, by the express command of God, was very much improved with the addition of several instruments in the reign of David. When Hezekiah restored the temple service, which had been neglected in his predecessor's reign, "he set the Levites in the house of the Lord, with cymbals, with psalteries, and with harps, according to the commandment of David, and of Gad the king's seer, and Nathan the prophet; for so was the commandment of the Lord by his prophets," 2Ch 29:25.
The harp, ????, kinnor, was the most ancient of the class of stringed instruments, Ge 4:21. It was sometimes called ??????, or "eight stringed," 1Ch 15:21; Ps 6:1; 12:1; although, as we may gather from the coins or medals of the Maccabean age, there were some harps which were furnished with only three strings. The nablum or psaltery, ???????, ?????, ???, is first mentioned in the Psalms of David. In Ps 33:2; 144:9, it is called ???? "a ten-stringed instrument;" but in Ps 92:3, it is distinguished from it. Josephus assigns to it twelve strings, which, taken in connection with the fact above stated, leaves us to conclude that it sometimes had ten and sometimes twelve strings. It was not played with a bow or fret, but with the fingers: the act of playing it is expressed in Hebrew by the word
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and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
and the name of his brother is Jubal, he hath been father of every one handling harp and organ.
And Laban saith to Jacob, 'What hast thou done that thou dost deceive my heart, and lead away my daughters as captives of the sword? Why hast thou hidden thyself to flee, and deceivest me, and hast not declared to me, and I send thee away with joy and with songs, with tabret and with harp,
Why hast thou hidden thyself to flee, and deceivest me, and hast not declared to me, and I send thee away with joy and with songs, with tabret and with harp,
And Miriam the inspired one, sister of Aaron, taketh the timbrel in her hand, and all the women go out after her, with timbrels and with choruses;
And Jehovah speaketh unto Moses, saying, 'Make to thee two trumpets of silver; beaten work thou dost make them, and they have been to thee for the convocation of the company, and for the journeying of the camps; read more. and they have blown with them, and all the company have met together unto thee, unto the opening of the tent of meeting. And if with one they blow, then have the princes, heads of the thousands of Israel, met together unto thee; And ye have blown -- a shout, and the camps which are encamping eastward have journeyed. And ye have blown -- a second shout, and the camps which are encamping southward have journeyed; a shout they blow for their journeys. 'And in the assembling of the assembly ye blow, and do not shout; and sons of Aaron, the priests, blow with the trumpets; and they have been to you for a statute age-during to your generations. 'And when ye go into battle in your land against the adversary who is distressing you, then ye have shouted with the trumpets, and ye have been remembered before Jehovah your God, and ye have been saved from your enemies. And in the day of your gladness, and in your appointed seasons, and in the beginnings of your months, ye have blown also with the trumpets over your burnt-offerings, and over the sacrifices of your peace-offerings, and they have been to you for a memorial before your God; I, Jehovah, am your God.'
and David and all the house of Israel are playing before Jehovah, with all kinds of instruments of fir-wood, even with harps, and with psalteries, and with timbrels, and with cornets, and with cymbals.
and Mattithiah, and Elipheleh, and Mikneiah, and Obed-Edom, and Jeiel, and Azaziah, with harps, on the octave, to oversee.
Asaph the head, and his second Zechariah; Jeiel, and Shemiramoth, and Jehiel, and Mattithiah, and Eliab, and Benaiah, and Obed-Edom, and Jeiel, with instruments of psalteries, and with harps; and Asaph with cymbals is sounding;
Of these to preside over the work of the house of Jehovah are twenty and four thousand, and officers and judges six thousand, and four thousand gatekeepers, and four thousand giving praise to Jehovah, 'with instruments that I made for praising,' saith David.
all these are sons of Heman -- seer of the king in the things of God -- to lift up a horn; and God giveth to Heman fourteen sons and three daughters. All these are by the side of their father in the song of the house of Jehovah, with cymbals, psalteries, and harps, for the service of the house of God; by the side of the king are Asaph, and Jeduthun, and Heman.
and the Levites, the singers, to all of them, to Asaph, to Heman, to Jeduthun, and to their sons, and to their brethren, clothed in white linen, with cymbals, and with psalteries, and harps, are standing on the east of the altar, and with them priests, to a hundred and twenty, blowing with trumpets -- yea, it cometh to pass, as one are trumpeters and singers, to sound -- one voice -- to praise and to give thanks to Jehovah, and at the lifting up of the sound with trumpets, and with cymbals, and with instruments of song, and at giving praise to Jehovah, for good, for to the age is His kindness, that the house is filled with a cloud -- the house of Jehovah, read more. and the priests have not been able to stand to minister from the presence of the cloud, for the honour of Jehovah hath filled the house of God.
And he appointeth the Levites in the house of Jehovah with cymbals, with psalteries, and with harps, by the command of David, and of Gad, seer of the king, and of Nathan the prophet, for by the hand of Jehovah is the command, by the hand of His prophets;
And Hezekiah saith to cause the burnt-offering to ascend on the altar; and at the time the burnt-offering began -- began the song of Jehovah, and the trumpets, even by the hands of the instruments of David king of Israel.
And the singers, sons of Asaph, are on their station, according to the command of David, and Asaph, and Heman, and Jeduthun seer of the king, and the gate keepers are at gate and gate; it is not for them to turn aside from off their service, for their brethren the Levites have prepared for them.
apart from their servants and their handmaids; these are seven thousand three hundred thirty and seven: and of them are singers and songstresses two hundred.
And those building have founded the temple of Jehovah, and they appoint the priests, clothed, with trumpets, and the Levites, sons of Asaph, with cymbals, to praise Jehovah, by means of the instruments of David king of Israel.
apart from their servants and their handmaids -- these are seven thousand three hundred thirty and seven; and of them are singers and songstresses, two hundred forty and five.
And the singers and the gatekeepers keep the charge of their God, even the charge of the cleansing -- according to the command of David and Solomon his son, for in the days of David and Asaph of old were heads of the singers, and a song of praise and thanksgiving to God. read more. And all Israel in the days of Zerubbabel, and in the days of Nehemiah, are giving the portions of the singers, and of the gatekeepers, the matter of a day in its day, and are sanctifying to the Levites, and the Levites are sanctifying to the sons of Aaron.
And he set me up for a proverb of the peoples, And a wonder before them I am.
They lift themselves up at timbrel and harp, And rejoice at the sound of an organ.
To the Overseer, 'Concerning the Inheritances.' -- A Psalm of David. My sayings hear, O Jehovah, Consider my meditation.
To the Overseer with stringed instruments, on the octave. -- A Psalm of David. O Jehovah, in Thine anger reprove me not, Nor in Thy fury chastise me.
To the Overseer, on the octave. -- A Psalm of David. Save, Jehovah, for the saintly hath failed, For the stedfast have ceased From the sons of men:
Give ye thanks to Jehovah with a harp, With psaltery of ten strings sing praise to Him,
On ten strings and on psaltery, On higgaion, with harp.
O God, a new song I sing to Thee, On a psaltery of ten strings I sing praise to Thee.
And harp, and psaltery, tabret, and pipe, And wine, have been their banquets, And the work of Jehovah they behold not, Yea, the work of His hands they have not seen.
Singing is to you as in a night sanctified for a festival, And joy of heart as he who is going with a pipe, To go in to the mountain of Jehovah, Unto the rock of Israel.
Singing is to you as in a night sanctified for a festival, And joy of heart as he who is going with a pipe, To go in to the mountain of Jehovah, Unto the rock of Israel.
Therefore my heart for Moab as pipes doth sound, And my heart for men of Kir-Heres As pipes doth sound, Therefore the abundance he made did perish.
In Eden, the garden of God, thou hast been, Every precious stone thy covering, Ruby, topaz, and diamond, beryl, onyx, and jasper, Sapphire, emerald, and carbuncle, and gold, The workmanship of thy tabrets, and of thy pipes, In thee in the day of thy being produced, have been prepared.
at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, the symphony, and all kinds of music, ye fall down and do obeisance to the golden image that Nebuchadnezzar the king hath raised up:
at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, the symphony, and all kinds of music, ye fall down and do obeisance to the golden image that Nebuchadnezzar the king hath raised up:
at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, the symphony, and all kinds of music, ye fall down and do obeisance to the golden image that Nebuchadnezzar the king hath raised up:
Therefore at that time, when all the peoples are hearing the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and all kinds of music, falling down are all the peoples, nations and languages, doing obeisance to the golden image that Nebuchadnezzar the king hath raised up.
Thou, O king, hast made a decree that every man who doth hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and the symphony, and all kinds of music, doth fall down and do obeisance to the golden image;
Thou, O king, hast made a decree that every man who doth hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and the symphony, and all kinds of music, doth fall down and do obeisance to the golden image;
Now, lo, ye are ready, so that at the time that ye hear the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and the symphony, and all kinds of music, ye fall down and do obeisance to the image that I have made! -- and lo, ye do no obeisance -- in that hour ye are cast into the midst of a burning fiery furnace; who is that God who doth deliver you out of my hands?'
In that day there is on bells of the horse, 'Holy to Jehovah,' And the pots in the house of Jehovah Have been as bowls before the altar.